Hermann Zehnpfundt’s Enge Journal Antiqua, released by the Emil Gursch Foundry, Berlin, in 1910, revived and redesigned. This font contains also a long s, which can be reached by typing option + b, or turning the round s into the long one by using the OT feature historical forms. It is recommended to also use the OT feature discretionary ligatures to get access to all ligatures in this font.

Trade Journal JNL and its oblique counterpart are derived from a classic grotesk sans face from the 1800s. Despite the 'Grotesk' style name, the font design is actually quite pleasing to the eye and a nice alternative to many of the sterile sans serif faces of today.

A vintage Canadian-published music book circa the 1940s had the title "Strauss Waltzes" hand lettered in a bold Art Deco sans serif that featured block style letters with rounded corners. This was the working model for Formal Dance JNL, which is available in both regular and oblique versions.

The thin, condensed serif lettering found in a 1937 magazine ad for Chris Craft boats inspired Formal Invite JNL, which is available in both regular and oblique versions.

Monotype Imaging is pleased to present David Hadash (New" David), the full family of typefaces by Ismar David, in its intended authentic form. The Estate of Ismar David has sought to revive this jewel of Twentieth-Century design by granting an exclusive license to Monotype Imaging to implement it in industry-standard format. Never before has the typeface in its full set of sub-styles been made available to the design community. David Hadash consists of three style families, Formal, Script, and Sans. Each of these appears in three weigths: regular, medium, and bold. Originally devised as a companion to the upright Formal style, the Script style has a beauty and grace all its own that allows it to be used for full-page settings also. While it is forward-leaning and dynamic, it does not match any of the existing cursive styles of Hebrew script. Ismar David created an eminently readable hybrid style which is like no other by inclining the forms of the upright while blending in some features of Rashi style softened with gentle curves. One can say that the Script style is the first truly italic, not just oblique, typeface for Hebrew script. Although the proportions of the Sans style are very similar to those of the Formal style, its visual impression is stunningly different. If the Formal style is believably written with a broad-point pen, the Sans is chiseled in stone. Rounded angles turn angular and stark. The end result is an informal style that evokes both ancient and contemporary impressions. David Hadash (Modern) supports the writing conventions of Modern Hebrew (including fully vocalized text) in addition to Yiddish and Ladino. David Hadash Biblical is a version of the Formal style that supports all the complexities of Biblical Hebrew, including vocalization and cantillation marks. "

The hand lettered actors’ credits on a title card from the 1937 film “Shall We Dance” served as the model for Formal Event JNL – an Art Deco sans serif font available in both regular and oblique versions.

ITC Nora was designed by James Montalbano when he was on a 1930s sign-lettering kick, poring over showcard manuals to find inspiration for new typeface designs. A few letters led him to create this informal, goofy" script, which falls between the many formal scripts and the completely extravagant. ITC Nora displays a free-flowing openness and elegance."

Nora Art is based on Nora Grotesque . It transformed with variations of every letter by using different styles. This amazing font family is based on layer combinations and gives endless possibilities to make various designs. Each style could be used separate or merged in order to create any kind of design you can imagine! It is the perfect solution for logos, headlines and posters that really stand out.

Introducing, Nora's Blooming is a chic + modern sans serif font. Nora's font is perfect for branding, logos, social media, prints, stickers, shirts, svg files, and more! Nora's Blooming is unique in that it can be used for a variety of design styles. Me Great for free-spirited boho designs as well as for a classier editorial look! There are fun style alternatives available for use with this font. These letters are embedded in font files and easily accessible in programs such as Photoshop and Illustrator. thank you!

Introducing the elegant Nora Halim! Nora Halim is a Scrip font, every single letters has been carefully crafted to make your text looks beautiful. With modern script style this font will be perfect for many different project ex: photography, watermark, quotes, blog header, poster, wedding, branding, logo, fashion, apparel, letter, invitation, stationery, etc.

Nora Grotesque is a modern sans serif type family of five weights plus true matching obliques, all completely equipped with opentype features, fractions, lining numbers, old style figures, capsular numbers, superscript and inferiors. It has been designed parallel within the neogrotesque universe of typefaces and is inspired by humanist proportions and humanist-grotesk features in multiple languages, support Central and Eastern European as well as Western European languages. Working on Nora Grotesque type family, we've aimed to create a modern geometric grotesk with the widest implementation range, a reliable workhorse. Nora Grotesque is equipped for complex, professional typography with a high x-height for maximum legibility and a powerful personality then other alternates. We've been especially careful working on the uniq geometry of each glyph, both from the point of view of visual correctness and forms continuity.

Sastica Nora is a smooth and elegant handwritten font. Its distinctive, rounded font makes this font a masterpiece. Fall in love with its incredibly versatile style and use it to create spectacular designs! This font is PUA encoded which means you can access all glyphs and swashes with ease!

