ARTA is an ArtDeco style font, inspired by classic font like Newport Classic with elongated typeface with high waisted uppercase letters which curve in an geometric and elegant way. It consisted of really condensed lettering which had little space available. It's a well complet font with 315 Glyphs for most latin languages as "English, French, Spanish, German, Icelandic, Afrikaans, Catalan, Czech, Esperanto, Hungarian, Latin, Latvian, Lithuanian, Maltese, Northern Sami, Polish, Serbo-Croatian, Slovak, Slovene, Sorbian, Turkish and Welsh". ARTA will give to your design an chic presentation, you will be able to generate beautiful writings,thanks to 3 differents type "Light, Regular & Bold". It can be used for Shop, Restaurant, Jewelry, Cosmetic, Press identity & more. I started to work on this typeface at the creation of a logo in 2017 for the butcher shop of my uncle in Luchon in France named "Le Louchébem". I always had in mind to complete & share it. So after some years, I decided that it was time to finish it. This was my first Typography creation and I wanted to make it as an Art Deco typeface. I really love this elegant, high & classy lettering style. I want to bring this 1910's vibes back to be more use in our days.

Usage recommendations: Captions, fliers, packaging, cards, posters, ads, book jackets, manuals, menus, bulletins, magazines, greetings, announcements.

Zart is a heavy yet delicately sensitive display typeface filled with character, a free interpretation of the classical French styles from the late eighteenth century, reimagined for modern use. While it’s vertical strokes carry the typical weight of this style, the thinness of the horizontal strokes is further extended into the characters with the introduction of large vertical ink traps. This allowed us to design slightly narrower letters which, coupled with shorter serifs, result in a overall darker expression, creating really impactful headlines. Zart is available in three versions: Regular, Italic and Script.

Headline font with extremely tight kerning with more than 1600 kerning pairs. Also with some discretionary ligatures and lining figures. That’s Tart. Sweet.

Let Ark, an Art Nouveau-infused high-contrast serif, transport your designs into the realm of elegant psychedelia. Ark draws deep inspiration from Heinz Keune's Edda, a remarkable design from 1900. While its vibe might evoke the groovy 70s and the mesmerizing world of trippy album covers, Ark transcends any assumed historical shabbiness. It trims the style into a refined and neatly cut serif, suitable for gallery-worthy presentations, all while maintaining a strong and unmistakable connection to its original roots. The standard letters of Ark maintain a respectable demeanor, only scratching the surface of the font's psychedelic potential. To truly unlock its full potency, try the Swash or Stylistic Alternates, or dig for even more Alternates from the Character palette. Needless to say, that Ark is a natural match for anything trendy, artsy, wierd and fun.

Cartes has a bit of a strange origin story, as far as fonts go. It’s a combination of ideas from 1920’s advertising and hand-painted letters from the 1500s. The typeface was designed to flow with elegance and speed yet retain a sense of the handmade. The serifs flow with indentations implying movement and terminate with inky globules that lend your copy a sense of gravitas. This typeface can be used for headlines, short texts, posters, logos, headlines, headlines in big sizes or just as easily for ad text. At large sizes, pen strokes can be seen that give the typeface a touch of humanity and vigor. At smaller sizes the type is still unique, but readable.

Arp is a neo-grotesk type system exploring the relations between contrast, functionality, and graphic character in one family. This typography comes in 5 different weights including fine strokes with inverted contrast (20), a sharp sans serif (80), and a high contrast heavyweight (240). Moreover, its design is formed by short ascenders and descenders aiming higher legibility, ink traps for display-functional purposes, and includes a wide range of icons, arrows, and symbols which allow creating consistent compositions in digital and print designs. All styles of 640 characters include a display weight with geometric and glyphic style alternates, which expand the proprieties and versatility of the system.

Arx by Superfried is an elegant and intricate display typeface designed for use at large scale. Its Latin name - meaning citadel - connects with the classical features, whilst the phonetic pronunciation nods to the arcs which characterise each glyph. This caps typeface is available in two formats: fade and solid, each featuring two distinct character styles switched via the shift key. Fade features delicate incisions to add depth and the illusion of 3D shading to the arcs. Solid, as its name suggests, is a cleaner, flat alternative.

