Inked Balterm is a hand-inked typeface with a humanist touch. It provides visual interest through the contrasting elements of the thin strokes mixed with the solid ball terminals. The placement of each ball terminal is varied and placed at the most defining point of interest and distinction in each letterform; creating an appealing visual rhythm. Great for display and works in smaller text settings.

This font is closely based on classical proportions, with flared terminals. Small Capitals are 7/8 the size of the capitals

Quiche Flare is a high-contrast, flared serif typeface featuring foxtail ball terminals, swash capitals, and geometric proportions. With weights ranging from Thin to Black with matching italics, it’s useful for a variety of display applications across products, packaging, labels, invitations, stationery, fashion, etc. The design exhibits both elegance and a touch of whimsy with the foxtail terminals and the flared serifs add more interest, beauty, and movement to the characters.

Griftone is a strong and modernist display typeface designed for use in large size. Inspired by style design that is a currently popular. Griftone have some letters and ligatures with an alternative style to facilitate you in determining the letter that fits your design. Griftone is perfect use for headlines, poster, cover books, t-shirt, logotype and all you needs of every idea that you will pour in this modern era. Griftone was build 520 glyphs with numbers, punctuation, symbol and support +75 languages.

Tarocco is a typical book face with good readability and rather tall x-height. The origin for this typeface is found in Nordisk Antikva. A typeface especially constructed with attention for the Swedish language. Waldemar Zachrisson was determined to realize his ideas and in 1906 he began to cooperate with the foundry Genzsch & Heyse, based in Hamburg. Some influences of Jugendt can be found and the typeface were released in 1910. It became rather popular until around 1930. The MRF version includes 7 weights all together.

Fromage is a modern and bold high-contrast sans serif that balances visual interest with restraint. Designed with Adam Ladd’s signature personality, Fromage has dramatically angled terminals and elongated stroke endings that lend both an elegant air and a dynamic rhythm, making it an obvious choice for fashion, beauty, or luxury branding. With horizontal rather than the sheared terminals, Fromage Alt offers a more classic and refined look, conveying touches of a traditional serif Didone.

The Sonnambula is a handwritten and expanded font with terminal ornaments, designed to write very elegant titles or calligraphic texts. The name of this typography is dedicated to the opera La Sonnambula by Vincenzo Bellini. - Use the following characters for terminal ornaments: () [] - 380 glyphs. Latin Extended-A • OTF & TTF - OpenType Functions: Discretionary Ligatures, Kerning, All Alternates, Additional languages, Standard Ligatures, Slashed Zero, Capital Spacing, Ornaments, Ordinals, Mathematical Greek, Fractions, Localized Forms. - Bitcoin symbol: b# (ligatures)

A light roundhand with mildly clubbed terminals on the capitals. It was expertly transferred from an engravers’ pattern plate to the Fotosetter Intertype about 1955.

Andale Mono was designed by Steve Matteson. It is a highly legible monospaced font designed with the needs of terminal emulation and software development environments.

Roseau Slab is a slab-serif font family that is both modern and minimalist. The various weights provide a variety of options for determining the best typographic color for your project. This is an unrivaled sans serif for differentiating your headlines, branding visual identity, poster, logo, magazines, and so on. 5 Weights (Light, Regular, Semibold, Bold, Black) Basic Latin A-Z and a-z Numbers Punctuation Ligatures Multilingual Support for ä ö ü Ä Ö Ü ... Free updates and feature additions Thanks for looking, and I hope you enjoy it.

Mol is a slightly condensed feminine serif font recommended for use as a display typeface. It features hairline serifs, strong vertical stress and heavy ball terminals.

A characteristic feature of the Darbee Legend is its boxy forms and the angled (unpainted) terminals. Regular to bold plus italic and a variable font (upright).

YOU WILL OBEY ALL OUR COMMANDS! YOU WILL OBEY INSTANTLY! YOU WILL OBEY WITHOUT QUESTION! OBEY! OBEY! OBEY! OBEY! OBEY! OBEY! YOU WILL BUY THIS FONT OR YOU WILL BE EXTERMINATED! Features Four fonts (Regular, Italic, Bold & Bold Italic) with alternate uppercase characters.

