45 search results (0.016 seconds)
  1. Odditype JNL by Jeff Levine, $29.00
    Odditype is a font that surely lives up to its name... Odd, quirky, techno...yet not. Its use is as broad as your imagination.
  2. DobiType - Unknown license
  3. Oddity Script by Resistenza, $45.00
    Oddity is a calligraphic script font with reversed contrast with some exceptions in some letters, adding more legibility and rhythm. This new typeface has a nostalgic Lo-Fi vibe, a tribute to a past era. When experimenting we were finally breaking rules to create a really openminded letterset. Using ideas from English calligraphy and our own Nautica family as a starting point, we created this classy 70s flavour type design. Its modern concept transforms a vintage design trend into an absolutely contemporary typeface. Oddity is a perfect match for quote designs, it is simply outstanding when used at very large sizes. You will love to use this font for posters, branding, magazines, book covers, packaging, or products.
  4. Print Oddities JNL by Jeff Levine, $29.00
    Print Oddities JNL gathers various cartoons, embellishments, spot illustrations, border elements and arrows into one nostalgic collection; all re-drawn from vintage source material.
  5. Speedy Space Goat Oddity by LomoHiber, $12.00
    Speedy Space Goat Oddity is the font with really interesting mood. My purpose was to transfer freedom, immediacy, and a bit of insanity with it. I've painted it with self-made paint and brush in a trippy environment. You can use Speedy Space Goat Oddity almost everywhere (not for body text). It's great for posters, clothes design, package design, music album covers. Also, with the right approach, you can use it as horror font. Speedy Space Goat Oddity Features: Pant texture 2 ligatures for tt and ff 14 contextual alternates for most common double letters Carefully tuned kerning (preview above doesn't show it for some reason) If you have some issues or questions, please let me know: lhfonts@gmail.com Hope you'll enjoy using Speedy Space Goat Oddity!
  6. Lounger - Unknown license
  7. Electamine - Unknown license
  8. Xaficule - Unknown license
  9. dearcycle - Unknown license
  10. I hate you - Unknown license
  11. Stipeta - Unknown license
  12. Sorvid - Unknown license
  13. Victim - Unknown license
  14. Manilla - Unknown license
  15. Gutenberg C by Alter Littera, $25.00
    A slightly roughened version of The Oldtype “Gutenberg B” Font, simulating irregularities and ink spreads associated with old metal types, papers and parchments. Apart from its rough appearance, which will be clearly noticed only at large point sizes, the font is identical to The Oldtype “Gutenberg B” Font. Specimen, detailed character map, OpenType features, and font samples available at Alter Littera’s The Oldtype “Gutenberg C” Font Page.
  16. Activate - Unknown license
  17. Head Strung by PizzaDude.dk, $17.00
    The Head Strung font is designed with a simple and basic serif structure, but has its oddities and curly lines. It comes with 4 different versions of each letter, and these automatically cycle as you type.
  18. Lonely Cowpoke by 10four, $20.00
    Inspired by circus billboards, old west posters and torn paper constructs, "Lonely Cowpoke" is an oddity of bold graphic forms and cheerful curving lines. Revelling in its own quirky nature, this playful font lightens up any mood.
  19. Andy Bear by Gatype, $8.00
    Andy Bear embodies oddity and authenticity. This dazzling display font will turn any creative idea into a standout. Get inspired by its fun styles, and use them to brighten up kids or school projects! This font has no shadow effect by default. You can create this effect by duplicating the text and placing the duplicates
  20. Mudstone by PintassilgoPrints, $20.00
    The cool, the sans and the light: Mudstone fonts are proudly packed with nice oddities and quirks. These are definitely fonts for getting noticed, in an affirmative, authentic way. Mudstone fonts are all caps, each with at least 2 sets of uppercase letters that will cycle at the command of the contextual alternates feature. There are also stylistic alternates in each font, for that extra something. Critically cool, seriously creative, dangerously unique. Definitely trying? Cool!!
