1,678 search results (0.013 seconds)
  1. Am Sans light - Unknown license
  2. Senats-Antiqua - 100% free
  3. Normande by Bitstream, $29.99
    A French form of Fat Face, derived from the British; matrices survive at Berthold in Berlin.
  4. Herold by ParaType, $30.00
    The typeface was designed at ParaType (ParaGraph) in 1993 by Vladimir Yefimov based on Herold Reclameschrift by Heinz Hoffman of H. Berthold (Berlin), 1901, and Russian Herold typeface of the Berthold typefoundry (St. Petersburg). The bold style based on Herold Heavy of H. Berthold (Berlin), 1904, of the same designer. Advertising and headline typeface in Art Nouveau style.
  5. BD Pankow by Typedifferent, $25.00
    BD Pankow is inspired and designed during a stay in Berlin. It’s an uppercase alphabet with alternates. Bold, rock-solid, modern and ideal for branding and titling.
  6. RMU Gloria by RMU, $30.00
    RMU Gloria is a family of two stylish fin-de-siècle fonts, formerly released by the Gursch Foundry, Berlin, which additionally were spiced with elements for frame making.
  7. Zigfrid by Borutta Group, $20.00
    The Zigfrid family was made after my visit to Deutschland and impression of old typography on the streets of Berlin. Zigfrid contains 5 different styles with a geometric, “trendlist” feel.
  8. Filmgoer by Bogstav, $17.00
    Crunchy brushstrokes and jumpy baseline.
  9. Unpredictable by Putracetol, $28.00
    Unpredictable is a display sans font with variations of different heights and baseline position. In this font there are several heights and baselines that you can combine. For height (normal, low, and high), for the baseline (normal, above and below). This tyepeface is unique and very suitable for logos, Tshirt, apparel, quote, handwritten quotes, product packaging, tittle header, poster, merchandise, social media, labels, branding & greeting cards.
  10. Bernhard Fashion by Bitstream, $29.99
    This is an American face designed by Lucian Bernhard for ATF in 1929. An extra light face with tall ascenders and stylized bars that extend off to the left. The lower-case sits on the baseline and the much-taller-than-normal capitals have an imaginary baseline that sits about two-thirds of the distance from the real baseline to the bottom of the EM.
  11. Berolina by Solotype, $19.95
    A circa 1900 type from the foundry of W. Grauneau, Berlin. A great utility face as it works well as the "plain" face with other decorative type of the same era. Reads well in paragraphs of copy.
  12. Blue lines - Unknown license
  13. Dolce Caffe 3D by Resistenza, $39.00
    Dolce Caffe was a handwritten font designed in the 2011 inspired in some berliner menu. Now we developed a 3D, 3D Rough and a Shadow version. They are very legible and high in style and carefully constructed all-uppercase letters.
  14. Quant Antiqua by ParaType, $30.00
    The typeface was designed at the Polygraphmash type design bureau in 1989 by Lyubov Kuznetsova. Based on the typeface Literanutnaya (Latinskaya) of the Berthold typefoundry (St.-Petersburg, 1901), a version of Lateinisch typeface of H. Berthold (Berlin, 1899). For use in text matter.
  15. OCR-A by Bitstream, $29.99
    A set of capitals adequate for machine reading only; this barely legible pioneer sees declining use.
  16. Rumpelstiltskin by Hanoded, $10.00
    A cartoonish, happy font with an uneven baseline, great for use in children's books and cards.
  17. Dolce Caffe by Resistenza, $39.00
    Dolce Caffe is a pretty hand-written font, designed in 2011, that is very legible and high in style and carefully constructed all-uppercase letters. It was totally inspired by hand-written chalkboards in Berlin, a city that I love. Take also a look at Merendina
  18. QuaText by LucasFonts, $39.00
    This special newstext version of TheAntiqua was developed in close collaboration with the Berlin newspaper Die Tages­zeitung (taz). Its sturdy forms were optimized for newspaper stock. This font family is currently being reworked and will be further developed with variable weights that can be adjusted to clients’ specifications.
  19. Copperlove by Resistenza, $49.00
    Copperlove was born during a very long and hard wintertime in Berlin. This font is based on Giuseppe Salerno’s Copperplate calligraphy. Oblique nib and sepia ink were the tools used to create this sublime english typeface. There are also many opentype features like alternates and beautiful swashes. Turquoise Nautica
  20. Creighton by Red Rooster Collection, $60.00
    It was our initial intention to develop a suitable lowercase for Les Usherwood's Elston typeface, based on a few characters from an old German typeface called Hermes Grotesque (Woellmer, Berlin). However, the new design quickly took on a life of its own, and we decided to call it ‘Creighton’.
  21. Ohio by Wiescher Design, $39.50
    OHIO is a rough headline type in the tradition of Louis Oppenheimer. It is closely related to Lo-Type from Berthold, redesigned in the 1980s by Erik Spiekermann. Matter of fact, I discovered Ohio while visiting Erik in Berlin, searching his endless archive. Your typeface-looter Gert Wiescher
  22. Rubens by Wooden Type Fonts, $15.00
    A sans serif with splayed ends, descenders of the lower case dropping below the baseline, very tall x-height.
  23. Rosse by Letterara, $10.00
    Rosse features an irregular baseline, making it the perfect font to give your designs a fun and unique feel!