Enzia is a friendly and flowing sans serif. Enzia exists somewhere between a slab serif and a semi-sans, and features flared vertical stems and rounded terminals. Its bulbous terminals and open counters inject a flavor of ease and excitement. Enzia provides plenty of impact and is best used with short to medium length texts. Six different weights provide plenty of versatility and contrast for poster designs, logotypes and headlines, while still retaining excellent legibility for extended copy.

Europa gives a rectangular appearance to words. Strokes have lightly flaired terminals to give the effect of serifs. The Europa font is excellent for headlines in journals.

The antique wood type Gothic Tuscan [a spurred design with rounded terminals] was the basis for Roundwood JNL, which is available in both regular and oblique versions.

The design approach from this humanist sans-serif is much more simple and neutral than Lisboa Tamil (lacks the hook-head terminals). Latin transliteration characters were also included.

Tall X-Height, Angled Terminals and Medium Contrast, Anthro is a UI font designed with personality. Concieved as a hybrid between Grotesk & Humanist, Anthro pairs legibility with character.

Quiche is a high-contrast, sans serif typeface featuring ball terminals and angled stems. A complete branding suite, the 4 subfamilies were created to work harmoniously together based on the need. The design is influenced by the Didone genre, characterized by its elegance and extreme thick/thins, but it removes the serifs for a unique and modern expression. The high-contrast style exudes sophistication while the ball terminals soften the overall look to make it feel a little more approachable.

Diamond Crystal is made in modern calligraphy style and will look great for branding, fashion and wedding design. Diamond Crystal is a hand-drawn script font, it contains a full set of uppercase and lowercase letters, terminal letters and big set of ligatures helping to imitate handwriting. Multilingual support is included. Features: Uppercase & Lowercase Numerals & Punctuation Ligatures Terminal letters Multilingual support I hope you love it and if you have any question, feel free to contact me. Thanks. Lena (instagram @almaz_dolzhe)

Free flowing legible connected-script with glyph terminals including all diacritics. Suitable for various applications such as captions, fashion headlines, packaging, invitations, cards, posters, ads, greeting cards and book jackets..

Polke is a single weight display face brimming with style and charm but simultaneously exuding impressive core strength and a vibrant personality. Floating ball terminals rub shoulders with contrasting sharp and rounded letterforms to produce a distinctively decorative headline font built on robust foundations. Polke's name is derived from the striking terminal dots which dominate the character set, creating a Polka-Dot effect throughout. I also had the artist Sigmar Polke in mind which explains the spelling, and so the two ideas simply morphed together.

The dynamic design duo of Koziupa drawing and Paul digitizing strikes again. This time they cover the space from light nonchalance to eerie darkness, and everything in between. Quicker than lightning and just as poignant, Brisa Pro shows unprecedented determination, presence of spirit, and finality of confidence. Brisa Pro is the teenager leaving home, the lover leaving one last note on the refrigerator door, the prophet announcing the imminence of doom, the rebel scratching anger on the wall, the bereaved clawing torment into life, and the bogeyman dropping a line to keep your eyes wide open through the night.

Tall X-Height, Angled Terminals and Medium Contrast, Few Grotesk is a UI font designed with personality. Originally conceived as a hybrid between Grotesque & Humanist, Few Grotesk pairs legibility with character.

Casual and sugary, Candykitchen is an inline face with a weight problem. Frosted with occasional swashy finishing strokes and a few errant bulbous terminals, this face wants space in your cupboard.

Monoline Rounded JNL borrows the inline portion of Sales Event JNL. Making a few adjustments to some characters, it is now a lovely monoline with rounded terminals that emulates pen hand lettering.

Dulce is a swash typeface with an elegant and romantic touch. It is thin, but it becomes thick where two terminals meet and it also has swelling at terminals. Its wide range of ligatures makes it a versatile typeface, suitable for headlines and short phrases. You will see all of these ligatures on the screen, enabling “standard ligatures” and “discretionary ligatures” options. Ornaments are also included, which can be very useful for designing. Dulce is ideal for magazines, logotypes, advertising, etc. Use it for whatever you want and enjoy!

An interesting hand lettered example of Art Deco lettering (minus the letter ‘L’) was spotted on Pinterest and served as the inspiration for Deco Sketch JNL. Because there was no attribution as to the age or source of the alphabet, it can only be surmised that it was a scan from a 1930s or 1940s source. The original showed many of the irregularities of pen lettering, and had rounded terminals. The digital version has been redrawn more uniformly with flat terminals. Deco Sketch JNL is available in both regular and oblique versions.

