The 1938 movie musical "Carefree" starring Fred Astaire and Ginger Rogers featured the song "Change Partners" by Irving Berlin. A copy of the sheet music for this song had the title hand lettered in a wonderful tri-line design that has been recreated in the digital typeface Fancy Dancing JNL.

A nice, ‘normal’ script font without the frills and thrills of my other work. It’s a handwritten typeface with a schoolboy kind of feel to it. Use it for your websites, your letters and product descriptions! Because of its unobtrusive nature, the font won't attract too much attention, so your work will stand out better.

Up until the late 1920s, it was a popular habit in American songwriting to use African Americans as the topic of compositions using denigrating themes, words and even exaggerated character illustrations on the covers of the published sheet music. One such example of what was considered "entertainment" for its time was a piece entitled "Little Black Me". While this now socially and morally unacceptable piece of forgettable tripe is collected by some only for the historical documentation of the times they reflected, one good "positive" came out of this negative chapter of our country's musical heritage: The beautiful floral ornamented letters in the song's title has yielded Fancy Free JNL. Originally hand-lettered on an arc, these spurred Roman letters have been re-drawn, and are offered in both the regular design and a companion version with the ornamentation removed for lettering that is less ornate.

Centennial Script Easy is the Intellecta digitization of the classic font from Hermann Ihlenburg in 1876 developed originally for the MacKellar, Smiths & Jordan typefoundry. We decided to digitize only the uppercases to this work, and to create a different version to this anciente design, we joined the uppercase to the lowercase set of another classic font, Pentagraph. This is a fraction of the global project, which is complete with the Centennial Script Fancy and Centennial Ornaments fonts, making a complete ornamental family of lettering solutions with genuine and original art-noveau taste.

Eckhardt Fancy JNL was named in honor of Al Eckhardt (1929-2005), a talented sign painter and good friend of font designer Jeff Levine. The design was inspired by a vintage alphabet found within a collection of decorative display alphabets from the type collection of the late Dan X. Solo.

This elegant yet playful offering is based on the typeface Domino designed by Alfred Riedel for the German foundry Ludwig & Mayer in 1954. Its large x-height and subtly sinuous curves make it a natural choice for headlines which are both warm and compelling. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

A 1925 edition for an orchestral arrangements catalog entitled “Carl Fischer Progressive Orchestra Edition” has the title hand lettered in a bold, stylized Roman type design. This has now become the digital font Fancy Roman JNL; available in both regular and oblique versions.

Use Fancy Flourishes to add formal or shabby chic accents to your scrapbook layouts, handmade greeting cards and other creative lettering projects. Each letter on the keyboard corresponds to its own unique flourish.

The 1907 sheet music for "Take Me Back to Dear Old Dixie" had the song title hand lettered in a decorative serif typeface with strong Art Nouveau influences. This design is now available digitally as Fancy Nouveau JNL, in both regular and oblique versions.

This decorative, scalloped thick-and-thin Art Deco type design is one of the many inspirations found within the pages of the 1934 French lettering book “L'Art du Tracé Rationnel de la Lettre”. Now in digital format, Fancy Deco JNL is available in both regular and oblique versions.

Fancy Kingdom is elegant serif font family wich great for wedding invitation, greeting cards, book covers or any fairy design. This kit includes 3 typefaces: - Regular - without curls; - Decorative - uppercase and lowercase with curls; - Combined - uppercase with curls.

Fancy Antique Display is a uppercase display font inspired by French decorative alphabets from the 1940's and 1950's. Perfect for headlines, logos and everything above the body.

Sweet Nancy is a monoline connected script typeface with a nostalgic, yet modern feel. Elegant cues inspired by Art Deco combine with a modern lettering style for lovely invitations, announcements, logos, book jackets and menus. Enjoy Sweet Nancy’s flowing lines in whimsical, romantic or fantastical designs.

Funcy Kids is a cute and quirky display font. It will add an incredibly joyful touch to your designs. Add this beautiful display font to each of your creative ideas and notice how it makes them stand out!

