This is That: a family of four weights with roman and true italics, and also with chiselled medium weight, and Irregular variant for, well, variety.

A bold new look great for magazines and paperbacks a strong yet beautiful headline face.

Introducing Sign That - Signature script Sign That is organic and casual script loaded with ligature glyphs and 95 languages support Language Support: Belarusian, Bosnian, Bulgarian, Chechen, Macedonian, Russian, Serbian, Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Breton, Chiga, Colognian, Cornish, Czech, Danish, Dutch, Embu, English, Estronian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalenjin, Kamba, Kikuyu, Kinyarwadna, Litvian, Lithuanian, Lower Sorbian, Luo, Luxembourish, Luyia, Machame, Makhuwa-Meetoo, Makonde, Malagasy, Maltese, Manx, Meru, Morisyen, North Ndebele, Norwegian Bokm ål, Norwegian Nynorsk, Nyankole, Ormo, Polish, Portuguese, Quechua, Romanian, Romansh, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Scottish Gaelic, Sena, Shambala, Shona, Slovak, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Ukrainian, Upper Sorbian, Uzbek (Latin), Volap ük, Vunjo, Walser, Welsh, Western Frisian, Zulu FEATURES Uppercase, lowercase, numeral, punctuation & Symbol ligature glyphs Multilingual support - 95 languages No special software is required to type out the standard characters of the Typeface. Feel free to contact me if you have any questions!

“Scratch That” is a decorative font available in 16 different styles. All subfamilies are consistent in width, position and spacing, so multiple fonts can be layered to create even more variety - have a look at our Family Pack offers! We designed “Scratch That” with layered design in mind and for both good legibility at smaller sizes and perfect look at large dimensions. This allows widespread use: for fashion, headlines, flyers, food, packaging, posters, souvenirs, web design, invitations and many more...

TWT Prospero is the kind of typeface you seldom find in blocks of continuous text these days. Similar fonts based on late-18th-century work by Bodoni, the Didots, and others tend to be reserved for display type: their exaggerated contrast and vanishing hairlines can make you squint and strain at small sizes. But TWT Prospero, with its moderate contrast and fairly robust hairlines, is impressively legible in book text while remaining ideal for use in display situations. The full family has seven styles: roman, italic, bold, bold italic, condensed roman, condensed italic, and condensed bold.

Muliya Tat Is a hand calligraphy, smooth, modern and clasik, calligraphy wavy, which was created to meet the needs of your next design project, hopefully you like it. Muliya tat Calligraphy, Can used for various purposes. such as the title, signature, logo, correspondence, wedding invitations, letterhead, signage, labels, newsletters, posters, badges, etc. Muliya tat Calligraphy features 406 glyphs and has given PUA unicode (specially coded fonts), can be accessed easily with the character map, can be accessed in full by the lovers of letters or artisans to increase career in the design world.

TWT Pavane is based on the calligraphy of Art Nouveau designer Rudolph Koch. Chelsea Studio is based on hand lettering from architectural sketches by Charles Rennie Mackintosh.

That Stuff JNL is a collection of twenty-six images ranging from a stop sign to a peace sign... from a daisy to some 35 mm slides... from smiley and unhappy faces to a rubber stamp and a prize ribbon... A little bit of this and that for the creative designer.

A fun all caps bubble font. It's fat, it's happy, and it's perfect for fun greeting cards, posters, quotes, and groovy lettering designs.

TWA Assembly Sans is not your standard workhorse sans. Although it sports the same geometric shapes, grotesk characteristics, and comes in many weights, its unique qualities and slight diagonal curves give Assembly Sans a friendlier appearance. As the weight increase, the contrast becomes more extreme, adding to its approachability.

Walter Foster art books strike again, this time with a bouncy script based on the work of Al Mack, from his Lettering: Brush & Pen in the Single Stroke. Light and lively, this typeface proves that it don't mean a thing if you ain't... The Opentype version of this font supports Unicode 1250 (Central European) languages, as well as Unicode 1252 (Latin) languages.

Proudly present A Day That Feels Better Typeface, created by ClevUs, A nostalgic serif & calligraphic italic that has own unique style & modern look. This typeface is perfect for an elegant & luxury logo, book or movie title design, fashion brand, magazine, clothes, lettering, quotes, and so much more. Font Features : Letters, numbers, symbols, and punctuation 101 alternates and ligatures No special software required they may be used even in Canva, any basic program /website apps that allows standard fonts That's it folks! Multilingual Support Language Support: Danish, English, Estonian, Filipino, Finnish, French, Friulian, Galician, German, Gusii, Indonesian, Irish, Italian, Luxembourgish, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Portuguese, Romansh, Rombo, Spanish, Swedish, Swiss-German, Uzbek (Latin) Follow My Shop For Upcoming Updates Including Additional Glyphs And Language Support. And Please Message Me If You Want Your Language Included or If There Are Any Features or Glyph Requests, Feel Free to Send me A Message. Have a Good Day !