In 1995, FontHaus came upon a rare opportunity to create a revival of Aries, a little known and previously unavailable typeface designed by the legendary Eric Gill in 1931. Discovering a lost typeface by one of the major designers of the 20th Century, was the discovery of a buried treasure, and being the first type company to release it in a digital format was an honor. Aries® is now in the fonts catalog of GroupType who owns the the registered trademark and has licensed this historical typeface exclusively to FontHaus as distributor.

In 1995, FontHaus came upon a rare opportunity to create a revival of Aries, a little known and previously unavailable typeface designed by the legendary Eric Gill in 1931. Discovering a lost typeface by one of the major designers of the 20th Century, was like the discovery of buried treasure, and being the first type company to release it in a digital format was an honor. Aries® is now in the fonts catalog of GroupType who owns the the registered trademark and has licensed this historical typeface to FontHaus as distributor.

Introducing Acting! A robust slab typeface that effortlessly combines nostalgia with contemporary boldness. What sets Acting apart is its distinctive circular elements within each letter, adding a unique touch while maintaining clean and balanced shapes. With alternative glyphs, it truly comes to life. Acting offers versatility with three widths: Condensed, Normal, and Expanded, along with an oblique version, resulting in a total of six styles. Whether you're working on branding, titles, or headlines, Acting is your perfect choice for your project! What's included? Acting Main File Unique Letterforms Works on PC & Mac Simple Installations Accessible in Adobe Illustrator, Adobe Photoshop, Microsoft Word even Canva! PUA Encoded Characters. Fully accessible without additional design software. Multilingual Supports: (Afrikaans, Albanian, Catalan, Croatian, Czech, Danish, Dutch, English, Estonian, Finnish, French, German, Hungarian, Icelandic, Italian, Lithuanian, Maltese, Norwegian, Polish, Portuguese, Slovenian, Spanish, Swedish, Turkish, Zulu) Come and say hello over on Instagram! https://www.instagram.com/dharmas.studio/

Dastin Toxic Graffiti is a spectacular display font, It will elevate a wide range of design projects to the highest level, be it branding, headings, wall art illustration, apparel, labels, and much more!

This 8-bit pixel font is designed with respect for 80s game designers and the pixel font pioneers in middle 90s. Use at size 10 pixels or multiples of 10 and anti-alias off is recommended. List of our Pixel Font Project. ·Flat10 Antique ·Flat10 Artdeco ·Flat10 Arts&Crafts ·Flat10 fraktur ·Flat10 Holy ·Flat10 Holly ·Flat10 Segments ·Flat10 Stencil ·Flat20 Gothic ·Flat20 Headline ·Flat20 Hippies ·Flat20 Streamer ·Behrensmeyer Vigesimals ·Civilite Vigesimals

This is an original font designed in the Art Nouveau style with strong influences by Arnold Boecklin.

The hand-lettered title of a vintage Walter Foster "how to draw" book inspired the Deco-influenced alphabet of Art Lesson JNL. Bold and retro in nature, this typeface gets the message across in a straightforward way, yet still has a bit of a casual feel to it.

Display Art One is a display font inspired by the art nouveau fonts popular at the turn of the 20th century. It is not intended for text use. It was designed specifically for display, headline, logotype, branding, and similar applications. Display Art One has upper and lowercase alphabets, numbers, and punctuation.

Artful Nouveau JNL was modeled from the hand lettering on the sheet music cover for the 1910 song "Gee, But It's Great to Meet a Friend from Your Home Town".

In the 1930s the WPA (Works Progress Administration) was involved with getting a number of Americans back to work during the Great Depression. One faction of the WPA's efforts was the Federal Art Project. Thin, condensed hand lettering on a poster for an Art Exhibition at the New Bedford Free Public Library is the inspiration for Art Exhibit JNL.

Primarily based on the work of German settlers in Pennsylvania, this collection showcases a variety of needlework and folk art styles of the early United States. Produced in conjunction with the Philadelphia Museum of Art, this set is a digital recreation of homespun Americana.