Nora Slab blends a geometric inspiration with warm humanist elements, making it the perfect choice for when you need a fresh, contemporary slab serif typeface. The companion Nora Grotesque makes the Nora family a real workhorse for any use, including web, digital, print, branding and signage. Nora Slab has a large x-height and open counterforms, making it easily readable. It supports multiple languages: Central and Eastern European as well as Western European languages. It has eight weights with related obliques.

Nona Manis is a Handwritten Display Font With 3 Style (Regular,Outline and Shadow) You Can Mix And Match for Your Awesome Project This fonts is ideal for crafting, branding and decorate your any project. This fonts are perfect for wedding invitation or your blog. Also with their help, you can create a logo or beautiful frame for your home. Or just use for your business, book covers, stationery, marketing, magazines and more. FEATURES : Uppercase & Lowercase Number & Punctuation More than 244 of glyphs Support for 60+ Multilingual languages PUA Encode 12 Ligatures Alternate 7 OpenType features ( aalt dlig frac liga ordn sups kern ) The font Nona Manis contains 18 ligatures in 3 OpenType features The alternative characters were divided into several Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer. Check my other Font here https://gilarstudio.com/

Hello Everyone, introduce our new product Nora Notes is All Caps Display Font with a natural feel. This handmade font will make your design has a beautiful natural touch for each details. It is perfect for any design project as Invitation,logo, book cover, craft or any design purposes. Nora Notes is Inspired by Food Logo style and combination with Unique Craft style. that will fulfill your design needs for quotes,sporty theme, logotype, wordmark, etc. This has many opentype features and support multi language. This font is PUA encoded which means you can access all of the magical glyphs with ease! You can activate Alternates glyphs OpenType panel.

Over the course of 50 years, the charismatic and enterprising Frederic W. Goudy designed more than 100 typefaces; he was the American master of type design in the first half of the twentieth century. Goudy Old Style, designed for American Type Founders in 1915-1916, is the best known of his designs, and forms the basis for a large family of variants. Goudy said he was initially inspired by the cap lettering on a Renaissance painting, but most of the flavor of this design reflects Goudy's own individualistic style. Recognizable Goudy-isms include the upward pointing ear of the g, the diamond-shaped dots over the i and j, and the roundish upward swelling of the horizontal strokes at the base of the E and L. The italic was completed by Goudy in 1918, and is notable for its minimal slope. Goudy Bold (1916-1919) and Goudy Extra Bold (1927) were drawn not by Goudy, but by Morris Fuller Benton, who was ATF's skillful in-house designer. Goudy Catalogue was drawn by Benton in 1919-1921 and was meant to be a medium weight of Goudy Old Style. Goudy Heavyface was designed by Goudy for Monotype in 1925, and was intended to be a rival to the successful Cooper Black. Goudy Modern was designed by Goudy in 1918; its small x-height, tall ascenders and shorter caps impart a spacious and elegant feeling. Benton designed Goudy Handtooled, the shaded version that has just a hairline of white through its bold strokes. The Goudy faces, especially the bolder weights, have long been popular for display and advertising design. They continue to pop up all over the world, and still look reassuring to our modern eyes."

Goudy Ornate (also known as Ornate Title) was designed in 1931 by Frederic Goudy. He states "It is a simple, decorative face that has been used by some good presses for use on title-pages where size is more important than blackness of line." The new Lanston version includes a lower case and full character set designed in the style of Frederic Goudy.

Here's a new, softer take on the classic typeface Koralle, released by Schelter und Geisecke in 1913, and as fresh today as it was then. Both versions of this font support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

BB Noname™ (Pro) is intended to imply the appearance of a conventional typeface in a contemporary context. Due to the frequent use in the public service (among other things), the style associates a supposedly objective face. The style is characterized by the proportions, the contradiction of the apparently perfect reduction and the retention of chirographic elements. In addition, the rapid further development of the input devices has meant that existing character sets have been added again and again, regardless of style and technical requirements. With this work, the properties were analyzed, the characteristic features highlighted and summarized in a complete typesetting: Anonymity (procedure), bureaucracy (style by category), convention (shape) and formality (optical corrections). ● 3 Variants: Human, Computer, Interaction ● 20 Stylistic-Sets ● 34 Styles ● 39 OpenType features ● 93 Languages Support ● 35,598 (1,047/Style)

