Unione by TOMO FONTS is a clean and modern sans-serif type family with a geometric touch. Available in six weights (sharp and rounded) and with their corresponding obliques. A family of 28 members, with more than 1000 glyphs per font! The family has a wide range of language support, including Latin Plus & Cyrillic. Check out the interesting stylistic alternates Unione has for you. Geometric and modern Sans-Serif 28 styles 1000 glyphs per font. Latin Plus support, Extended Latin Cyrillic support, Basic & Extended Fractions Circled Numerals & Letters Lots of Stylistic Alternates

Sprout is a low-contrast sans serif, slightly condensed for economy of space, and complete with 6 weights in Roman and Italic. It has open apertures and a generous x-height for clarity of reading. It also comes with a weight balanced italic, which can be used for differentiation or as a standalone typeface in itself. The defining feature of the family is the taut curve, where the inner counter pushes out toward the outer contour, creating a feeling of tension in the curve. In the italic this shape language is pushed further, with a playful looped g and cursive form of the f. Sprout also comes with Old Style figures. Its range of weights makes for a versatile family suitable for branding, on-screen publishing and long-form reading.

This font is inspired by two typographic styles, incorporating (both) geometry and humanism. It combines the rhythm of such typefaces as Meta Pro and The Sans, as well as terminations and structures from fonts like Din and Futura. This results in a font that plays with condensation and a parallel rhythm, simple and functional. Fuse is perfectly equipped with Opentype, it contains alternative glyphs, fractions, modern and old numbers, superscripts and subscripts, ligatures and Small Caps. We always kept the idea of having Fuse be humanistic, rational and universal, which makes it ideal for graphic design, printed publications, web design, motion graphics, interaction design and branding. Learn about upcoming releases, work in progress and get to know us better! On Instagram W Type Foundry On facebook W Type Foundry wtypefoundry.com

Joost Schmidt?s (1893?1948) name is undoubtedly connected with monolinear condensed letters of geometric appearance ? his unfinished draft of a stencil alphabet, constructed on grid paper in 1930, is much lesser known. These modular shapes simply consist of half circles, quarter circles and square strokes with half-round terminals. From just six original letterforms (a, b, c, d, e, g), Flavia Zimbardi completed Schmidt?s draft and extended it to a full character set for contemporary use, adding upper case letters and different figure sets including old-style. Joschmi overcomes legibility issues usually associated with this stencil style, with special attention to the design of white space. Zimbardi lends the face even more character by carefully adding round terminals in subtle spots of the alphabet, accessible through stylistic sets.

Neubau is a condensed geometric display typeface, designed in 2009. The inspiration for this face came from Joost Schmidt lowercase letters developed during 1925-28 in Bauhaus Dessau. Schmidt was one of the proponents of New Typography – a movement advocating the use of only lowercase letters which were constructed strictly geometrically using only ruler and compass. Neubau Pro is the new edition of Neubau fonts. The new typeface is an upgraded version of an old fonts (2009), with careful refinements to glyph shapes, and the extension of glyph amounts which enabled support of more Latin languages as well as Greek and Cyrillic languages. Neubau Pro is released in six styles with small caps, and true italics, and contains OpenType features. This typeface can be used for editorials and print designs.

Yolk is an Eggcentric Sans Serif Typeface consisting of nine weights in both roman and italic. Essentially, this is a geometric sans typeface that has been inspired by the shape and proportions of an egg. With its bottom-heavy glyphs, Yolk has an unusual personality – it’s not too awkward to be off-putting, and it’s not too uniform to be associated with the myriad of generic geometric sans fonts that are available. Yolk has a distinctive presence in its upright form, while the italics exude a more flamboyant nature. When combined, your typographic results will be pleasing and perhaps a little quirky too. This 18-font type family achieves a good balance of personality, versatility, and usability. Small Caps are available at the click of a button, then add Stylistic Set 1 to achieve Petite Caps. The petite caps harmonise with the regular lowercase forms, so that you can create unicase-style typography too. All Latin-based languages are covered within the 1000+ glyphs of each Yolk font. Key Features: • 18 font family – 9 weights in Roman and Italic • Small Caps, Petite Caps, with Proportional, Old Style, and Small Cap figures, plus Fractions, Numerators, Denominators, Superiors, and Inferiors • Full European character set (Latin Extended) • 1,000+ glyphs per font.

Introducing Neuborn Font Family Neuborn is a Sans Serif Font Family (Light, Light Italic, Regular, Regular Italic, Regular Hollow, Regular Italic Hollow, Medium, Medium Italic, Medium Hollow, Medium Italic Hollow, Bold, Bold Italic, Bold Hollow, Bold Italic Hollow). This Font Template contains Modern, Formal or Non Formal, Classy, Elegant, Strong, Readable, Stylish, Cool, Bold, Minimalist and easy to use. FEATURES - Uppercase and Lowercase letters - Numbering and Punctuations - Multilingual Support - Works on PC or Mac - Simple Installation USE Neuborn works great in any branding, name card, logos, apparel, produk pagaking, flyers, magazines, label, films, stationary, posters, etc. and any design project that requires a formal or informal touch.

Maxwell is a clean condensed san serif typeface inspired by similar retro fonts from the 1950's. It comes in regular and small caps versions, includes stylistic alternatives and via the glyph panel you can access scientific inferiors, fractions, oldstyle numerals, Cyrillic, Greek, Latin and other Western and Central European languages. It can be used as a headline font or paragraph text.

Neo Neo is the work of British designer Timothy Donaldson, a type style straight out of a 1950s time capsule. It can be set in all caps or a mixture of capitals and lowercase. The casual, slightly condensed forms with their smooth, soft lines are reminiscent of highway diners and motel ads of the time and convey a bright, inviting mood.

Tho Hohoho is a font specially designed for christmas purposes. This font is a condensed sans serif, have a round corner, and have a happy concept. The main target is for Christmas design, but can be use for another purposes such as kitchen, nature, and other. This Font Include : Ligatures Latin Numbers & Punctuation We wish this font can bring customers to happiness.

Tact New family is geometrically sans serif font, with 3 weights, condensed looks glyphs, with an alternative glyph set to improve its use in different graphic contexts. It is suitable for use in the fields of science, art, architecture, urban planning, techniques, electronics, advertising, posters, corporate designs, futuristic themes, sport, film, computers, phones, video games, publishing... Contains all Latin and Cyrillic glyphs.

It is an Extra Condensed, Extra Light, Extra experimental and Extra display font. Extra C is a fun font that doesn't take itself too seriously. Ideal for those who need a font with great character and personality but at the same time a delicate touch in their graphic pieces. EXTRA C has 4 static weights in addition to a variable version.

This serif typeface was designed to be simple and neutral on text sizes, there descender proportions are short and the x-height is large. The lowercase italics contain different structure from roman characters, but the most differentiation detail is the fact the ascender and descender strokes don’t contain serifs. Italics characters are slightly more narrow and condensed than roman letterforms.

Since 1997, The Washington Post’s iconic headlines have been distinguished by their own sturdy, concise variation on Bodoni, designed by Matthew Carter. For the 2009 redesign, Richard Lipton, Jill Pichotta, and Dyana Weissman expanded the family with more refined Display and Condensed styles for use in larger sizes. Originally called Postoni, the fonts were renamed in honor of The Post’s founder, Stilson Hutchins