10 years later, one of the first geometric typefaces in our portfolio and a popular favorite of yours is rising to a whole new level! We’re revealing the stand-alone type family Code Next—a staggering evolution from Code Pro in functionality, versatility, and application. The transformation includes 6 new weights, 10 new Italics, full support of Extended Cyrillic and Greek, full redesign and glyphs refinement, 2 variable fonts, to name but a few. Going back to 2011, the grotesque-inspired Code Pro was designed to complement memorable pieces that make a statement. Balancing between stylization and simplification, it was encoded with the distinct voice of basic organic shapes to stand the test of time. Little did we know, it would expand and live up to the potential of a “font from the future” as the new Code Next. Today, a type family of 22 styles, this geometric sans solidifies its relevance and carries a strong constructive aesthetic through simplified forms with a twist. These fit any modern design in print, web, and display visualization. Developed to go above and beyond, Code Next comes prepared for multi-script projects with Extended Latin, Extended Cyrillic, and Greek. Explore Code Next’s versatility and switch things up with the help of 2 variable fonts, more than 1280 glyphs, and an extensive OpenType features set including small caps, standard and discretionary ligatures, contextual and stylistic alternates, stylistic sets, case sensitive forms, and much more. Overview: • Font family of 22 fonts • 10 weights • Languages - Full support of Extended Latin; Extended Cyrillic; Greek • Entirely refined design and metrics • Glyph count - 1288 • Variable fonts - 2 fonts OpenType features: • Small Caps • Standard Ligatures • Discretionary Ligatures • Contextual Alternates • Stylistic Alternates • Stylistic Sets • Case-Sensitive Forms • Ordinals • Localized Forms • Lining Figures • Proportional Figures • Tabular Figures • Oldstyle Figures • Subscripts • Scientific Inferiors • Superscripts • Numerators and Denominators • Fractions • Roman figures • Extensive mathematical support • Navigation symbols

Gliker was designer in the early 2019 and published in June 2020. Gliker is inspired by the characteristics of Hobo Typefaces. All corners of this typeface is founded, giving a more dynamic and vintage feel. Gliker is available in 4 Weights (Regular, Semi Bold, Bold, Black) and 7 Widths (Extra Condensed, Condensed, Semi Condensed, Normal, Semi Expanded, Expanded, Extra Expanded) with a total 28 Styles. Also includes support for 75+ Latin (Extended) Languages.

Bodoni Classic Free Style is my really fat, high contrast free flowing, liberated designed, script-like non-script extension to my ever expanding Bodoni Classic family.

Azebra is an elegant connected letter cursive script arriving with a family of detailed & artistic styles. Azebra features diagonal hatched texture, in extruded & shadow variations. Azebra is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications.

Distancia is a super-extended sans family of six weights. Inspired by stunning 70's sports cars advertisement, this typeface is designed for sheer elegance and casual experience. Distancia has its own particular friendly and warm appearance of modern touch. With its extensive and open proportions, it makes a grand appearance for your projects.

Alfazine Script is a bold and spirited script with extensive ornate detailing. This versatile font is evocative of antique signpainters' letters, circus wagon & carnival booth graphics, groovy 1960s psychedelic scripts, and even sportswear team insignias, all combined with a modern approach towards lively curlicues and ball finial stroke ends. As with all other font offerings from Mysterylab Designs, we take great care with artful kerning and weight-matching of glyphs to allow this font to be used not only at attention-grabbing headline and logo sizes, but also at small body copy sizes in extended passages. Alfazine also features an extruded shadow version that's very useful for designing logos and customized layered lettering.

Night Life JNL follows the classic lettering forms of the Art Deco era of the 1930s and 1940s. On the upper case letters, the A,B,E,F,H,K,P and R have extended horizontals, while the lower case a,b,e,f,h,k,p and r have those extensions removed and are more traditional in design.

Eurostile Next is Linotype's redrawn and expanded version of Aldo Novarese's 1962 design. This new version refers back to the original metal types and to its mid-century modern aesthetic of squarish characters and subtle curves. Eurostile Next brings back the gentle curves, which were lost in other digital versions, therefore regaining the spirit of the original design and its somewhat softer demeanor. The family has been greatly expanded, now consisting of five different weights: ultra light, light, regular, semibold, and bold. Along with the regular width, all weights also have extended and condensed versions. Stylistically, Eurostile Next is well suited for designs in the fashion of the 50's and 60's, yet it still has a remarkably new and contemporary feeling. Its numerous variations and typographic features are invaluable for projects ranging from extensive corporate branding to one-off posters and from large signage to small print text.

