HildiniaDonut is the second font designed by Hilde Rikken (age 10). I think a mouse took a little bite out of all the characters...

FG April works great with all caps as well emphasized by the double lines. It doesn't connect but feels like a script.

Industrial Gothic recalls the Industrial Revolution of the 19th century. There are four styles: Single-Line, Double-Line, Banner, and Small Caps.

Kenwyn is a bold, geometric, Egyptian style slab-serif display font. It comes in two variations — Single Dot and Double Dot — each with an accompanying Stencil variation. Essentially a blend of circles and squares, Single Dot features a circular counter at the centre of each character, while Double Dot uses a lower and upper circle. Although the two variations are similar in principle, the results are visually quite different.

A noisy, clumsy and spattered font. Comes with ligatures for double letters. You will need to use OpenType supporting applications to use the autoligatures.

JH Tania 2x is geometric typeface, including a double stripe & a black weights. It has a modern design ideal for logos / branding and titles..

This 3D lettering font was done with my inky ballpoint pen. Comes with ligatures for double lettering and alternate letters in upper- and lowercase.

A crunchy scripty and curly font. Comes with ligatures for double letters. You will need to use OpenType supporting applications to use the autoligatures.

Junkwerk is my heavy metal grunge font! It has got that feel like something that was stamped on, jumped on, shaken and headbanged for hours...just like how you would feel after hours of heavy metal! Comes with different upper- and lowercase letters, alternate letters and ligatures for both double letters and double numbers - and ofcourse it has got unique accented letters! You will need to use OpenType supporting applications to use the ligatures.

BAQ Rounded sets itself up as a simplistic and blocky font, but it hides a deeper form. With indents in all the right places, this font creates a double image in our mind, of the form we see and the form we know, letters that bulge into blobs and letters that are easy to follow. This double image results in a casual, over the top yet easy to read font designed for relaxing and carefree messages.

Lewis F. Day, in his 1910 classic Alphabets Old and New, filed this work by Laurence Schall under the category of Celtic-inspired, and surely it is both. This font included a few special extras, including a Celtic cross in the florin position, a Celtic knot is the dagger position, a shamrock as the asterisk, and a double shamrock in the double-dagger position. Both versions of this font include the Latin 1252 and Central European 1250 character sets.

I love riding English double decker buses! I haven’t been on one lately, but for some reason I had an image of a red double decker bus in my head when I made this font. Doubledecker is a bold, cartoon-like, handmade font. It comes in regular and dots, plus a bonus doodle font called Doubledecker Stuff. Use it for any design that needs a tad of loud, a pinch of unusual and a wee bit of polka.

K-Type’s ‘Banks & Miles’ fonts are inspired by the geometric monoline lettering created for the British Post Office in 1970 by London design company Banks & Miles, a project initiated and supervised by partner John Miles, and which included ‘Double Line’ and ‘Single Line’ alphabets. The new digital typeface is a reworking and extension of both alphabets. Banks & Miles Double Line is provided in three weights – Light, Regular and Dark – variations achieved by adjusting the width of the inline. Banks & Miles Single Line develops the less used companion sans into a three weight family – Regular, Medium and Bold – each with an optically corrected oblique. Although the ‘Banks & Miles Double Line’ and ‘Banks & Miles Single Line’ fonts are based on the original Post Office letterforms, glyphs have been drawn from scratch and include numerous adjustments and impertinent alterations, such as narrowing the overly wide Z and shortening the leg of the K. Several disparities exist between the Post Office Double and Single Line styles, and K-Type has attempted to secure greater consistency between the two. For instance, a wide apex on the Double Line’s lowercase w is made pointed to match the uppercase W and the Single Line’s W/w. Also, the gently sloping hook of Single Line’s lowercase j is adopted for both families. The original Single Line’s R and k, which were incongruously simplified, are drawn in their more remarkable Double Line forms, and whilst the new Single Line fonts are modestly condensed where appropriate, rounded letters retain the essentially circular form of the Double Line. Many characters that were not part of the original project, such as @, ß, #, and currency symbols, have been designed afresh, and a full set of Latin Extended-A characters is included. The new fonts are a celebration of distinctive features like the delightful teardrop-shaped bowl of a,b,d,g,p and q, and a general level of elegance not always achieved by inline typefaces. The Post Office Double Line alphabet was used from the early 1970s, in different colours to denote the various parts of the Post Office business which included telecommunications, counter services and the Royal Mail. Even after the Post Office was split into separate businesses in the 1980s, Post Office Counters and Royal Mail continued use of the lettering, and a version can still be seen within the Royal Mail cruciform logo.

Chittenden is a painstakingly hand-crafted, hand-drawn decorative font that get its inspiration from classic serif fonts, and adds some double-stroked panache of its own.

A wrecked, monospaced font containing ligatures for double letters, alternate letters and unique accented characters! You will need to use OpenType supporting applications to use the autoligatures.

Macro is a hand-drawn display font available in a regular and a bold version. Both versions come with double upper cases. Prepare to make a monstrous statement!

The double amount of Monopoint is Doublepoint - Isn't that simple? By overlaying the single weights from light to bold you will get a nice outline-in-outline look.

A sort of latin inspired and hand scribbled font. Comes with ligatures for double letters. You will need to use OpenType supporting applications to use the auto-ligatures.

An inline version of the Latin bold condensed, and designed on the suggestion of Robert Harling. There is a double white line, which was originally engraved in Latin type.

A wrecked, monospaced font containing ligatures for both double letters and numbers, alternate letters and unique accented characters! You will need to use OpenType supporting applications to use the autoligatures.

GRIBA Typeface is an experimental display typeface, based on every shape of each characters and transformed into double lines. This font is perfect for poster, titles, and t-shirt designs.

Digging a typeface with a sweet mood? Kinglet is sassy, hand-drawn, and sports a royally fun set of double letter ligatures. Like it's namesake, Kinglet is lively and lovable.

Quiet Night is my scribbled art deco font. Despite it's slightly jumpy and rough apperance, the font is super legible - even at smaller sizes. Comes with ligatures for double letters.

Heruina oozes of feminine handwriting...comes with ligatures for both double letters and the most common letter combinations! You will need to use OpenType supporting applications to use the autoligatures

Kurph has got ligatures for both double letters and numbers, along with alternate versions of all lowercase letters. You will need to use OpenType supporting applications to use the ligatures.