Nancy Walner fonts are perfect for high-end design branding, cinematic videos, social media titles and other cutting-edge creations! What sets this typeface apart from the others? This typeface is easy to read yet sophisticated. And even if you already have a few talents, you don't need to go overboard and add others. Just use fonts of different sizes and layouts—and you'll end up with a truly stunning

FansiPensle is a set of four decorative scripts. The capitals are fussy and ostentatious and a little weird with strange flourishes. The lower-case letters are neat and simple. Lower-case letters have the shapes of a cursive alphabet and they are connected in the cursive and cursive-bold styles but not in the plain and bold styles.

Fanky Bubble is the newest typeface with a bubble graffiti style. There are three styles of font. Regular, line, and extrude styles Inspired by a throwup of graffiti. The entire typography has been designed to work on large sizes. This font is good to use on posters, zines, hero websites, stickers, and t-shirts. Features : - Lowercase & Uppercase ( All Caps ) - numbers and punctuation - Alternate & Ligature - multilingual - PUA encoded Please contact us if you have any questions.

This set of decorated initial letters was inspired by those used in 1510 in Nancy (France, Lorraine) for printing of "Recueil ou croniques des hystoires des royaulmes d'Austrasie ou France orientale[...]" Author Symphorien Champion, unknown printer. There were three sorts of initials family, but only one complete and clear, except a very few characters. The printer used some letters to represent others, as V, turned over to make a A, D to make a Q, M for E, So, the reconstruction was a little less difficult. Thorn, Eth, L slash and O slash were also added. The original font's letters was only drawn in white on a black background only, but it was tempting to propose a negative version in black on white. A few letters have multiple appearance, but only the A was clear enough to be reproduced. It can be used as variously as web-site titles, posters and flyer design, publishing texts looking like ancient ones, or greeting cards, all various sorts of presentations, as a very decorative, elegant and luxurious additional font... This font supports strong enlargements revealing its fine details and remaining very smart. Its original medieval height is about one inch equivalent to about three to four lines of characters. This font may be used with all our blackletter fonts, but as well with "1543 Humane Jenson", "1557 Italic" and "1742 Civilite", without any fear about anachronism.

Francis is a design previously offered by the Lanston Type Co. in the early 1990s. It is a revival of a 1955 Günther Gerhard Lange design, but with a heavier overall weight. Coming out of retirement, it has been fully reworked and refined with elegant curves and an expanded character set. This font works well at small sizes and larger display sizes for everything from wine labels to personal stationery. This type evokes the elegant sophistcation of the Jazz age and pairs well with a Martini and a fine selection of charcuterie.

Pantsy Fance is a fun, yet structured typeface. It means business, but doesn't forget the frills. I use this lettering often on greeting card envelopes and the title section of my class notes. It is great for titling, labels, logos, and signs. This font fully supports the following languages: Bosnian, Bulgarian, Croatian, Czech, Danish, Dutch, English, Estonian, French, German, Hungarian, Italian, Norwegian, Polish, Portuguese, Romanian, Russian, Serbian, Spanish, Swedish, Turkish, Ukrainian. If your language is not listed, or if I've missed a character in a language I claim to support, please contact me! I will be happy to add characters as needed, and will consider supporting more languages if there is interest.

Cursive Signa Script Variable, quite possibly the first true cursive and signature variable font. It has 90 styles that range between weight, slant and alternates. It can be use in a lot of projects, like logos, end of a statement, pairing with a beautiful sans serif like Aleante, in a title, invites and so on. Designed by Pedro Alexandre Teixeira

M J Ngai HK is a graphic style Traditional Chinese typeface. Graphic font designs have strong personalities and visual impact. Graphic style Traditional Chinese fonts feature decorative elements and pronounced graphics characteristics, suitable for catching attention in display applications.

Created for J. SCOTT CAMPBELL'S DANGER GIRL SKETCHBOOK, this slick and stylish font is perfect for architectural drawings, marker comps or, um, sketchbooks! Artwork from Elephantmen: Man and Elephantman by J. Scott Campbell

Lower-case lettering is so-called because the characters that we know as lower-case were once kept in the bottom, shallow drawers of a type compositor's typecase. Not a lot of people know that, and we suspect superstar artist and FAIRYTALE FANTASIES Calendar creator, J Scott Campbell doesn't either because even though we looked high and low, in every single one of his drawers, we still could not find a single example of Scott EVER writing in lower case, but we begged him, we pleaded with him and, eventually we HYPNOTIZED him, and here's the font you'll find in J. SCOTT TIME CAPSULE from Image Comics! You're welcome. See the families related to J Scott Campbell Lower: J Scott Campbell & J Scott Campbell Sketchbook.