Eurostile Next is Linotype's redrawn and expanded version of Aldo Novarese's 1962 design. This new version refers back to the original metal types and to its mid-century modern aesthetic of squarish characters and subtle curves. Eurostile Next brings back the gentle curves, which were lost in other digital versions, therefore regaining the spirit of the original design and its somewhat softer demeanor. The family has been greatly expanded, now consisting of five different weights: ultra light, light, regular, semibold, and bold. Along with the regular width, all weights also have extended and condensed versions. Stylistically, Eurostile Next is well suited for designs in the fashion of the 50's and 60's, yet it still has a remarkably new and contemporary feeling. Its numerous variations and typographic features are invaluable for projects ranging from extensive corporate branding to one-off posters and from large signage to small print text.

The Meez is a geometric, extremely extended sans-serif typeface strictly intended for use as a display font. The family consists of three styles: Light, Regular and Bold. In each weight, all letterforms retain the same width, which make it ideal for titling use.

ITC Flatiron is a revival of an extended all cap headline font from the Photo-Lettering Collection. This hand-drawn sans serif face has uncharacteristic mono-weight letterforms. Deliberately expanded and almost absurdly wide, ITC Flatiron has an unusual style, one that is almost irreverent.""

Redoneta Rounded is an extension of Redoneta font family created by Rafael Jordan, adding kindness to the rational geometry, keeping its workhorse vocation mixing efficiency and the beauty of simplicity. Redoneta Rounded is available in 6 weights and its matching italics. It has an extended collection of OpenType features, including seven stylistic sets to customize how performs in multiple ways.

Flying, elegant, handwritten font Orange Mochi. The font is built on the basis of personal handwriting, has narrow and wide glyphs, brave external elements, alternative letters and funny ligatures. The font works well in an array of text, titles and logos. Display font Extended latin & cyrillic

Quebra Expa (Expanded) is an extend display sans-serif font family, available with four widths (Extra Condensed, Condensed, Normal and Expanded) and ten weights, italics versions are available. The main strokes contain small breaks simulating modulated variations on the letterforms, these details are more present on large body sizes. All font versions contain Latin and Cyrillic encoding characters and also ligatures, case-sensitive forms, fractions, oldstyle and finally tabular figures.

Time to grunge it up again with another detailed masterpiece from Guillaume Séguin. Character set has been greatly expanded, ready for some rough and tough designs in many languages. Rock on! ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

TOBOGGAN | Utility Display Typeface Toboggan is a utility display typeface with classically influenced proportions, calligraphic elements, and sporting roots. With 9 weights, upright, and true italics, Toboggan comes in a total of 18 fonts. With flexibility from a crisp Thin weight to an imposing Super in both upright and italic, Toboggan thrives as a utility font spanning the columns of extended text, in artful editorial layouts, eye-catching motion graphics, or commanding headlines in a title role. First drafted around the frame of a perfect circle, Toboggan evolved by taking inspiration from the sweeping contours of the automotive world, expanding into wider proportions, and adopting an abrupt set of constructed features. Sturdy with the spirit of sport, Toboggan’s final form preserves a human connection through features of the written hand, while minimal contrast and its chopped terminals bring a decisive tone with clinical precision. Features: - Nine weights and true Italics - Multilingual support (Extended Latin - Includes Western European coverage and more) - OpenType features including small-caps, stylistic sets, contextual punctuation & more - Extensive numeral sets including stylistic sets, circled, and squared numbers

Stobart is a script font based on the characters written in a letter by Mr Henry Stobart, dated 1899. It contains over 1200 individual glyphs, supports the extended latin character set and includes a total of 8 different alphabet sets to make up the extensive OpenType contextual substitution needed to make the font appear as genuinely handwritten as possible. It is for this reason that Stobart is an exclusively OpenType font and is intended for use in an application that has advanced OpenType support, although it should be said that the font will work (as in appear) in any application on any operating system that supports the OpenType font format, albeit without all those delightful features that make it a connected script.

