“More is better” may have been the motto of Richard Austin of Austin and Son’s Imperial Letter-Foundry on Worship Street at Finsbury Square in London when he designed and cut his Antique typeface. The year it was created is uncertain, but it is known to have appeared in a specimen book produced in 1827. At first glance, the upper case letters of Austin Antique look very much like Figgins Antique. But, upon examination, one will note that the Austin face is much darker. In general, the letters designed and cut by Richard Austin have fatter strokes, larger serifs and smaller counters -- more metal and less daylight. The premise was that the darker the letter, the more attention an ad using the typeface would receive. In old pictures of London and Paris one may see walls crowded with posters and “bills” -- competing for the attention of the passerby. Morris and Updike aside, the early nineteenth century marked the beginning of a commercial as well as industrial revolution. Patterns of commerce were changing. With new methods of marketing came the need for new typefaces to support the new methods. Foundries found the display types were very profitable and competed most energetically and creatively for the trade. There was a lot of trial-and-error. Some ideas faded away. Others, like the Antiques or Egyptians, were refined and developed. From them came the Clarendons that were to prove both popular and long lasting -- because they worked. Their job was to sell goods, not please the aesthetic sensibilities of the critics. They did their job well. Austin Antique has a full Western European character set, plus the following ligatures: ct, st, fi, fl, ff, ffi and ffl. Tabular numbers. Surprisingly readable.

An indomitable woman who traveled a lot, Emily Austin (Bryan) Perry was one of the children of Moses Austin, of Austinville, Virginia. Like her famous brother, Stephen F. Austin, she settled in Texas as one of that region's earliest colonists. While traveling about seeking treatment for a sickly daughter, she wrote many letters home -- letters that show a distinctively compact, legible hand. The challenge for me in designing the face: resisting the temptation to read and re-read her bossy directives and urgent appeals, all packed tightly together on a page. Emily Austin has a complete character set, and then some.

Introducing by Timur type Proudly Present, Gustavo Austin Gustavo Austin A Handwritten Font Gustavo Austin is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background. Gustavo Austin also multilingual support. Enjoy the font.Thank you!

Introducing by Balpirick Studio. Hillary Austine is a Modern Calligraphy Font that's perfect for adding a personal touch to your design projects! With its natural, organic feel and unique character. Crafted with care and attention to detail, this font is incredibly versatile and can be used for a range of design projects, including logos, branding, invitations, and more. Its modern, handwritten style gives it a unique character that's sure to make an impact. - also multilingual support Enjoy the font! Feel free to comment or feedback! Thank you!

Austin Script is a new modern font with an irregular baseline and a trendy and feminine style. Austin Script looks lovely on wedding invitations, thank you cards, quotes, greeting cards, logos, business cards and more. It is perfect for using in ink or watercolour. Including initial and terminal letters, alternates and multiple language support. To enable the OpenType Stylistic alternates, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or later versions. There are additional ways to access alternates/swashes, using Character Map (Windows), Nexus Font (Windows), Font Book (Mac) or a software program such as PopChar (for Windows and Mac). How to access all alternative characters: https://www.youtube.com/watch?v=Go9vacoYmBw https://www.youtube.com/watch?v=XzwjMkbB-wQ https://www.youtube.com/watch?v=x1A_ilsBsGs https://www.youtube.com/watch?v=xFlMwARHusY Thanks so much for looking and please let me know if you have any questions.

Austine Script Inspired by Retro style and combination with Handwriting style. Austine has many alternative swash and features like stylistic alternative, stylistic set, ligature and swash so you can mix and match as you wish. Austine Script comes with open type features such as alternative styles, style sets & great features for logos, posters, badges, book covers, t-shirt designs, handwritten quotes, product packaging, headers, posters, merchandise, social media & greeting cards. To activate the OpenType Stylistic alternative, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7, Microsoft Word 2010 or newer versions. How to access all alternative characters, using Windows Character Map with Photoshop: https://www.youtube.com/watch?v=Go9vacoYmBw How to access all alternative characters using Adobe Illustrator: https://www.youtube.com/watch?v=XzwjMkbB-wQ Austine Scripts are coded with PUA Unicode, which allows full access to all additional characters without having special design software. Mac users can use Font Book, and Windows to attach to your favorite text editor / application. Thank you very much and please let me know if you have questions.

Signature Austine Is a A Monoline Signature Font Signature Austine is perfect for product packaging, branding project, megazine, social media, wedding, or just used to express words above the background.

Introduced by Timurtype Studio! Hilberta Austine is a Modern Script Font This font leads you into the enchanting world of modern script fonts, where written words transcend mere communication and turn into visual masterpieces. These fonts, decorated with elegant and eye-catching strokes, redefine the art of typography. Each letter becomes a brushstroke , meticulously crafted to weave a narrative of sophistication and elegance. Graceful curves and intricate sweeping details add a touch of luxury, turning every word into a work of art. Hilberta Austine Font also supports multilingualism. Enhance your designs with our original fonts, feel free to comment or provide feedback, Enjoy the fonts 😊 Thank You

INDG Actio is the result of a several years long exploration. In it, a minimum amount of shapes are assembled into an alphabet of sci-fi feel. It is my personal Eurostil. Inspired by hope of a brighter future, INDG Actio is a great fit for spatial fantasy material, music gear interfaces or forward-looking tech ventures, as an example. Though designed mainly to be a display font for titles, short texts and logos, it is versatile. Have fun with it and adapt it to the specific needs you may have. INDG Actio is a family consisting of 5 weights of 208 glyphs each, including 12 stylistic alternates.

