282 search results (0.019 seconds)
  1. Siruca by FSD, $60.27
    Siruca is a font created specifically for the Al Hamra Complex, in Kuwait City, which includes the extraordinary Al Hamra Tower, one of the tallest skyscrapers in the world. Siruca is a stencil font designed to be used both by the classical forms, both for possible use with neon tubes. Indeed, the rounded ends and the total absence of sharp corners to prevent abrasion during the use of masks and, simultaneously, provide a realistic neon circuit designer. The typeface is accompanied by a series of pictograms (designed following the same guidelines described above) to be used on signs inside the building. The originality and versatility of the font Siruca™ makes it particularly suitable for the characterization of tainted brands from the strong recognizable.
  2. Siruca Pictograms by FSD, $9.00
    Since 2008 the font Siruca has been enabled via the open source project Siruca Pictograms, and created by several international designers invited by the project.
  3. Veruca - Unknown license
  4. Sirona - Unknown license
  5. Sirena by Stereo Type Haus, $10.00
    Inspired by hand-painted signage found in ”Little Haiti” Miami, Florida. Sirena’s quirky curls, dynamic slant, and organic nuances capture the essence of Latino street vernacular.
  6. Silica by Stone Type Foundry, $49.00
    This slab serif is a general purpose type in six weights. The lighter weights are useful for short passages of text. The heavier weights are a versatile tool for setting headlines. Available weights are Extra Light, Light, Regular, Semibold, Bold, Black. Silica was designed to withstand condensation using horizontal scaling without compromising the weighting scheme of the design.
  7. Sirona by Scriptorium, $18.00
  8. Sirba by TypeTogether, $49.00
    Sirba, a serif typeface family with a friendly personality, was conceived especially for the demands in complex text environments like dictionaries, academic texts, annual reports, novels and magazines. It has many design features that were particularly designed with Sirba’s purpose in mind. Because of its open counters, the large x-height and its short ascenders and descenders, this typeface conveys a pleasant reading experience and high legibility even in small sizes. Sirba is a low-contrast typeface, contemporary but with a classical touch, revealing its beauty in design details, such as the asymmetrical bottom serifs, curved bracketing and calligraphically reminiscent terminals. Furthermore, the capitals appear integrated into the text, thanks to the low cap height, and the constant width of all tabular numbers between the weights make this typeface very usable in annual reports and tables. Sirba is available in the four classic styles plus a special heavy (Black) version, which is particular in that its proportions are designed so the counters remain big enough when set in very small text sizes. This means that Sirba Black’s spacing and letter width are rather generous in comparison to other typefaces of that colour. This ensures excellent legibility. During the design of the typeface family, much attention was given to the italic and regular as counterparts of each other. The italic distinguishes itself just enough while reading without creating strange spots within the text when looking at the text as a whole.
  9. Sorca by Flawlessandco, $9.00
    Introducing "Sorca" - A Display Typeface Font. Dive into the world of sophistication and uniqueness with "Sorca," a captivating display typeface font that is adorned with wavy and distinctive letter details. There's some connected letters and some alternates that suitable for any graphic designs such as branding materials, t-shirt, print, business cards, logo, poster, t-shirt, photography, quotes .etc This font support for some multilingual. Also contains uppercase A-Z and lowercase a-z, alternate character, numbers 0-9, and some punctuation. If you need help, just write me! Thanks so much for checking out my shop!
  10. Serca by Adam Ladd, $25.00
    Serca is a structured geometric sans serif font family with normal and condensed proportions. It is professional and precise, open and legible. The modern, clean design lends itself to being a workhorse for a variety of applications—branding, advertising, websites, mobile apps, logos, magazines, etc.—able to be used in both small body text and large headlines alike. The vast range of weights gives plenty of options to choose from.
  11. Black Sirkka by Volcano Type, $39.00
    The idea of the font Black Sirkka was, to develop a modern interpretation out of the general blackletter typefaces. Black Sirkka is a bastard with the typical characteristics of the blackletters, mixed up with modern, simple shapes from grotesk typefaces. The whole typeface was built up in a modular construction system.