  24. ZP A Dorky Print by Illustration Ink, $2.00
    This fun and whimsical font features a very youthful lettering with a bit of toggle and bounce in the baseline.
  25. Fancy Dancing JNL by Jeff Levine, $29.00
    The 1938 movie musical "Carefree" starring Fred Astaire and Ginger Rogers featured the song "Change Partners" by Irving Berlin. A copy of the sheet music for this song had the title hand lettered in a wonderful tri-line design that has been recreated in the digital typeface Fancy Dancing JNL.
  26. Linotype Atlantis by Linotype, $29.99
    Lutz Baar was born in Berlin, now living in Gothenburg, Sweden. He is an art director at his own advertising and Web design studio Miraculus. Among his typeface designs you find the award winning Linotype Pisa, the hand tooled looking Linotype Atlantis, and the strictly Linotype Ordinar, designed for Web usage.
  27. Adana by astype, $19.00
    The roots of Adana going back to the year 1930, to the Berlin-based German graphic designer Wilhelm Berg. His typeface can be interpreted as an answer to Lucian Bernhards Schönschrift. Adana Circular and Regular play well together in all kinds of adverts, as well with designs like Bodoni or Didot.
  28. Stampact by Spark Creative, $39.00
    This is a woodblock, printed, distressed, 'stamped' kinda font. It jumps all over the place, with no respect for the baseline.
  29. Haenel Fraktur by RMU, $25.00
    A bold but nevertheless pleasant black-letter font which was released for the first time about 1840 by the Haenel'sche Printshop and Letterfoundery in Berlin. Haenel Fraktur contains a bunch of useful ligatures, and by typing 'N', 'o' and period you get an old style number sign by activating the Ordinals feature.
  30. Rubens Expanded Regular by Wooden Type Fonts, $15.00
    A sans serif with splayed ends, descenders of the lower case dropping below the baseline, very tall x-height. The expanded version.
  31. Visillo Adornado NF by Nick's Fonts, $10.00
    This unicase beauty is based on the typeface Vesta, originally designed by Albert Auspurg for H. Berthold AG, Berlin and introduced in 1926. Classic, stylish and elegant, this typeface will add grace and charm to any project. Both versions of this font include the complete Unicode 1252 Latin and Unicode 1250 Central European character sets.
  32. Megaphone by Red Rooster Collection, $60.00
    It was our initial intention to develop a suitable lowercase for Les Usherwood's Elston typeface, based on a few characters from an old German typeface called Hermes Grotesque (Woellmer, Berlin). The new design became Creighton. Then, for good measure we decided to experiment with a 'crisper version' of this design; the result is 'Megaphone'.
  33. Spandau by Hanoded, $15.00
    Spandau is one of the 12 boroughs of Berlin and, if you add Ballet, a New Romantic British band. It is also a very nice all caps art deco font. Not too soft, not too angular, just about right! Some upper case letters differ from their lower case kin. Comes with all the diacritics you'll need.
  34. Music Nouveau JNL by Jeff Levine, $29.00
    The interesting hand lettered sans design of Music Nouveau JNL was found as the title of a vintage piece of early 20th Century sheet music for a song written by famed composer Irving Berlin and called "They Were All Out of Step but Jim". Judging by the cover art, it was a novelty song about a soldier.
  35. Hermes by ParaType, $30.00
    The typeface was designed at ParaType (ParaGraph) in 1993 by Tagir Safayev. Based on Placard typeface (Hermes Grotesk) of the Lange type foundry (St.-Petersburg), an adaptation of Hermes Grotesk, of the Woellmer type foundry (Berlin, middle of the 19th century). This sans serif with its old-fashion stability looks well in advertising and display typography.
  36. Haenel Antiqua by RMU, $30.00
    This narrow neoclassical revival is based upon a font released by the Haenel Foundry, Berlin, in the 19th century. By typing [alt] + p respectively [alt] + b you have access to a framing element as it can be seen on the posters. By using the OT feature stylistic alternative you can change the normal numbersign into an oldstyle numero sign.
  37. Teniers by Wooden Type Fonts, $20.00
    A sans serif with splayed ends, descenders and ascenders of the lower case dropping below the baseline, or above the x-height, very tall x-height.
  38. P22 Albion by IHOF, $24.95
    An open, lightweight font of classical Roman proportions, designed for text or display setting. The serifs are slightly hooked, giving the face a liveliness on the baseline.
  39. OC Blimp by OtherwhereCollective, $99.00
    The inflatable font you never knew you always wanted! With its two axes you can literally blow this variable display font up and watch it float away… Uppercase display font built on OC Format Sans Print Bd Support for 84 languages 6 preset static Inflate styles gradually inflate and stay on the baseline. 6 preset static Float styles gradually inflate and rise from the baseline. Baseline punctuation and certain symbols don’t float to provide a grounded context. Various un-inflatable symbols carry over from Format Print Bd because they might come in handy as is. With a complete alternate set and double number ligatures years and zip codes don’t look repetitive (think 1991 – 10022 that sort of thing) Double letter ligatures prevent visual repetition in words like “balloon” and “coffee”.
  40. Andina Janelia by Rockboys Studio, $17.00
    Andina Janelia is a modern signature font which is combining classic calligraphy with a modern style. Its dancing baseline will give your design an elegant and modern touch.
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