This elegant offering is based on a typeface originally called "Design", from Barnhart Brothers & Spindler’s Specimen Catalog Number 9, published in the first decade of the twentieth century. This version has been fine-tuned to set tight, and is suitable for headlines, subheads, and limited amounts of body copy. Both versions of this font include the complete Unicode Latin 1252 and Central European 1250 character sets.

Anything could happen in the next Half Hour! Inspired by the work of Gerry Anderson, this font graces the pages of Marvel's AVENGERS and THUNDERBOLTS Each and Every Month!

Austin is a natural Stylish signature font with signature font style, also the best natural Stylish signature font that we have ever created. If you want a logo with a natural signature font style, this signature font is the right choice for you. A long stroke at the end of the word that looks like the preview image is really looks like a professional signature, we also add dot in the end of name to make it really natural style. However this signature font is great for your next creative project such as watermark on photography, album cover, logo, business card, and many other design project. This signature font comes with uppercase letters, lowercase letters, alternate lowercase letters, multi lingual support, numbers and punctuation.

Austin Plain is derived from the union between Melts Script and Deftone Stylus, the result is a friendly typeface that mixes old American styles with modern design concepts.

We've already updated and revitalized Film Fiction Sans to ensure it perfectly matches your evolving creative vision. The inclusion of tabular figures, old-style figures and alternative glyphs expands your design palette and allows you to adapt the font to your unique style. TA Film Fiction Sans has been updated experience the appeal – this can be your font of choice to enhance your brand identity, cinematic efforts and editorial design. This brilliant typeface is not just a typographic tool, but a creative catalyst for headlines, logos, web elements, signage, posters and fashion apparel, packaging. TA Film Fiction Sans does not follow trends, it defines them, imbuing each project with a true modern essence. Embrace the possibilities with 9 different styles, each boasting a large set of 758 glyphs. Discover additional features of OpenType features such as aalt, dnom, frac, kern, liga, numr, ordn, salt, sin, ss01, ss02, ss03, ss04, ss05, ss06, ss07, tabular figures, old-style figures and alternative glyphs. Not only does this font speak multiple languages, it also covers a variety of design needs – offering seamless language support for Western European, Central/Eastern European, Baltic, Turkish, and Romanian languages. Test your alphabet, explore the nuances and witness the transformation. And if you're at any creative crossroads, I'm here for you. If you want to customize TA Film Fiction Sans, need font files or have any other questions, please reach out to me at t@taft.work. TA Film Fiction Sans be the cornerstone of your creative journey. Elevate your designs, embrace innovation and redefine possibilities with TA Film Fiction Sans, where each character tells a story.

Film Fiction Semi Expanded has been updated and will now beautify your designs under the name TA Film Fiction Semi-X. We've already updated and revitalized TA Film Fiction Semi-X to ensure it perfectly matches your evolving creative vision. The inclusion of tabular figures, old-style figures and alternative glyphs expands your design palette and allows you to adapt the font to your unique style. TA Film Fiction Semi-X has been updated experience the appeal – this can be your font of choice to enhance your brand identity, cinematic efforts and editorial design. This brilliant typeface is not just a typographic tool, but a creative catalyst for headlines, logos, web elements, signage, posters and fashion apparel, packaging. TA Film Fiction Semi-X does not follow trends, it defines them, imbuing each project with a true modern essence. Embrace the possibilities with 9 different styles, each boasting a large set of 758 glyphs. Discover OpenType features: Access All Alternates, Case-Sensitive Forms, Glyph Composition / Decomposition, Denominators, Fractions, Kerning, Standard Ligatures, Lining Figures, Localized Forms, Mark Positioning, Mark to Mark Positioning, Numerators, Oldstyle Figures, Ordinals, Proportional Figures, Stylistic Alternates, Scientific Inferiors, Stylistic Set 1, Stylistic Set 2, Stylistic Set 3, Stylistic Set 4, Stylistic Set 5, Stylistic Set 6, Stylistic Set 7, Subscript, Superscript, Tabular Figures TA Film Fiction Semi-X supports Khinalyg (Xınalıq) alphabet Test your alphabet, explore the nuances and witness the transformation. And if you're at any creative crossroads, I'm here for you. If you want to customize TA Film Fiction Semi-X, need font files or have any other questions, please reach out to me at t@taft.work. TA Film Fiction Semi-X be the cornerstone of your creative journey. Elevate your designs, embrace innovation and redefine possibilities with TA Film Fiction Semi-X, where each character tells a story. Questions? Contact us at t@taft.work Instagram @taft.work or @tural_a Visit us https://taft.work/

I designed “Mirror Font” with the idea that it could function as standard font but it also can function as a creative tool to create interesting letter form logos and titles. It is readable even at small sizes and would make an interesting addition to your library of “Futurist” font styles. See more graphic examples of Mirror Font in Action! on YouTube .

A group of unique metal plates with stencil initials cut into them was spotted while browsing through online auctions for source material. What made these items even more interesting was how some of the stencil letters had been sectionally divided - not vertically or horizontally as in most stencils, but lines cut at angles. This is the basis for Steel Stencil JNL and Steel Stencil Oblique JNL.