  21. Gutenberg B by Alter Littera, $25.00
    A clean, smooth rendition of the magnificent B42-type used by Johann Gutenberg in his famous 42-line Bible. In addition to the usual standard characters for typesetting modern texts, the font includes a comprehensive set of special characters, alternates and ligatures, plus Opentype features, that can be used for typesetting (almost) exactly as in Gutenberg’s Bible and later incunabula. Also available as The Oldtype “Gutenberg C” Font in a slightly roughened style simulating irregularities and ink spreads associated with old metal types, papers and parchments. The main historical sources used during the font design process were high-resolution scans from several printings of Gutenberg’s Bible. Other sources were as follows: Kapr, A. (1996), Johann Gutenberg - The Man and his Invention, Aldershot: Scolar Press (ch. 7); De Hamel, C. (2001), The Book - A History of The Bible, London: Phaidon Press (ch. 8); Füssel, S. (2005), Gutenberg and the impact of printing, Burlington: Ashgate (ch. 1); and Man, J. (2009), The Gutenberg Revolution, London: Bantam (ch. 7). Specimen, detailed character map, OpenType features, and font samples available at Alter Littera’s The Oldtype “Gutenberg B” Font Page.
  22. Alter Headletter by Alter Littera, $25.00
    This is Alter Littera’s second original design. It started as an attempt at translating into roman forms the lowercase metrics of classic blackletters, in particular those of The Oldtype “Alter Gotisch” Font. Eventually, the design process led naturally to an innovative and modern re-creation of the overall forms and style of classic bold condensed letters from the early twentieth century, especially those of the “Century Bold Condensed” type from American Type Founders (ATF) Company’s American Specimen Book of Type Styles, Jersey City, 1912 (pp. 274-7) [also seen in McGrew, M. (1993), American Metal Typefaces of the Twentieth Century, New Castle: Oak Knoll Books (pp. 76-7)]. In addition to the usual standard characters for typesetting in modern Western languages, the font includes a comprehensive set of special characters, alternates, ligatures and ornaments, plus Opentype features, that can be used for creating distinctive and attractive texts with virtually unlimited variations. The glyphs are clean, smooth and definitely readable, so the font will be suitable not only for large titles and headings, but also for full text pages. Specimen, detailed character map, OpenType features, and font samples available at Alter Littera’s The Oldtype “Alter Headletter” Font Page.
  23. Kamp Ingriana by Ingrimayne Type, $6.00
    KampIngriana was originally constructed in 1995-6. It was not constructed to meet any specific purpose but out of curiosity, to see what the result would be if two quite different faces were blended. KampIngriana is the offspring of Ingriana, a friendly, soft face, and KampFriendship, which mimics a serifed face drawn by hand. The original blending had many oddities that I did not clean up until 2020. It originally had five styles: regular, italic, bold, bolditalic, and extrabold. Medium, mediumitalic, semibold, semibolditalic, and extraboldItalic were added in 2022.
  24. CushingTwo by Hackberry Font Foundry, $13.77
    CushingTwo is the 6-font family designed for Fontographer: Practical Font Design for Graphic Designers: Regular, Oblique, Demi, DemiOblique, Bold, and BoldOblique. The two Demi variants will be listed separately in InDesign and the Creative Suite to keep things compatible with Office and such. The inspiration was a scan of the old Cushing No. 2 font in Felici's article on CreativePro about 100 year oldtype. It's a fun, open, large OpenType font of 370 characters with oldstyle figures, small caps, and small cap figures. It needs polishing, but it's good looking.
  25. Worn Gothic by Baseline Fonts, $39.00
    Worn Gothic, a typeface from the Grit History™ B family, creates rock solid text-- characters that are weathered, defined and strong, like the body of a gargoyle. Worn Gothic is rugged but legible, whose words stay firmly liquid, like dates stamped in concrete. Disjointed K legs create an unnerving look that makes you stare into the structure of the type. Oddities like this complement the integrity of its fluctuating strokes and consistent X-Height. It offers a few stylistic alternates to maintain readability at any size, in many languages. Worn Gothic offers full Greek character support as well as all punctuation.
  26. Better Kamp by Ingrimayne Type, $6.00
    BetterKamp was originally constructed in 1995-6. It was not constructed to meet any specific purpose but out of curiosity, to see what the result would be if two quite different faces were blended. KampIngriana is the offspring of BetterTypeRight, which has characteristics of a typewriter face without the monospacing, and KampFriendship, which mimics a serifed face drawn by hand. The original blending had many oddities that I did not clean up until 2020 when I also added the semi-bold weights. BetterKamp lacks polish and elegance, but it is very readable at small point sizes.
