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burnt letters, for sparse, cryptic displays
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hey i have the same problem too... my file menu do not have the install new fonts command
so i copied the ttf files into my windows/font folder but i cant see them in my applications like microsoft word, etc..
HELP!!!
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Thank you for your help. I will let you know if I have any more troubles.
Yes, what you noticed was intentional, all similar glyphs a,b,d,p,q have the the same amount of ascension above the x height and desension below the baseline.
I just played with this feature & ran with it throughout the font. Yes, it was intended to be a part of it's unique identity. Truly an "experiment," as I refer to my dabbling in making fonts.
But I agree, though I meticulously edited & designed this font, this feature gives it an undesirable uneven appearance at some weights/ styles /settings.
I'm sure you are familiar with the round overshoot technique; rounded letters like the capital O should slightly larger than the average height of the other capitals to counter-act the fact that it's rounded shape gives it the allusion that it is smaller. I took this design rule and exaggerated it.(reason for describing that this "sweet" font "doesn't adhere to old rules")
It is a unique characteristic, but had I not done this.... I'm sure Champagne & Limousines would be even more lovely.
Also, Champagne & Limousines Bold adds an alternate look to normal, rather than emphasis. In bodies of text, there's not that much variation/contrast between the two (normal & bold). It's more like a "less light" version than a bold style. I recommend using Thick or Thick Bold in bodies of text where bold is needed.
One other thing, I regret that '{' and '[' characters do not extend to the lowercase descenders only to the baseline. That is a mistake. I felt better about that when I saw GeosansLight does the same thing though!
Anyways... thanks again!~Lauren
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