Apud, a typeface with narrow proportions, interchangeable weights that avoid text warping, sharp serifs and square terminals. The clean, contemporary look and rigid structure makes Apud suited for any kind of publication design.

Clobber Grotesk is a grotesk typeface family designed for high readability. It includes a range of weights and a stencil variant. The terminals of the letterforms are slightly flared in order to increase legibility.

Gianna is designed for many applications for that calligraphy look. Invoking Contextual-Alternates all lower case text followed by a space will automatically prompt its Glyph Terminal, including many ligatures complete with latin diacritics.

The Woodblock font is a heavy face with angled counters and wedge serifs. The angles of the terminals and non-vertical strokes have been carefully drawn to add emphasis to the shapes of the letters.

A display face with rounded terminals stylized like drops of a liquid. For use in large sizes in advertising matter and decorative headings. The face designed by Natalya Vasilyeva and licensed by ParaType in 2007.

Ruby is a poster font with proud geometry and rounded terminals. With its roots in skateboard graphics it is young, fresh, strong and confident. Ruby comes with two complimentary styles for adding that precious sparkle.

All typewriter types are rounded and especially American Typewriter has an almost too-slick appearance. Suomi Slab Serif has the glyph shapes similar to typewriting, but the serifs, terminals and connections are crisp and sharp.

A digital foundry situated in England's rural South-West and established in 2005, Sparklefonts is Geoff Andersen, a man on a quest, from philosophy to aesthetics, from wild inspiration to wild gesticulation, from post-modernism right through to post-rationalisation. Boldly seeking unique and viable letterform architectures, he is equally determined to maintain legibility without compromising style. His journey has taken him through stencils and uncials, calligraphy and typography, through graphic design and guitar design. The story has been moving, the view spectacular, the punctuation superb. Geoff's sources are apparently limitless, his passion overwhelming, his fonts a labor of love, his therapist a Trojan!

The BD Micron Robots variable dingbats font features 52 Microns – micro-tiny robot characters with 5 mutations. The variable font technology helped breathing live into the BD Micron Robots See them in action. The Muta1 version of the font shows the Micron Robots in its original shape. Muta5 is the final stage of the Micron Robots mutations. The Variable version of the Micron Robots font is a variable font and you can determine the grade of the mutation between Muta1 and Muta5 by yourself. By the way: The BD Micron Robots perfectly fit together with the BD Micron Font, also available here at MyFonts.

A digital foundry situated in England's rural South-West and established in 2005, Sparklefonts is Geoff Andersen, a man on a quest, from philosophy to aesthetics, from wild inspiration to wild gesticulation, from post-modernism right through to post-rationalisation. Boldly seeking unique and viable letterform architectures, he is equally determined to maintain legibility without compromising style. His journey has taken him through stencils and uncials, calligraphy and typography, through graphic design and guitar design. The story has been moving, the view spectacular, the punctuation superb. Geoff's sources are apparently limitless, his passion overwhelming, his fonts a labor of love, his therapist a Trojan!

A digital foundry situated in England's rural South-West and established in 2005, Sparklefonts is Geoff Andersen, a man on a quest, from philosophy to aesthetics, from wild inspiration to wild gesticulation, from post-modernism right through to post-rationalisation. Boldly seeking unique and viable letterform architectures, he is equally determined to maintain legibility without compromising style. His journey has taken him through stencils and uncials, calligraphy and typography, through graphic design and guitar design. The story has been moving, the view spectacular, the punctuation superb. Geoff's sources are apparently limitless, his passion overwhelming, his fonts a labor of love, his therapist a Trojan!

A digital foundry situated in England's rural South-West and established in 2005, Sparklefonts is Geoff Andersen, a man on a quest, from philosophy to aesthetics, from wild inspiration to wild gesticulation, from post-modernism right through to post-rationalisation. Boldly seeking unique and viable letterform architectures, he is equally determined to maintain legibility without compromising style. His journey has taken him through stencils and uncials, calligraphy and typography, through graphic design and guitar design. The story has been moving, the view spectacular, the punctuation superb. Geoff's sources are apparently limitless, his passion overwhelming, his fonts a labor of love, his therapist a Trojan!