  27. Sheldon by PintassilgoPrints, $24.00
    Sheldon family draws inspiration from the beautiful and eloquent posters of Polish graphic artist Marian Stachurski. Generously sprinkled with stylistic oddities, this is the perfect typeface for having some cool typographic unevenness without losing the ever-handy sans-serifness. Sheldon is an all caps font but holds different characters on upper- and lower-case slots for a more consistent handcrafted feel. Its OpenType Contextual Alternates feature manages to instantly alternate these glyphs. The family includes 3 handy weights, so it can accommodate numerous typographic tasks. It also brings a very cool picture font, which charmingly completes this useful and visually striking font family. Have fun!
  28. Periplus by PintassilgoPrints, $26.00
    I got rhythm, I got music, I got my swirls, who could ask for anything more? Periplus is quite an eccentric type, full of twists and nice oddities here and there. It is an all-caps font with 2 variations for each letter and number, stored at upper- and lower-case slots. For added amusement, every letter got not 1 or 2, but 4 swash variations. One can be reached through the OpenType swash feature: just select the letter and hit the swash button. The other ones you will access through a glyphs palette. All of them are neatly organized with the 'access all alternates' feature. The font is yet equipped with some stylistic alternates and ornaments. Have fun!
  29. Morning Cookie by Bogstav, $17.00
    Yet again, a font inspired by my work as a kindergarten teacher! The other day, I had a conversation with some of the kids, about what they ate for breakfast. Some had oatmeal, some bread and others yogurt. But this kid - he insisted that every morning, his mother would serve him cookies, “morning cookies”. It sounded too good to be true, and when I asked his mother, it turned out that “cookies” were actually bread, but to make it sound more appetising, they called it cookies! The letters are rounded and in some way quite naive, but still clear and legible. With an extreme ascender and descender, the font stands out with its oddities. I’ve added 3 different versions of each lowercase letter!
  30. Martin Crantz by Proportional Lime, $9.99
    Martin Crantz (or sometimes Krantz) of the three, including Ulrich Gering and Michael Friburger, that set up a press at the Sorbonne in 1470 was likely the fellow who had the technical know how how to cast the type itself, hence the name of this new face that is based on his work. This font has been expanded to meet the demands of modern day use but it also contains a number of specialized glyphs that allow for the recreation of text in the manner of his day with such characters as the -rum abbreviation and other handy Renaissance oddities. Since this face was designed prior to 1501 there is no italic variant in keeping with the spirit of historical accuracy.
  31. Deutsche Schrift by Alter Littera, $25.00
    A comprehensive and faithful rendition of Rudolf Koch’s first release, usually referred to as “Fette Deutsche Schrift” or "Koch-Schrift". In addition to the regular character set, the font includes a large number of alternates and ligatures, plus two sets of ornamental initials (Initialen mit Zierstrichen und Punkten zur Koch-Schrift, and Initialen zur halbfetten deutschen Schrift von Rudolf Koch). The main sources used during the font design process were a sample page from Hendlmeier, W. (1994), Kunstwerke der Schrift, Hannover: Bund für Deutsche Schrift und Sprache (p. 164), and several specimen sheets from the Gebrüder Klingspor Type Foundry for Koch’s “Deutsche Schrift” type family. Specimen, detailed character map, OpenType features, and font samples available at Alter Littera’s The Oldtype “Deutsche Schrift” Font Page.
  32. Black Butcher by IKIIKOWRK, $19.00
    Introducing Black Butcher - Oldtype Series, created by ikiiko. Black Butcher is inspired by logo/ typography of classic american muscle car. The letters are bold script fonts with a flexible and straight line. This font have a unique waveform and has a large selection of stylistic sets. You can play with many style choices! This typeface is perfect for an vintage car logo, magazine cover, poster & flyer design for automotive event, and also good for vintage product, or simply as a stylish text overlay to any background image. What's included? 2 Weights : Regular & Italic Uppercase & Lowercase Number & Punctuation Alternates & Stylistic Multilingual Support Get also a good offer & FREEBIE at our site : www.ikiiko.com Enjoy our font and if you have any questions, you can contact us by email : ikiikowrk@gmail.com
  33. Ingrian Euroika by Ingrimayne Type, $6.95
    In the 1990s Adobe’s MultipleMaster technology introduced interpolation into font editing programs. Though the obvious use of interpolation was to create an unlimited number of weights for a font, interpolation could also be used to crossbreed two completely different typefaces. IngrianEuroikaH is a hybrid resulting from such crossbreeding of two very different parents. Euroika is a decorative font with high contrast and thin, square serifs while Ingriana is a relaxed, informal typeface. IngrianEuroikaH was constructed in 1995-6; updates in 2012 and 2020 cleaned up many of the remaining oddities that resulted when parts of the parent fonts clashed. The family retains some peculiarities from the method of its construction but is highly readable as text. The IngrianEuroikaH family has six styles: regular, semibold, bold, italic, semibold italic and bold italic.