  12. Crash Struck by Maulana Creative, $11.00
    Crash Struck is a casual brush script font. With regular rough brush stroke, fun character with some of ligatures. To give you an extra creative work. Crash Struck font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Crash Struck font. Cheers, MaulanaCreative
  13. Linotype Sicula by Linotype, $29.99
    Linotype Sicula, from German designer Roberto Manella, is part of the TakeType Library, chosen from the entries of the Linotype-sponsored International Digital Type Design Contest 1999 for inclusion on the TakeType 3 CD. It is available in two weights, regular and oblique. Linotype Sicula will quickly win over any nostalgic spirits. Ornamental and sweeping, the figures line up on the paper, their contrasting strokes and playfully irregular forms giving them an exuberant, decorative character. The careful details of each figure come to light best when used in larger point sizes. Linotype Sicula is therefore best for headlines and can easily inspire typographic experiments and its capitals can serve as initials combined with other typefaces, especially sans serif.
  14. Love Struck by Letterhend, $14.00
    Combining handcraft serif and simple script, Love Struck is an authentic typeface that gracefully marries a delicate and refined aesthetic with a hint of rustic charm. Features : Uppercase & lowercase Numbers and punctuation Multilingual PUA encoded We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations.
  15. Struck Base by Mans Greback, $59.00
    Struck Base is a cool logotype script font. Drawn and created by Mans Greback in 2021, this lettering has a sporty style and a bold, colorful personality. It can be used in tough and feminine contexts, by peasants and royals alike, for tattoos or for weddings. Constructed with retro inspired brush strokes, anything written in this calligraphy appears to be a truly custom typographic design. Create swashes by writing underscore _ after any word. Example: Striker_ Write several underscores to make swashes of different lengths. Example: Baseball________ (Download required) The font is built with advanced OpenType functionality and has a guaranteed top-notch quality, containing stylistic and contextual alternates, ligatures and more features; all to give you full control and customizability. It has extensive lingual support, covering all Latin-based languages, from North Europa to South Africa, from America to South-East Asia. It contains all characters and symbols you'll ever need, including all punctuation and numbers.
  16. Spruce AOE by Astigmatic, $19.95
    A playful and offbeat papercut font.
  17. Ruca by URW Type Foundry, $49.99
    Since my first contact with blackletters in 1999, I became more and more fascinated by these artistic looking typefaces. It all started in the USA at the age of 16, when I took an art class. I decided to trace some blackletter typefaces because they looked very interesting. From this point on I was intrigued by blackletter fonts from all over the world. I studied their different body structures and their cultural background as well as the type designers behind it. Full of information and inspiration I started to draw my own blackletter typeface in 2006. While studying in Hamburg I got in touch with the studio of URW++, where I got skilled in type software and development. Creating a type takes an eye for detail and patience but also lots of time and so it took almost 4 years until the project was finished. And so Ruca was born. Ruca is a refined and expanded typeface. When you look at the spines, the tails or the flags you can see the detailed drawing, which makes the font also extremely good looking in very tall letters. The full character set contains over 400 characters, many ligatures, two number sets and all important currency symbols. Over 300 kerning pairs and many OTF-features make the font easy in use for professional type applications. The typeface is very well applicable for strong headlines and mastheads. Because of its unique appearance, Ruca is perfectly suitable professional graphic applications such as fashion design or branding.
  18. Sica by dooType, $30.00
    The Sica Family was designed in order to address issues related to technology, while maintaining humanistic forms. Thus, a font with square shapes emerged, but with smooth curves and slightly rounded terminals making it friendly. The family has three widths – condensed, normal and expanded – each of them with six weights and their respective italics, resulting in 36 fonts. With particular details and open shapes that increase legibility, it can be used for both text compositions as well for display sizes. It has 774 glyphs, covering more than 50 languages, as well as ligatures, lining, oldstyle, tabular and proportional figures, fractions, superiors, inferiors, and small caps, all of them accessible through OpenType features.