A highly legible typeface in 4 series Le Monde Journal by definition is intended for newspaper use & at small sizes. It’s an economical and workshorse typeface adapted to any extrem condition of uses. Even though it has the same colour as Times, it appears more open. The reading flow has been made more fluent & less abrupt. The glyphs counters are bigger, as if they were “alluminating the interior.” The form, characterized by its serifs, remains embedded in our visual memory. Intermediate weights like Book can be considered as a grade supplement of the Regular. Italics accompany Le Monde Journal. With a more delicate design & a distinctive rhythm, they remain noticeable when used with the romans. Its companion, Le Monde Sans can extend your typographic palette. For beautiful page layout, use it in conjunction with Le Monde Livre for titling sizes. The verticals metrics and proportions of Le Monde Journal are calibrated to match perfectly others Typofonderie families. This family was designed in 1994 as bespoke typeface family for the French newspaper Le Monde. The family is not used any more by this newspaper from November 2005. Bukva:raz 2001 Type Directors Club .44 1998 European Design Awards 1998

An advertisement in a 1936 issue of “The Film Daily” for the movie “Mr. Deeds Goes to Town” had much of its copy set in an extrabold typeface similar to the Beton/Stymie/Karnac group of slabserif designs. This is now available digitally as Serif Formal JNL in both regular and oblique versions.

This font contains every variant found in the Hebrew Bible such as the “mutilated” Waw in Numbers 25: verse 12, the small Heh in Genesis 2: verse 4 and the Nun Inversum before Numbers 10: verse 35 and after verse 36 and elsewhere as well as oversized consonants and various double-wide consonants used in inscriptions.

Journal Sans Old School is a new, modernized digital version of the widely popular Journal Sans. The new typeface preserves the character of the geometric sans from the famous “Science and Life” magazine of the 1960s. The weight of the basic styles corresponds to the Journal Sans regular and bold from the Soviet linotype catalogs. Also, the original vertical proportions and character forms match the original. Cyrillic Alternates, Greek language support expand the range of font’s usage. Journal Sans Old School was designed by Natalia Vasilyeva and released by Paratype in 2019.

FM Bolyar Ornate Pro is the latest member of our renowned Bolyar mega family and the perfect companion for our very successful FM Bolyar Pro . Developed to a new level of excellence this new improved ornate design is quite able to satisfy every typographic taste and meet the ever growing design requirements for high quality typefaces. If you are addicted to classic vintage style, then you could easily use Bolyar Pro Ornate for almost any project of desire - from letterheads, logos and catchy headlines to elegant packaging, book covers and wine labels. Alternates, Swashes and Ligatures will help you customize almost every single letter and fit perfectly to your artwork. Bolyar Ornate Pro provides a broad range of advanced typographical features such as: Five weights ranging from thin (100) to black (900) with full multilingual support of all Latin based languages as well as Cyrillic; 1000 glyphs per weight including three multilingual stylistic sets, swash designs and useful discretionary ligatures; Sub- and superscript basic Latin and Cyrillic glyphs as well as figures. Two positional models for lowercase accessed as OpenType case sensitive forms ñ base to base (default) and spur to spur (vertical center).

Coral Candy is a bold font with fun and playful looks. This type of font perfectly made to be applied especially in cartoon or child theme which is need a standout font, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose. Features : numbers and punctuation multilingual ligatures PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.

A 1902 publication entitled "Lettering for Schools & Colleges" had an example of an ornate, hand drawn stencil alphabet in the Art Nouveau style. This is now available digitally as Nouveau Stencil Ornate JNL, in both regular and oblique versions.

Bodoni Classic Bold Ornate is another puzzlestone in my ever growing Bodoni Classic family. This time the letters are ornated within the limits of the letter, this keeps the classic form of the typeface intact and still gives it ample decoration. Please use this font only sparingly to decorate text or use it as initials only. Your Bodonimaniac, Gert Wiescher

Univerza Sans was developed to mark the hundredth anniversery of University of Ljubljana. The style is influenced by the combination of Slovenian avantgarde with some recognizable forms that are known for Slovenian typography. Multifunctional use for identity system, formal communication, wayfinding, academic and scientific articles in order to share the institution’s spirit of knowledge, creativity, diversity and belonging. It speaks Central European languages, feels official but looks attractive and recognizable.

This font contains every variant found in the Hebrew Bible such as the “mutilated” Waw in Numbers 25: verse 12, the small Heh in Genesis 2: verse 4 and the Nun Inversum before Numbers 10: verse 35 and after verse 36 and elsewhere as well as oversized consonants and various double-wide consonants used in inscriptions.

Rachee Display is a modern serif typeface. Inspired by late Renaissance-era type and intended for display font, perfect for logotype, logogram, title, caption, and more. Rachee comes with 6 weights with some opentype features (Linnning figure, full 'ff' ligature, luballin avantgarde ligature, stylistic set, fraction, and more).

Wary is a geometric, contrast sans-serif with an avantgarde touch. Wary was inspired from lettering used in a Russian book from the seventies. Use Wary font in advertising and display typography. Wary received a citation for excellence in type design the in international competition "Modern cyrillic 2014".