Elegance Monoline is ideal for invitations, greeting cards, logotypes, or anywhere a touch of elegance is desired.

Gargoyle is designed for use in headings, informal announcements or any project where a friendly look is desired,

This font was born of a desire to play with super thin and super thick lines in a script font.

Crazy sans for happy, fun time. There are two other fonts designed by in the same concept. -Deluta Black -Xesy -Ekistra

Designed at Polygraphmash type design bureau in 1984 by Vladimir Yefimov, with the addition of demi and demi italic. Based on a hot-metal typeface (1962) by Moscow book designer Vadim Lazurski (1909–1994), inspired by the early 16th century typefaces of Italian Renaissance. The typeface is useful for text and display composition, in fiction and art books. An 'expert set' was added by ParaType (ParaGraph) in 1997.

The Belucian series offers a distinguished text design supported by dynamic headline structure. In need of a distinctive display style, Smart magazine asked Font Bureau in 1990 to revise the work of Lucian Bernhard from 1925. David Berlow prepared Belucian Demi, now accompanied by Kelly Ehrgott-Milligan’s 1994 Demi Italic, added Book and Book Italic for text, and designed Ultra for dynamic impact in headlines; FB 1990–94

Distinctive and informal, this unusual script type style is suitable for a wide variety of display applications, particularly where a casual effect is desired.

Distinctive and informal, this unusual script type style is suitable for a wide variety of display applications, particularly where a casual effect is desired.

Zapf International font is the work of German designer Hermann Zapf, formal enough for widespread use yet tempered with calligraphic warmth. Vigor in the italics is achieved more from design than from slant. One of the distinguishing characteristics of Zapf International is its graduation of weights. Light and medium are relatively close and equally eloquent for text. Demi is a full two steps heavier than medium and heavy several steps beyond demi.

Sign Engraver JNL and Sign Engraver Oblique JNL reproduce the classic rounded letters and numbers engraved into plastic signs, desk nameplates and employee name tags.

Confident, endearing and youthful, Judlebug is brimming with personality that’s hard to deny. Now available in 3 weights, Judlebug is ready to light things up!

Branding Iron is similar to Barnum Block. Use the Branding Iron font for headlines, signs, menus and posters, especially where an American Western quality is desired.

Handmade Stencil JNL was inspired by the hand lettered opening credits of the 1954 film “Human Desire” and is available in both regular and oblique versions.

Valiante is a bold contemporary sans serif font. It is ideal for headlines, titles, branding, small blocks of text or wherever a fresh new look is desired.

Influenced heavily by the work of Erik Spiekerman, Axiom came out of a desire to capture Spiekerman's simplicity and elegant style. Axiom seems to work well when extended.

Rotunde is a very bold contemporary sans serif font. It is ideal for headlines, titles, branding, small blocks of text or wherever a fresh new look is desired.

Flair Hand is a pleasing hand-lettered cursive font with uppercase and lowercase alphabets, numbers, punctuation, symbols, and miscellaneous characters. The ascenders and descenders of the lowercase alphabet have exaggerated loops that add a unique flair to any message. The exaggerated-looped characters have alternate characters without loops for use where a looped character is not appropriate or desired. Flair Hand is ideal for headlines, titles, branding, small blocks of text or wherever a fresh cursive font with flair is desirable.

Lankie is a clean, contemporary, geometric, condensed sans serif font. The font is ideal for headlines, titles, branding, small blocks of text or wherever a fresh font is desirable.

Start with the basic shapes that almost every design program has. That is, the square is like a finished material. Can be arranged, rotated to get the desired typeface easily.

Bevelle is a serif font with characters that have beveled corners. It is ideal for headlines, titles, branding, small blocks of text or wherever a clean, fresh look is desired.

Cloister was designed in 1914 by Morris F. Benton. The characters of the Cloister font family have a small body and are suitable for texts where economy of space is desired.

This design from Jeff Levine defies description. It's kind of techno, somewhat of a novelty and definitely unusual. Diagon JNL is the perfect font for projects that need a very different look.

CushingTwo is the 6-font family designed for Fontographer: Practical Font Design for Graphic Designers: Regular, Oblique, Demi, DemiOblique, Bold, and BoldOblique. The two Demi variants will be listed separately in InDesign and the Creative Suite to keep things compatible with Office and such. The inspiration was a scan of the old Cushing No. 2 font in Felici's article on CreativePro about 100 year oldtype. It's a fun, open, large OpenType font of 370 characters with oldstyle figures, small caps, and small cap figures. It needs polishing, but it's good looking.

Glosilla Castellana is a classic font design remastered by the type foundry Intellecta Design. The letter forms of this traditional Roman type style make it ideal wherever a refined, classical appearance is desired.

Ad Lib was created by Freeman Craw for ATF in 1961. Sporting irregular character shapes, this informal typeface makes a good impression when a 1960s look is desired in advertising and display work.

You can not find such a lovely, unique and funny blackletter. Enjoy and have fun with this font. There are two other fonts designed by in the same concept. -Xesy -Ekistra -Deluta Black

Borealis has an over-bitmapped, whimsical quality, but retains the strength and lines of the underlying design. It's ideal for designs in which a grunge font might be desired, but legibility is crucial.

Made in collaboration with my 14-year-old daughter, this font embodies her desire for people to rise up and resist injustice in this world. The font is neat, legible, and yet slightly playful.

Designed by Heinrich Johannes Machler and released in 1931, the Salut font is a bold, upright connecting script for headline use. Salut is a good face for logotypes where a modern style is desired.

Wood Factory is a western styled typeface created by Kustomtype. Wood Factory is an old Wood Type favorite. It was designed specifically for display, headlines and titles where a wanted poster look is desired.

Woodcraft JNL is another fine example of the charm wood type adds to the printed page. The hand-cut design's eccentricities enhance any project that desires to reflect the advertising of another time and place.

Desiring to create a scrapbooking font, I based Sweet Pea loosely on my own handwriting. The characters don't sit on the baseline but tend to rise above or below it, giving a casual, handwritten appearance.