Narrow, playful, jaggedy letters inspired by a typewriter.

‘Thwaites’ typeface is fully dedicated to one of my best Canadian friends who I do cherish and value highly. This great and industrious Canadian friend is ‘James Douglas Thwaites’ who lives along with his good-natured family in British Columbia, Canada. For me, James is like a source of inspiration and I do consider him as an ideal in my life. Our strong friendship has started since 1999 and I hope that it will endure just to the last moment of my life. Sometimes I see him as the writer and poet that I learn a lot from, sometimes I see him as a devoted religious minister that I try to understand more about his teachings, and other times I see him as the educator that I strive to imitate verbatim in my life. When I want to talk more about this Canadian friend, I will not be able to give him his due in full. Thus, I will instead mention some excerpts of his biography that he wrote himself saying that: “James D. Thwaites is a self-accomplished man. Having worked in various fields including restaurant management and cleaning, he has achieved his goals of being a full-time teacher, past-time writer, and volunteer religious minister for the Christian Congregation of Jehovah's Witnesses. His personal and academic pursuits have led him to be published in various magazines, newspapers, self-published books, and websites, including his now defunct ‘poetryofthemonth.com’ website. He continues to learn and augment the craft of writing while working primarily in early literacy and delayed literacy learners, teaching reading and literature to a wide age range of students. He views his religious endeavors as an extension of his academic ones. He teaches others both as a public speaker and in one-on-one situations, teaching about the benefits of submission to God and to His teachings. His future goals include expanding his ministry and continuing his writing.” The name ‘Thwaites’ itself comes from Great Britain and originated from the last Viking raids upon England, being an Anglicized version of a Scandinavian term meaning—depending on the source material—either "a place that is difficult to approach" or "a small thicket of trees." Another recitation mentions that ‘Thwaites’ can be described also as an English surname but one of pre 7th century Norse-Viking origins. It may be either topographical or locational, and is derived from the word "thveit", meaning a clearing or farm. As a locational surname it originates from any one of the various places called "Thwaite", found in several parts of Northern England and East Anglia to the south. The various modern spelling forms include Thwaite, Thwaites, Thwaytes, Thoytes, Twaite, Twatt, Twaites, Tweats and Twite. The name, although often appearing unique to outsiders, can often be found within other famous names like Braithwaite, Goldthwaites, or Misslethwaites. With various spellings, some families not including the ‘e’ or the ‘s’ at the end, Thwaites and its derivations—although not exceedingly common—is a name found worldwide. ‘Thwaites’ typeface is simply a sans-serif streamlined, stylish, and versatile font. It is designed using a combination of thick and thin strokes for its +585 characters. Its character set supports nearly most of the Central, Eastern, and Western European languages using Latin scripts including the Irish language. The typeface is appropriate for any type of typographic and graphic designs in web, print, and other media. It is also absolutely preferable to be used in the wide fields related to publication, press, services, and production industries. It can create a very impressive impact when used in headlines, posters, titles, products’ surfaces, logos, medical packages, product and corporate branding, and also signage. It has also both of lining and old-style numerals which makes it more suitable for any printing or designing purposes. ‘Thwaites’ typeface is really the cannot-miss choice for anyone who wants to possess unique artistic and modern designs produced using this streamlined typeface.

A unique font that falls in that extreme catagory, Zany has that happy look.

A desire that is honored, a result that describes a gesture that combines script fonts with Signature to meet customer desires. The embodiment of the results that are more likely to be in a signature that is perfect for logos and branding, you determine it yourself .

Rufina was as tall and thin as a reed. Elegant but with that distance that well-defined forms seem to impose. Her voice, however, was sweeter, closer, and when she spoke her name, like a slow whisper, one felt like what she had come to say could be read in her image. Rufina's story can only be told through a detour because her origin does not coincide with her birth. Rufina was born on a Sunday afternoon while her father was drawing black letters on a white background, and her mother was trying to join those same letters to form words that could tell a story. But her origin goes much further back, and that is why she is pierced by a story that precedes her, even though it is not her own. Maybe her origin can be traced back to that autumn night in which that tall man with that distant demeanor ran into that woman with that sweet smile and elegant aspect. He looked at her in such a way that he was trapped by that gaze, even though they found no words to say to each other, and they stayed in silence. Somehow, some words leaked into that gaze because since that moment they were never apart again. Later, after they started talking, projects started coming up and then coexistence and arguments, routines and mismatches. But in that chaos of crossed words in their life together, something was stable through the silence of the gazes. In those gazes, the silent words sustained that indescribable love that they didn't even try to understand. And in one of those silences, Rufina appeared, when that man told that woman that he needed a text to try out his new font, and she saw him look at her with that same fascination of the first time, and she started to write something with those forms that he was giving her as a gift. Rufina was as tall and thin as a reed, wrote her mother when Rufina was born.

