ITC Ellipse is the work of designer Jean-Renaud Cuaz, who specializes in visual identity programs combining graphic and typographic design. Cuaz contends that the ellipse has become prevalent in current design as a result of software which makes it possible to manipulat circular forms. ITC Ellipse is an excellent display typeface whose classical structure and proportions make it flexible enough for a variety of applications.

GeometricoSlab. Round with strong serifs. Should it express power? Geometric and Slabserifs: a relatively rare combination. GeometricoSlab takes its cue from Herb Lubalin’s typeface family of the same name, and by using optical corrections with restraint, it looks a touch more uncompromising. The flexible, partly asymmetrical arrangement of the serifs avoids an overly heavy effect. The typeface family is suitable for both headlines and small point sizes and is related Geometrico Sans Curious? Try GeometricSlab free of charge.

Menca takes cues from the lettering of engineering, found on road signage and industrial metal plaques.

Socialite JNL takes its cue from the Art Deco style of the 1930s with its clean, angular lines and stylized letter shapes.

A free-spirited hand-script font. Very similar to pre-computer hand-written letttering with a ruling pen.

Apogee 013 is a contemporary yet futuristic typeface with a Sci-Fi aesthetic which contains subtle asymmetrical cues, this display font is ideal for illustrative work, logos, headlines and digital art.

Cabragio is a free-flowing informal font, very curvy and quite heavy. The free-flowing effect is especially apparent in the lower case letters, and this font is definitely something a bit different -- yet is highly readable and attractive. Original and distinctive!

A fun font that is truly extraordinary, handwritten as it is, a combination of lowercase and uppercase letters, really cool, has a playful impression but is very amazing, very suitable for all jobs because this font has its own free style and courage.

A set of old die-cut cardboard letters and numbers used by teachers directly on bulletin boards or for tracing was the inspiration for Classroom JNL. In turn, these letters take their cue from typefaces such as Franklin and earlier wood type designs.

This extrabold display face takes its design cues from the typeface Thomac, designed by George Piscitelle in the 1960s. Its semiscript styling makes for headlines that get attention. Both versions of the font contain the complete Unicode Latin 1252 and Central European 1250 character sets.

Sweet Nancy is a monoline connected script typeface with a nostalgic, yet modern feel. Elegant cues inspired by Art Deco combine with a modern lettering style for lovely invitations, announcements, logos, book jackets and menus. Enjoy Sweet Nancy’s flowing lines in whimsical, romantic or fantastical designs.

This very free freehand script bounces across the page and enjoys every moment of it. Use it to liven things up! Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

Jesterday is a four weight - light, regular, medium and bold - type family that’s suitable for headlines but works great in informal body-copy as well. Even at a very small size it’s still very much legible. For added fun, Jesterday has been subtly enhanced with OpenType ligatures. Can you spot them? Download the demo version to try Jesterday for free.

"Fantastic Christmas" is a very elegant Christmas themed font. This font is very unique with its embellished Christmas hat, Christmas tree, and reindeer antlers. "Fantastic Christmas" is perfect to add to your Christmas atmosphere. This font is very easy to use and very complete because it contains basic characters, swash uppercase, swash lowercase, ligatures, multilingual support, numerals and punctuations.

Delight Script is a fresh and original Angel Koziupa design that takes its cue from post-WWII advertising scripts. Casual, bouncy and playful, this upright script is built and engineered by Alejandro Paul with tons of alternates that can make every word look like real hand lettering. It covers all Latin-based languages.

Wild and free as usual, but now with a touch of sharp focus presented in curled ascenders and descenders, swashy care-free caps, and very unique figures. Koziupack is the ideal choice of font for food and drink product labels, signage, magazine advertisements. It looks particularly great when accenting any work of modern illustration, or by itself brightly knocked out of a dark background. Designed by Koziupa and digitized by Ale Paul.

This typeface takes its design cues from Dudley Upright, a Dan X. Solo find from the sixties. This version is considerably wider than the original, which increases its legibility while retaining its flower-power vibe. Both flavors of this font feature the 1252 Latin, 1250 Central European, 1254 Turkish and 1257 Baltic character sets.

This industrial-strength titling face takes its design cues from Hans Eduard Meier's Syntax Antigua. This version is bolder and beefier, so your headlines will grab and hold attention in a refined and genteel manner. Both versions include complete Latin 1252, Central European 1250 and Turkish 1524 character sets, with localization for Moldovan, Romanian and Turkish.

A sign in a London storefront, ca. 1930, pitching—surprise!—Smart Frocks provided the visual cues for designing this typeface. Singularly stylish, hip and haughty and decidedly Deco, this is the smart font to use! This font contains the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

Melts Script Rough by Estudio Calderón is the textured version of Melts Script. It has a texture design in high definition that runs very good in any size and concepts. Good news! It includes a free version of “Melts Script Rough Sanscript One”. Specimen

Resotho is a geometric sans serif (uppercase) family. It comes in 18 weights, 9 uprights and 9 italics. Perfect for graphic design, branding, packaging design but very versatile. Language support covering Western, South, and Central Europe. The Extralight & Extralight Italic weights are free of charge.

ITC Cerigo is the result of a challenge which designer Jean-Renaud Cuaz set for himself: to create a typeface with the grace of Renaissance calligraphy but different from the numerous Chancery scripts. He calls Cerigo a 'vertical italic' and based it on 15th century calligraphic forms. The weights are carefully designed to complement each other and are made more flexible by a number of italic swash capitals. The flexible ITC Cerigo is suitable for both text and display.