Art Topic JNL is a round-cornered square sans serif in the Art Deco style, and was modeled from a 1930 WPA (Works Progress Administration) poster for the Federal Arts Project.

Free-form hand lettering on a 1979 poster for the Washington, D.C. exhibition of watercolors and etchings by the Elie Abrahami inspired Art Director JNL, which is available in both regular and oblique versions. This type of lettering was most popular in the late 50s through the mid-60s for movie titles, greeting cards and poster text.

Art Museum JNL is yet another take on the classic Art Deco "solid letter" fonts that emulate the style of Futura Black. This version comes to you through the courtesy of a vintage WPA (Works Progress Administration) poster promoting national parks and Winter sports. Take note of the unusual inverted middle crossbar on the 'E' and 'F' as inspired by the poster's hand lettering.

Visual Arts JNL is a classic Art Deco typeface based on the hand lettering found on a 1930s-era WPA (Works Progress Administration) poster for Women Artists. The exhibit took place in the Federal Art Gallery in Boston, and was part of the arts project underwritten by the WPA to keep many creative people working during the Depression years.

The 1946 foreign publication entitled "100 Alphabets Publicitaires" ("100 Advertising Alphabets") collects a number of interesting and attractive lettering samples for design inspiration. One such example is Asian-inspired and was re-drawn as the digital type face now named Martial Arts JNL.

Art Nouveau Ornaments was inspired by designs from historic sources drawn in the Art Nouveau style. There is an assortment of 47 ornaments located under the character set keys.

The simple song title "May I", found on the sheet music from the 1934 Bing Crosby-Carole Lombard film "We're Not Dressing" was hand lettered in a blocky, ultra-bold Art Deco design that foreshadowed the techno look of the 1970s and 1980s. This became the basis for Art Techno JNL.

Art Class JNL was re-created from the titling of a lettering booklet called "Drawlet Portfolio", published by the Esterbrook Pen Company in the 1930s. Drawlet pens were Esterbrook's answer to the popular Speedball lettering pens, and the booklet was an instructional manual on hand lettering with the pen nibs.

Art Deco Arabic is a sans-serif Headline font. Designed by Naghi Naghashian as a sigle weight. Art Deco Arabic is reminiscence of Art Deco style, at the beginning of 20th century. The Latin part is a new design inspired from Art Deco style. It is extremely legible even in very small size. This font is a contribution to modernisation the Arabic typography, gives the font design of Arabic letters real typographic arrangement und provides more typographic flexibility. Art Deco Arabic supports Arabic, Persian ( Farsi ), Urdu and Latin.It also includes proportional and tabular numerals for the supported languages. Art Deco Arabic design fulfills the following needs: A Explicitly crafted for use in electronic media fulfils the demands of electronic communication. B Suitability for multiple applications. Gives the widest potential acceptability. C Extreme legibility not only in small sizes, but also when the type is filtered or skewed, e.g., in Photoshop, InDesgine or Illustrator. ArtDecoArabic’s simplified forms may be artificial obliqued in InDesign or Illustrator, without any loss in quality for the effected text. D An attractive typographic image. Art Deco Arabic was developed for multiple languages and writing conventions. Art Deco Arabic supports Arabic, Persian,Urdu and Latin. It also includes proportional and tabular numerals for the supported languages. E The highest degree of calligraphic grace and the clarity of geometric typography.

A 1920 art magazine from Great Britain entitled “Pan” had its three letter name hand lettered on the cover in a style that had elements of Art Nouveau, Art Deco and what would eventually be called Techno in the 1980s. This inspired the typeface Art Magazine JNL, which is available in both regular and oblique versions.

Although the model for Arts District JNL was a set of wood type, the design influence is clearly from the Art Nouveau era. Note the combination of unusual flat and curved sides on many letters. Decorative, yet legible; Arts District JNL works well with any period piece or as a pleasant alternative to traditional headline fonts.

Art Nouveau Flowers was inspired by flowers from historic sources drawn in the Art Nouveau style. There is an assortment of 47 flowers located under the character set keys.