Introducing Moon Child, an elegant collection of two fonts that pair perfectly together. This collection will make designing Instagram quotes, websites & invitations effortless. What's Included Moon Child Script An elegant script font that includes ligatures that give you that gorgeous hand-lettered look. Moon Child Caps This is an all caps font that pairs perfectly with the script font

Rufina was as tall and thin as a reed. Elegant but with that distance that well-defined forms seem to impose. Her voice, however, was sweeter, closer, and when she spoke her name, like a slow whisper, one felt like what she had come to say could be read in her image. Rufina’s story can only be told through a detour because her origin does not coincide with her birth. Rufina was born on a Sunday afternoon while her father was drawing black letters on a white background, and her mother was trying to join those same letters to form words that could tell a story. But her origin goes much further back, and that is why she is pierced by a story that precedes her, even though it is not her own. Maybe her origin can be traced back to that autumn night in which that tall man with that distant demeanor ran into that woman with that sweet smile and elegant aspect. He looked at her in such a way that he was trapped by that gaze, even though they found no words to say to each other, and they stayed in silence. Somehow, some words leaked into that gaze because since that moment they were never apart again. Later, after they started talking, projects started coming up and then coexistence and arguments, routines and mismatches. But in that chaos of crossed words in their life together, something was stable through the silence of the gazes. In those gazes, the silent words sustained that indescribable love that they didn’t even try to understand. And in one of those silences, Rufina appeared, when that man told that woman that he needed a text to try out his new font, and she saw him look at her with that same fascination of the first time, and she started to write something with those forms that he was giving her as a gift. Rufina was as tall and thin as a reed, wrote her mother when Rufina was born. Photo (Fragilité): Karin Topolanski / Post: Raw (www.raw.com.uy) - María Pérez Gutiérrez

A wild and wacky font that falls in that extreme catagory.

Quickly scribbled grafitti font that has got that bad-boy-feeling!

Wild love is an amazing collection of fonts that has everything you font lovers dream of. This beautiful collection comes with two fonts that pair perfectly together that will make designing Instagram quotes, websites & invitations so much easier and fun. WHAT’S INCLUDED WILD LOVE SCRIPT (OTF) A lovely script font that includes 67 ligatures with letter combos that give you that gorgeous hand-lettered look. This font also includes 52 alternate start & end swashes for all of the lowercase characters. WILD LOVE SANS (OTF) This is an all caps font that pairs perfectly with the script font

Did you ever get lyrics from a song wrong? And maybe found out years and years later, that is was wrong...but the wrong lyrics get stuck, even though you know that they are wrong! :) Misheard Lyrics is a font that most likely gets stuck in your design, because it has that bouncy and random look that makes your text come alive - without overdoing it!

WildThing is just that, a script that has a real wild character.

Allen Zuk has designed this wacky typeface that he calls KOOKY. Each character has three variants that bounce about the baseline. The effect is a randomly casual appearance that is great for headlines. The OpenType version does this automatically by using contextual alternates in applications that recognize this option.

Peanuts are a good source of healthful fats, protein and fiber - and besides that, I looove peanuts! Every once in a while, I have to name a font peanut-something. But I only do that with fonts that have that organic and handmade look and feeling ... and in this case, this font looked perfect to have the honour! :) Peanut Jam is super handmade and has 4 different versions of each lowercase letter and besides that, the font has multilingual support! Go get that peanut butter feeling! :)

Futuretro is a font that transfers you to a bygone age that never was.

Redemption is inspired by religious doomsday flyers that have been photocopied so many times that they take on a very stressed and jaded look. A look that usually reflects their content quite well!

Some typefaces are staid, somber design tools. Then again, there's ITC Cinderella from Patricia Lillie: a typeface that's light-footed as a ballerina and joyful as a child at play. “There is a group of display faces that I simply love. Type that just seems to dance, type that makes me smile, designs that, when I see them, I say, "Boy, do I wish that was one of mine" says Lillie. “Although I never wanted to imitate these designs, when Cinderella started to emerge, I felt like it was the closest I've come to that quality.” ITC Cinderella projects gaiety and freedom. Capitals harmonize with a lowercase that bounces along with a lively, carefree attitude. Stroke weight stress is, well, all over the place. Curlicues abound. This delightful design is just that: brimming with delight.

The Brohoney font is inspired by an elegant serif styled font made with elegant swash and limp curves that make any design unique and elegant. Brohoney has many alternative characters that you can choose easily by using an application that supports opentype glyphs, besides that Brohoney also has 14 families from thin to heavy that you can use for body text or header text. Brohoney is very suitable for making designs with elegant, luxurious, modern and simple concepts.

Introducing Nirwana, a Brush font script that is very suitable and captivating, with a very detailed hand touch so that the characters are the same and that Nirwana will be very suitable for your project design needs.