Taro Why do designers make more and more geometric fonts? There are already many geometric sans in the world. Because It is a natural flow of design. It is true that we like geometric type instinctively. Taro was designed to archive a good balance between the following three things geometrically. 1. To be Natural, Flowing, Organic. 2. To be Neutral, Unbiased, Universal. 3. To be legible, distinguishable, readable. Consists of eight weights and their matching italics. Supporting almost all latin languages. All-caps text for one line or a few is as wonderful as normal mixed-case typesetting.

Headline font with extremely tight kerning with more than 1600 kerning pairs. Also with some discretionary ligatures and lining figures. That’s Tart. Sweet.

Tara is a bold, fun handwriting font that scales really well to large point sizes.

Although the Taz family was designed for newspapers, it works equally well in many other contexts. The fonts have been used in glossy magazines, sales catalogues and corporate brochures, for instance. Taz is appreciated for its readability in longer texts at medium sizes.

My Tara is a handwritten script typeface with a casual, but rough look and sketched woody texture. Because of the fluidity, there are plenty of Standard Ligatures to avoid frequent repetition of letters. There are ligatures created for Cyrillic too. If you want floral initials, first or last letter in a word, you can use My Tara Ornaments font with sketched and inky texture. If you need drawings for your artwork, you can choose My Tara Dingbats, with more than 300 crocky drawings of flora and fauna, authentic for National Park Tara. My Tara is the perfect choice for all natural and authentically beautiful things.

A Tarte Tatin is a French upside down apple pie. The story goes that one of the Tatin sisters (who ran Hôtel Tatin in Lamotte-Beuvron 169 km south of Paris), was baking a regular apple pie, but put the apples first and, realising her mistake, tried to rescue the dish by adding the pastry and sticking it in the oven. Tarte Tatin is a really nice all caps font. It was made with a Japanese brush pen on rough paper. Tarte Tatin comes with extensive language support and a set of alternates for the lower case letters.

Cheese Tarts will be perfect for wedding lettering, beautiful frame for your home, book covers, greeting cards, logos, marketing, magazines or anything that requires cute handwritten lettering :) What's inside: Cheese Tarts Font Multilingual support Cyrillic support / Поддержка русского языка Cricut support If you have any questions, please contact me directly or in instagram @superdizigner

For weekly freebies, follow me on Instagram @joannemarie_cm Cake & TARTS is a cute handwriting font with lots of personality. The caps work so well together too. I’ve loved making hand lettered designs with it (in fact, that’s how I became to make the font - from my own hand lettering) and have shared some of those with you here. It’s perfect for anything casual. It can be used for a wide range of projects, such as logo designs, party & wedding invitations, t-shirt designs, signs, magazine design, greetings cards, poster design and much more! This casual handwriting script font is clear, smooth and easy to read, making it perfect for large amounts of text too! It has alternates, ligatures and international characters.

This new and improved version of this chunky classic by Paul Carlyle and Gus Oring includes the lowercase letters not found in earlier versions. Use it to add a little—or a lot of—panoramic panache to your next project. Both versions of the font include 1252 Latin and 1250 CE (with localization for Romanian and Moldovan) character sets.

Pink Lemonade (formerly called Fresh Paint) is just like cool, tart lemonade on a hot summer’s day...refreshing! With varying widths and irregular sizes of the lowercase letters, Pink Lemonade lends a bouncy rhythm to text. Works very well for scrapbooking, invitations, children’s books, recipe books, titling, display purposes, etc.

This special newstext version of TheAntiqua was developed in close collaboration with the Berlin newspaper Die Tages­zeitung (taz). Its sturdy forms were optimized for newspaper stock. This font family is currently being reworked and will be further developed with variable weights that can be adjusted to clients’ specifications.

My family and I recently moved to a ‘fixer upper’ farm from the 1930’s. It came with a slightly run down barn, 4000 square metres of land and a LOT of redcurrant bushes. I can’t really say that I am overly fond of them. I find them a bit too tart. As a kid, I used to smother them in sugar, but I can’t do that any longer, since I am a responsible dad… ;-) Redcurrant is a slightly wonky, slightly crazy handmade font. It can be used for book covers or post cards, but feel free to use it for whatever. Comes with cute little swashes as well.

One of the best desserts I have eaten in my life was a treacle tart. I do know that it was in England and I do know that it was delicious. I really don’t know why I was thinking of that, but that pleasant memory did give me a name for this font. I am still learning my new font software, which is a bit of a slow process. The software I used for this font allows me to add several languages, which, hitherto, I couldn’t access. So, in short, this is my most multilingual font ever: it even includes Vietnamese and a bit of Hiragana and Katakana for you to get creative with!

This font was inspired by the paint brushed letters in use in the 60 - 70s for protest slogans tagged on the cities walls. In those days, we didn't commonly use aerosols like today, so we used paint brushes, with paint or tar cans, drew the letters, and ran away quickly ! Capitals and lower case have the same size, and a lot of alternates characters or ligatures allows the user to vary each letter (until tree alternates for single letters) in each word of a text . Likewise, the words may be easily underscored or intersected by a few stains looking like paint spots, substituted to the following standards characters: [greater], [less], [dagger], [backslash], [bullet], and [underscore].