  19. KR Star Struck - Unknown license
  20. Sica Condensed by dooType, $30.00
    The Sica Family was designed in order to address issues related to technology, while maintaining humanistic forms. Thus, a font with square shapes emerged, but with smooth curves and slightly rounded terminals making it friendly. The family has three widths – condensed, normal and expanded – each of them with six weights and their respective italics, resulting in 36 fonts. With particular details and open shapes that increase legibility, it can be used for both text compositions as well for display sizes. It has 774 glyphs, covering more than 50 languages, as well as ligatures, lining, oldstyle, tabular and proportional figures, fractions, superiors, inferiors, and small caps, all of them accessible through OpenType features.
  21. Sica Expanded by dooType, $30.00
    The Sica Family was designed in order to address issues related to technology, while maintaining humanistic forms. Thus, a font with square shapes emerged, but with smooth curves and slightly rounded terminals making it friendly. The family has three widths – condensed, normal and expanded – each of them with six weights and their respective italics, resulting in 36 fonts. With particular details and open shapes that increase legibility, it can be used for both text compositions as well for display sizes. It has 774 glyphs, covering more than 50 languages, as well as ligatures, lining, oldstyle, tabular and proportional figures, fractions, superiors, inferiors, and small caps, all of them accessible through OpenType features.
  22. Sirucanorm by FSD, $60.27
    Sirucanorm™ is the no-stencil version of the previous Siruca™ . Designed using golden ratio formulas, it’s inspired to DIN and Isonorm typeface.
  23. Basalt by Volcano Type, $19.00
    Basalt is a hard, black volcanic rock with less than about 52 weight percent silica. Because of basalt's low silica content, it has a low viscosity (resistance to flow). Basalt is erupted at temperatures between 1100 to 1250° C.
  24. LHF Matthews Thin by Letterhead Fonts, $43.00
    Inspired by E.C. Matthew's, circa 1940's.
  25. Gothic by Red Rooster Collection, $45.00
    Digitally engineered by Steve Jackaman. Ludlow, circa 1939.
  26. Faust by Red Rooster Collection, $45.00
    Based on the Albert Kapr design, circa 1959.
  27. Messe Grotesk by Red Rooster Collection, $45.00
    Based on the Albert Auspurg design, circa 1921-27.
  28. Razor Bill by Red Rooster Collection, $45.00
    Based on the original typeface from Face, London, circa 1972.
  29. Venezuela by Red Rooster Collection, $45.00
    Based on the typeface Vesta by Albert Augspurg, circa 1926.
  30. Florentine Cursive by Red Rooster Collection, $45.00
    R.H. Middleton for Ludlow, circa 1956. Digitally engineered by Steve Jackaman.
  31. Rivoli Initials by Red Rooster Collection, $45.00
    Based on the William T. Sniffin design for ATF, circa 1928.
  32. Erasmus by Red Rooster Collection, $45.00
    Based on the S. H. de Roos design, Amsterdam Foundry circa 1923.
  33. Masterman by Wooden Type Fonts, $15.00
    Modern text font based on a Hansen Type Foundry font (circa 1872).
  34. Bellini by Red Rooster Collection, $45.00
    An original design based on Progreso from the Gans foundry circa 1923.
  35. Saint Louis by Red Rooster Collection, $45.00
    Based on ‘Players,’ a typeface from English designer Adrian Williams, circa 1976.
  36. Roller by Red Rooster Collection, $45.00
    Based on Iberica by Carlos Winkow for the Spanish foundry, Nacional, circa 1942.
  37. Bodoni Black Condensed by Red Rooster Collection, $45.00
    Designed by R.H. Middleton for Ludlow, circa 1930. Digitally engineered by Steve Jackaman.
  38. Coronet by Red Rooster Collection, $45.00
    Designed by R.H. Middleton for Ludlow, circa 1937. Digitally engineered by Steve Jackaman.
  39. Madrid by Red Rooster Collection, $45.00
    Based on Nacional by Carlos Winkow from the Spanish foundry, Nacional, circa 1941.
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