Nowie Vremena is a sequel to a previously released Vremena Grotesk, a sans serif typeface, inspired by Arial’s apalling combination of grubby tidiness. The sequel travels back in time and explores Arial’s elder brothers and some 19th century sans serifs, through initial concept of hectic neutrality.

Designed for ParaType in 2002 by Sergey Volhonsky (Moldova). An original calligraphic script for use in advertising and display typography.

A stencil variant of last year's bestselling Device font family, Korolev . Named after Sergei Korolev, father of Soviet astronautics, and based on signs from the Red Army parade of 1932.

Ukrainian type designer Melnikov Sergey created Flomic font between 2015 and 2016. Flomic is a geometric sans built from a folded lines. Most effective when used in short words or phrases at larger sizes, where the details can be appreciated.

PT Stroganov™ was designed in 2002 by Oleg Karpinsky and licensed by ParaType. An original low-contrast typeface with irregular one-sided serifs. It has been named after Count Sergey Stroganov, the founder of the Stroganov School of Industrial Art in Moscow. For use in advertising and display typography.

Hapshash is an all capitals font inspired by the 1960s psychedelic posters of British designers Hapshash and the Coloured Coat (Michael English and Nigel Waymouth), in particular their 1968 poster for the First International Pop Festival in Rome.

Darwin Pro, the sequel to Darwin, is ready to leave port and start new adventures. The font was redrawn, the language support was extended and a new set of figures was added. Darwin Pro comes in 7 weights plus italics and includes alternative characters available as an OpenType feature as well as oldstyle figures, numerators and denominators.

Tekton font is based on the hand lettering of West Coast architect Frank Ching, who wrote out the text for his books. It is an Adobe Originals typeface designed by David Siegel in 1989. Tekton is ideal for architectural drawing/design software, to match the feel of the type with the designer�s plans, or to give the page an architectural or informal handwritten flavor. Tekton multiple master, released in 1993, has increased the usefulness of the design by adding weight and width axes and making the font more usable for signage and display work, as well as informal correspondence.

A decorative сaps-only typeface designed for ParaType in 2004 by Gayaneh Bagdasaryan. Inspired by Russian fine art from the beginning of the 20th century - lettering by Sergey Chekhonin (1878-1936), graphic design by El Lissitzky (1890-1941) and the Suprematism painting. Sketch design of the font (under the name Klin) was awarded a TDC2 2000 diploma. For use in advertising and display typography.

It is NOT the END, my friend. Beyond the Saga, beyond the Hype, Beyond the expectations of marketing executives and studio shareholders lie prequels AND sequels. It has been said that every journey has a first step as THE STORY BEGINS, and every Generation has a Legend, a Story, a Franchise and an inevitable descent into mindless exploitation where THE STORY ENDS. It's true, all of it!

Ela is the typeface I originally designed for the business of my second wife and mother of my two sons, her name is ­ of course ­ Michaela. Ela the typeface is suitable for magazines, newspapers, posters, advertiments, books, text, documentation/business reports, business correspondence, multimedia, and corporate design.

A sequel to my own Herakles font, with multiple faces, and more to come, so the name refers to his second labor, slaying the Hydra. The straight lines and sharp angles make it suitable for evoking the feel of many ancient civilizations where writing was cut into stone. Whether your heroic deeds include slaying mythical monsters, or making the best spanakopita in the city, this font is for you.

Mashiya is a Monoline Script Font with elegant style. This font is perfect for fashion brand, apparel, shoes company, wedding invitation, business card, logo brand, clothing, and also business brand name like barber shop or taylor.

We've gathered the old characters together, and added a bunch of young new hotshots, to create the long-anticipated sequel to our STORMTROOPER font! The digitally remastered Special Edition STORMTROOPER is now a trilogy, with two new weights -- outlined ARMOR and inlined BLASTER -- each containing more than 100 autoconnecting letter combos*. Yes, you'd have to be crazy to attempt a font like this; our man JG certainly has courage... * Hutts, dewbacks and point blank misfired laser shots not included

Joane Stencil™ is Joane's fearless sequel. Mixes the elegancy of French didones, calligraphic endings, glyphic serifs and the split of the Stencil is treated very carefully. Thus its features convey a warm unique style. Moreover, it has powerful OpenType features for each style, including stylistic sets, extended language support, beautiful ligatures, contextual alternates, lining figures, oldstyle figures, fractions, and many more. Joane Stencil is perfectly suited for magazines headlines, branding, advertising, labels, web and packaging.

Designed for ParaType in 2003 by Tagir Safayev. The typeface was inspired by some of the Cyrillic letterforms of Sergey Chekhonin (1878-1936). Chekhonin belonged to the World of Art group, which is so closely associated with the flowering of Russian book and theater design at the beginning of the 20th century. For use in advertising and display typography. Serp & Molot has been adjugded Award of Excellence in Type Design of 'bukva:raz!' ATypI International Type Design Competition, 2001.

Briefcase is a business-orientated dingbat font.