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  1. D3 Smartism TypeB - Unknown license
  2. D3 Littlebitmapism Suquare - Unknown license
  3. D3 DigiBitMapism Katakana - Unknown license
  4. D3 Littlebitmapism Katakana - Unknown license
  5. D3 Archism Italic - Unknown license
  6. D3 Honeycombism Bold - Unknown license
  7. D3 Beatmapism Curve - Unknown license
  8. D3 Mouldism Alphabet - Unknown license
  9. D3 Globalism italic - Unknown license
  10. D3 Electronism Katakana - Unknown license
  11. D3 Digitalism Italic - Unknown license
  12. D3 CuteBitMapism TypeA - Unknown license
  13. D3 Superimposism Outline - Unknown license
  14. D3 LiteBitMapism Bold - Unknown license
  15. D3 Spiralism Outline - Unknown license
  16. D3 Superstructurism Outline - Unknown license
  17. D3 Beatmapism Neo - Unknown license
  18. D3 CuteBitMapism TypeB - Unknown license
  19. D3 Egoistism extra - Unknown license
  20. D3 Superimposism Inline - Unknown license
  21. D3 Streetism Katakana - Unknown license
  22. D3 Superstructurism Kat_In - Unknown license
  23. D3 Factorism Katakana - Unknown license
  24. D3 Digitalism Round - Unknown license
  25. D3 Superstructurism Inline - Unknown license
  26. D3 Concretism typeA - Unknown license
  27. D3 Roadsterism Wide - Unknown license
  28. D3 Superstructurism Kat_Out - Unknown license
  29. D3 Skullism Katakana - Unknown license
  30. D3 Mouldism Katakana - Unknown license
  31. D3 Factorism Italic - Unknown license
  32. D3 Radicalism Katakana - Unknown license
  33. D3 Factorism Alphabet - Unknown license
  34. D3 Skullism Alphabet - Unknown license
  35. D3 Roadsterism Long - Unknown license
  36. D3 LiteBitMapism Selif - Unknown license
  37. D3 Littlebitmapism Round - Unknown license
  38. D3 Egoistism leaning - Unknown license
  39. D3 Honeycombism Sorround - Unknown license
  40. Times Europa LT by Linotype, $29.99
    In 1931, The Times of London commissioned a new text type design from Stanley Morison and the Monotype Corporation, after Morison had written an article criticizing The Times for being badly printed and typographically behind the times. The new design was supervised by Stanley Morison and drawn by Victor Lardent, an artist from the advertising department of The Times. Morison used an older typeface, Plantin, as the basis for his design, but made revisions for legibility and economy of space (always important concerns for newspapers). As the old type used by the newspaper had been called Times Old Roman," Morison's revision became "Times New Roman." The Times of London debuted the new typeface in October 1932, and after one year the design was released for commercial sale. The Linotype version, called simply "Times," was optimized for line-casting technology, though the differences in the basic design are subtle. The typeface was very successful for the Times of London, which used a higher grade of newsprint than most newspapers. The better, whiter paper enhanced the new typeface's high degree of contrast and sharp serifs, and created a sparkling, modern look. In 1972, Walter Tracy designed Times Europa for The Times of London. This was a sturdier version, and it was needed to hold up to the newest demands of newspaper printing: faster presses and cheaper paper. In the United States, the Times font family has enjoyed popularity as a magazine and book type since the 1940s. Times continues to be very popular around the world because of its versatility and readability. And because it is a standard font on most computers and digital printers, it has become universally familiar as the office workhorse. Times™, Times™ Europa, and Times New Roman™ are sure bets for proposals, annual reports, office correspondence, magazines, and newspapers. Linotype offers many versions of this font: Times™ is the universal version of Times, used formerly as the matrices for the Linotype hot metal line-casting machines. The basic four weights of roman, italic, bold and bold italic are standard fonts on most printers. There are also small caps, Old style Figures, phonetic characters, and Central European characters. Times™ Ten is the version specially designed for smaller text (12 point and below); its characters are wider and the hairlines are a little stronger. Times Ten has many weights for Latin typography, as well as several weights for Central European, Cyrillic, and Greek typesetting. Times™ Eighteen is the headline version, ideal for point sizes of 18 and larger. The characters are subtly condensed and the hairlines are finer. Times™ Europa is the Walter Tracy re-design of 1972, its sturdier characters and open counterspaces maintain readability in rougher printing conditions. Times New Roman™ is the historic font version first drawn by Victor Lardent and Stanley Morison for the Monotype hot metal caster."
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