Inspired by the typefaces used for company insignia on aircraft in the 1930's and 1940's, Streamliner is light, friendly and open.

A revival of the Ludwig & Mayer typeface Motor and Lichte Motor from 1930. Motorcross Pro includes over 800 glyphs and supports 131 languages.

Sheet Music JNL was based on lettering found on an old piece of 1930s-era sheet music being sold at a local rummage sale.

Schwabacher was the predominantly used typeface in Germany from about 1470 until about 1530. It has round character forms other than Textura or Fraktur.

ITC Mona Lisa was designed by Pat Hickson, a stark and elegant typeface originally drawn in the 1930s by Albert Auspurg. The original drawings were long gone and the surviving metal type was already severely worn when Hickson studied Auspurg's design for his recreation. The result is a typeface which melds the flavor of the 1930s with current design standards. ITC Mona Lisa displays all the suave sophistication of Fred Astaire and Greta Garbo.

The word "Signs" hand-lettered on the cover of a 1930s instructional book on sign and poster lettering was the basis for Poster Inline JNL.

Reinert is a casual script font inspired by a few words in a magazine ad layout from the mid-1930s hand-lettered by Allen Reinert.

This typeface was suggested by a 1930s ad for a product called Plantol, designer unknown. It can be either graceful or playful, depending on context.

Nouveau Era JNL was adapted from the title of a hand-lettered advertisement found on the back of a 1920s-1930s piece of vintage sheet music.

A new take on the perennial Art Deco favorite, Broadway, interpreted by 1930s lettering artist Harold Holland Day, and named after a 1960s R&B song.

This is a condensed version of an old classic, Thorne Shaded. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

A 1930s-era WPA (Works Progress Administration) poster advertising a Federal Art Project exhibit entitled "Index of American Design" was the basis for Art and Design JNL.

The Phosphor font was designed by Jakob Erbar and released in 1930. This inline headline face was designed to look like glowing letters, hence its name Phosphor.

FG Alex is perfect for international campaigns, commercials and prints. Supports 123 languages.

Stencil-like lettering appearing on a 1930s WPA (Works Progress Administration) poster for the Pennsylvania Game Commission saying “Protect Our Birds” is the basis for Fall Fashion JNL.

A simple, elegant semiscript…enough said. All versions of this font include the Unicode 1250 Central European character set in addition to the standard Unicode 1252 Latin set.

Funny Book Sans includes these codepages: 1252 Latin 1; 1250 Latin 2: Eastern Europe; 1251 Cyrillic; 1253 Greek; 1254 Turkish; 1255 Hebrew; 1257 Windows Baltic; 1258 Windows Vietnamese.

Monoline Deco JNL is a thin, elegant typeface that is reminiscent of the Art Deco Streamline influence of the 1930s and 1940s, complete with angular and truncated characters.

Cirflex was inspired by a 1930s shop sign, and makes an ideal typeface for Streamline Era and Art Deco design. Cirflex is offered in regular and bold weights.

Swing Band JNL is a casual, playful type design inspired by the title lettering from "Hi-De-Ho", a 1930s all-black cast film starring legendary bandleader Cab Calloway.

A mysterious 1930s Italian luggage tag inspired Bagaglio. Given its historical and geographical origin, this rough-hewn font could be considered a cousin to the P22 Il Futurismo font.

Based on some 1930s-era ‘block chamfer’ gummed paper lettering, Chamfer Stencil Sans JNL is a stenciled treatment of the original design; available in both regular and oblique versions.

Live long and prosper. Barnhart Brothers and Spindler. 1884. Originally named Vulcan. Enough said. Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Ashley Crawford was designed by Ashley Havinden in 1930. Ashley Crawford is very lively and as such it is ideal for packaging and display purposes where fun is the theme.

The Granby family of typefaces was first produced in 1930 by Stephenson Blake, Sheffield, UK. Granby Elephant contains all the high-end features expected in a quality OpenType Pro font.

The hand lettering of a piece of 1930s sheet music's title has once more yielded an interesting take on the popular "thick and thin" lettering of the Art Deco period.

Art Topic JNL is a round-cornered square sans serif in the Art Deco style, and was modeled from a 1930 WPA (Works Progress Administration) poster for the Federal Arts Project.

A handsome German art deco design that fits in well with other types of the 1920s and 1930s. Originally without a lowercase, so we drew one for it, extending its usefulness.

Quite simply, a classic country sampler alphabet with a sorry-I-couldn't-help-myself name. Both versions of the font include 1252 Latin, 1250 CE (with localization for Romanian and Moldovan).

What else is there to say? Children's wooden blocks inspired this playful face. Use and enjoy! Both versions support the Latin 1252, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Moving Van JNL is a classic sign painter's block Roman with angled [instead of rounded] corners and slab serifs. This style of lettering was most popular in the 1920s and 1930s.

A classic late nineteenth-century face from the Dickinson Type Foundry of Boston. Both versions of this font support the Latin 1262, Central European 1250, Turkish 1254 and Baltic 1257 codepages.

Grid inspired typefaces in 6 weights: 20, 40, 60, 80, 100 and 120 language: all latin glyphs

Taken from the hand-lettered name on a 1930s-era tin for Cadet condoms, Bed and Bath JNL is pure Art Deco with thin line weight and varying character widths and shapes.

Sign Vendor JNL is a simple sans modeled from hand-lettering with a touch of Art Deco influence. The design is from a 1930s poster promoting winter activities in New York State.