The original brief for Vox was a extensive monoline typeface that can be both precise and friendly, yet contain enough choice of seamlessly interchangeable variants for the user to be able to completely transform the personality of the typeface depending on the application. Basically, a sans serif with applications that range from clean and transparent information relay to sleek and angular branding. When the first version of Vox was released in 2007, it became an instant hit with interface designers, product packagers, sports channels, transport engineers and electronics manufacturers. This new version (2013) is the expanded treatment, which is even more dedicated to the original idea of abundant application flexibility. The family was expanded to five weights and two widths, with corresponding italics, for a total of 20 fonts. Each font contains 1240 glyphs. Localization includes Cyrillic and Greek, as well as extended Latin language support. Built-in OpenType features include small caps, caps to small caps, four completely interchangeable sytlistic alternates sets, automatic fractions, six types of figures, ordinals, and meticulous class-based kerning. This kind of typeface malleability is not an easy thing to come by these days. For additional versatility, take a look at Vox Round, the softer, but just as extensive, counterpart to this family.

Cross Stitch Gothic is not intended for text use. It was designed for use as fancy monograms or initials. Cross Stitch Gothic is based on upper case characters 28 stitches tall and contains the characters A-Z. Most characters extend above the capital line or below the base line.

Initially inspired by an untitled typeface from an old hand-lettering book, Berber has been extensively developed over two incarnations to function as a very strong and confident sans. The 2011 Berber revisions have enabled Berber to be used across longer settings as well as its more conventional use on larger applications such as signage. Berber was used as the text face for issue 46 of Eye, the graphic design journal. The typeface now features both king caps and small caps. Extensive additions to the numerals sets and complete opentype sets of international diacritics also extend its usage.

Scape is a precisely drawn, contemporary stencil face built from a single weight rounded end stroke. The fine, linear rounded forms create a subtle contrast to the raw utilitarian nature of the stenciled characters. Extremely versatile, Scape is highly legible due to it’s upright, consistently balanced sans letterforms. Stylistically, it exemplifies refinement and clarity with an distinct edge. Features include: Precision kerning Expanded ligature set Alternate characters (O, _, ®) Alternate zero Extended language support (Latin-1 and Latin Extended-A) *Requires an application with OpenType and/or Unicode support.

Bodoni Classic Ultra is my really fat, high contrast extension to my ever expanding Bodoni Classic family. The Script cut is very decorative, the italic cut can be mixed with it to give it a calmer touch.

PH from Fontfabric Type Foundry is a multifaceted font system consisting of different font weights and type of condensation. Every one of these font weights contains a number of extension types - Condensed, Narrow, Regular, Extended and Wide. Along with all of this, you will also discover added groups of extras which could serve as a foundation or add that extra "cherry on the cake" to each unique design.

Klapt Cyrillic is a geometric sans serif family that is soft on the outside and sharp on the inside. This font family of four weights includes an extended character set supporting most Latin languages ⁠ and extended Cyrillic — even Vietnamese, Serbian, Bulgarian and many more. Klapt Cyrillic can be bold or very elegant and is well suited for designs ranging from branding and corporate identity to editorial design or web design. It has a timeless style and is great for display purposes, especially for headlines, posters, magazines, book covers, logos... you name it! Feel free to share your designs using Klapt Cyrillic or just get in touch via email to hi@seventype.com. Klapt Cyrillic is the extension of Klapt.

JUNO is a soft & friendly script font for display use. Inspired by latin American vernacular signs, defined by the freshness of the freehand strokes, and mixed with the rigor of typography. Juno is well suited for packaging, headlines, advertising and any handmade feels graphic. Designed with a wide range of options, its variables move between tow poles; regular to black & condensed to expanded, plus true italics. This 40 font family sums up to 5 weight subfamilies: Regular, Semi Condensed, Condensed, Semi Expanded, Expanded. Designed with powerful opentype features, alternate characters and extended language support. We’re proud to introduce: Juno.

This is Kimberly Gesweins own handwriting, named for a sweet California friend of hers. Kimberly has spotted the original free version of this font in use in the far outskirts of China, and now - with the expanded language support - this Pro version can also be used in more remote parts of the western world. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Inspired by the lettering on a perfume, Halmos extrapolated a complete uppercase alphabet, and he also created a matching lowercase. Now the character set has been expanded completely, and this stylish Art Deco font is ready to create some headlines, new logos and wordmarks in many more languages. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

This font has that grungy, gritty look, and combines it with some elegant swirls. Weird and wonderful. I have added swirls and decorations to ALL the uppercase letters that did not have them, so there are now wider possibilities to add interesting decorations to your composition. In addition to the expanded language support, of course. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