M J Ngai PRC is a graphic style Simplified Chinese typeface. Graphic font designs have strong personalities and visual impact. Graphic style Simplified Chinese fonts feature decorative elements and pronounced graphics characteristics, suitable for catching attention in display applications.

Amongst some pages scanned and posted online of old wood type alphabets comes this lovely, ornamental design in a reversed style of white lettering on black rectangular boxes. This classic set of wood type is now available digitally as Wood Fancy Reverse JNL. There is a narrow blank box on the “less than” key for use as an end cap, and a wider blank box on the “greater than” key to use between words as a blank space if so desired.

A playful, casual take on round nib pen lettering was spotted amongst some online scans from an old lettering book. The free-form and stylized shapes of the letters and numbers are reminiscent of old-time show cards, movie titles and signage in vogue around the early 1900s through the 1920s. Fancy Show Card JNL is available in both regular and oblique versions.

This classic face is based on Kleukens Scriptura, designed by Friedrich Wilhelm Kleukens in 1926 for D Stempel AG. It served as an alternative to Lucien Bernhard's Cursive and an inspiration for Oswald Cooper's Pompeian Script. Both versions of the font contain the complete Unicode Latin 1252 and Central European 1250 character sets.

P22 Klauss Kursiv is the first ever digital revival and expansion of the last face Karl Klauß designed for the Genzsch & Heyse foundry in Stuttgart before he died in 1956. Karl Klauß’s classical training in the graphic arts gave him solid chops to use as a springboard for design ideas that remained relevant among the countless trends fleeting around the turmoil of two world wars. By the mid-1950s, a kind of ornamental deco aesthetic was well on its way into mainstream design in post-war Europe, and demand was high for unique, lively and non-minimal ad faces. Klauß, a reliable designer with a proven track record of calligraphic faces, pushed the envelope on his own calligraphy and designed something that packages elegance in a boldness seldom seen before in luxury scripts. Quite a bit of talent is on display in Klauss Kursiv. In spite of the restraint this kind of design imposes on itself almost by default, the interplay between thick and thin never seems forced or challenging. Clear, natural strokes build a compact alphabet that demonstrates the wrist control of a veteran calligrapher. Creative nib angling segues into very clever start-and-stop constructs to make attractive forms that work quite well together, yet stand well to individual scrutiny. P22 Klauss Kursiv comes with a load of built-in alternates and ligatures in a font of over 470 glyphs, providing extended support for Latin languages.

Monotype Corsiva is an italic typeface made in the style of the early Italian cursives as exemplified by the work of the writing master, Ludovico degli Arrighi, in the sixteenth century. The capitals of the Monotype Corsiva font are of swash design, with characteristic flourishes, designed primarily for use as initial letters. Monotype Corsiva can be used for short text passages in advertising but is best used to add sparkle to invitations, greetings cards and menus and to give a sense of occasion to certificates and awards.

Carnival VP is a long, clean font with Latin and Cyrillic support, tons of alternate glyphs, and multilingual support. It's a very versatile font that works great in large and small sizes. Carnival VP is perfect for branding projects, home-ware designs, product packaging, magazine headers - or simply as a stylish text overlay to any background image. Uppercase, numeral, punctuation and symbols Cyrillic support - Russian, Ukrainian, Bulgarian and more Alternate glyphs Multilingual support To access alternate glyphs in Adobe InDesign or Illustrator, choose Window Type & Tables Glyphs In Photoshop, choose Window Glyphs. In the panel that opens, click the Show menu and choose Alternates for Selection. Double-click an alternate's thumbnail to swap them out. Feel free to contact me if you have any questions! Thank you! Enjoy!

New Cuisine is a departure from formal, handwriting, and retro scripts. Influenced by the DIY lettering generation New Cuisine is a joyful looking script with all the right moves. Its bold graphic presence makes it ideal for packaging, online journals and blogs, signage, logos, and menus. Under the hood of New Cuisine lie precise connections, unique ligatures and alternates, and OpenType programming to orchestrate it all. Because of this, typesetting turns into a simple and playful experience. Also included are a simple fraction feature as well as Central European language support.