A classic "wild west" or circus type font - perfect for oldstyle posters and anything needing an antiquated look. I have switched a few letters around, and made the uppercase M narrower - and then kerned it and expanded the character set. "Howdy pardiner!" ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

I just loved the design idea behind this font, but the original font had a lot of ugly artifacts - so I have completely redrawn ALL the letters, before expanding the character set. The lowercase has been redrawn with a higher x-height, making the font even more usable (with more "normal" word shapes). ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

A range of retro initials mimicking the keys of an old style typewriter. Expanded from just a basic ASCII character set to our usual large CheapProFonts selection of glyphs. (I'm not sure all of them appears in the beginning of words, though. ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

A very chunky and rounded font. I have shortened the r and t, increased the size of the dots, and tweaked a little here and there - before expanding the character set substantially. I actually like the font so much that I also used it for the CheapProFonts logo! ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual "western" glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Coen Hofmann revives an original design by Germany type foundry Schriftguss from 1940: His digital Admira is expanded with an extensive open type character set and even provides full Cyrillic. The face is set to best use at point sizes above 24.

Alesand A new contemporary font family designed with balance and versatility. The addition with outline and extrude font styles, makes it very simple to coat these fonts together perfectly. Simply duplicate the "Extra Bold" layer and change the setting to "Outline, Extrude", and the type will be automatically offset for you! And supports international communication extending to Western languages. Perfect for displays, headers, invitations, save the dates, weddings, brand creation, graphic design and so much more, Alesand will become a playful staple in your font library!

Rufo — condensed geometric sans serif with the closed forms. Contains 12 fonts. 6 regular and 6 italic. From thin to black. A rich palette gives full freedom for creativity and bright decisions. Extensive area of use. The versatility of the sans serif typeface covers various aspects of graphic design. Web, printed materials, clothing, logos, posters, labels and much more. Rufo is pragmatic typeface. Can save space and will accommodate a large amount of information in a limited space. The font was designed so that condensed letters remains readable even in small sizes. Opentype: alternate numbers, oldstyle numbers, arrows, fractions and automatic fractions, case sensitive forms, superscript and subscript, numerators and denominators. Support: cyrillic, cyrillic extended, latin, latin extended (Western European, Central European, South-East).

Jeames brings familiarity to the often detached feeling extended serif genre. The curved, heavy, joints let the letters bounce along while the proportions and contrast keep your eyes grounded. This mid century inspired family of three weights is intended for large titles and display. The set includes language support, opentype fractions, and other fun glyphs. You can learn more about its development here.

CASU aérospatiale is an extruded 3-D font supported by equivalent "flat" styles. CASU aérospatiale is relaxed in character yet smooth in details. With the full family, you get many options for playing with text: add juxtaposition, depth, and texture to your work! CASU aérospatiale is extended, containing West European diacritics and ligatures, making it suitable for multilingual environments and publications.

Faculty is a robust, warm and rational sans, with a large x-height that lends clarity in text and headline. Functional, clear and authoritative, it still has character. Stroke terminals are cut vertically or horizontally, minimising inter-letter gaps and lending it an even 'colour' in extended settings. Suitable for both headlines and text, the family has extensive language support, alternative characters, lining, tabular and old style numerals, making it a versatile all-purpose type system.

Centima Pro is an enhance development of Centima – a geometric Sans Serif typeface, released back in 2011. Centima Pro family consists of two sub-families Sans and Serif fonts. Centima Sans – an upgraded version of Centima, with careful refinements to glyph shapes and extension of glyph amounts, which enabled support of Cyrillic languages. A new extended sub-family Centima Serif have been added to the Centima Pro family. This typeface is released in OpenType format with some OpenType features.

Scam is a discordantly eccentric geometric display face with exaggerated, alternating forms. Letters variate in extremes between bold and blacked-out and strictly linear, creating unpredictably unique letter pairings. Stylistically, Scam pushes the boundaries of type-as-image while retaining an acute legibility and refinement, greatly contrasting its aberrant nature. Features include: -Precision kerning -Expanded ligature set (89 unique ligatures, plus alternates) -Alternate characters (D, H, O, P, Q, R, 0, 6, 9, 8, _) -Alternate ligatures -Slashed zero -Full set of numerators/denominators -Automatic fraction feature (supports any fraction combination) -Extended language support (Latin-1 and Latin Extended-A) *Requires an application with OpenType and/or Unicode support.