  34. Alter Gotisch by Alter Littera, $25.00
    This is Alter Littera’s first original design. The font has been created by attempting not to reproduce any historical typeface in particular, but only to re-create the overall forms and style of classic black-letters from different time periods and places. Two specific sources must be acknowledeged nonetheless: (1) the “Black” type from William Caslon’s A Specimen of Printing Types (1785), and (2) the “Caslon Gotisch” type by D. Stempel A.G. (1926). In addition to the usual standard characters for typesetting in modern Western languages, the font includes a comprehensive set of special characters, alternates and ligatures, plus Opentype features, that can be used for typesetting as in antique writings and printings. The glyphs are clean, smooth and definitely readable, so the font will be suitable not only for large titles and headings, but also for full text pages. Specimen, detailed character map, OpenType features, and font samples available at Alter Littera’s The Oldtype “Alter Gotisch” Font Page.
  35. ITC Magnifico by ITC, $29.99
    ITC Magnifico Daytime and ITC Magnifico Nighttime are inspired by nineteenth-century decorated types and letterings. “Although they are designed as display typefaces, their use is not limited to large headings. Usually three-dimensional types are employed in gigantic headings in large posters, but I thought it would be interesting if such decorative types were used as well in small sizes, say at 12 point,” says designer Akira Kobayashi. “There were a few examples of small three-dimensional types used in cards printed in the nineteenth-century. I studied their letterforms carefully and became more and more interested in those small three-dimensional types. The outlines of ITC Magnifico are robust enough to endure use at small sizes. Sometimes the angle or the shape of the 'shadow' had to be slightly modified or even illogical, because the letterforms ought to look as simple as possible. The resulting types are fairly easy to read at small sizes, and I hope that at large sizes those occasional oddities will appear charming.”
  36. Gutenberg A by Alter Littera, $-
    This is a free abridged edition of the full-featured Gutenberg B and Gutenberg C fonts. Although (as the name suggests) it was originally conceived as the first release in the B42-type series, it actually represents the colophon to this series. In addition to having a narrower scope, the font differs from its full-featured predecesors in both letter and word spacing, as well as in glyph design, using exclusively straight lines for every glyph and providing a significantly rough appearance at medium to large point sizes. The font includes the usual standard characters for typesetting modern texts, as well as a few special characters, alternates and ligatures that can be used for typesetting nearly as in Johann Gutenberg’s 42-line Bible and later incunabula. Please note that the use of this free font is subject to the same terms and conditions as those for Alter Littera’s pay fonts. Specimen, detailed character map, OpenType features, and font samples available at Alter Littera’s The Oldtype “Gutenberg A” Font Page.
  37. Initials Gothic C by Alter Littera, $15.00
    A comprehensive set of initials (usually referred to as Uncials, Lombardic Initials, or Lombards) of the Germanic variety, designed after Henric Pieterszoon’s “Gothise Monnikke Letteren” as appearing in Enschedé, J. (1768), Proef van Letteren, Haarlem (p. 120); also mentioned as “Great Primer Uncials” and "2-line Brevier Uncials" in Vervliet, H.D.L. (1968), Sixteenth-Century Printing Types of the Low Countries, Amsterdam: Hertzberger (pp. 54-55, and 212-213). The font contains over one hundred glyphs, including as a bonus six layered plus two plain ornamental initials adapted from the Gutenberg Bible (Mainz, ca. 1455) and the Mainz Psalter (Mainz, 1457). Suitable to accompany most Gothic (especially Textura and Rotunda) typefaces, or to be displayed as drop caps or in full titles and headings. Specimen, detailed character map, OpenType features, and font samples available at Alter Littera’s The Initials “Gothic C” Font Page. Note: Several uncial initials in The Oldtype “Psalterium” Font have been derived from corresponding characters in The Initials “Gothic C” Font, adjusting them to cope with the special (large) x-height and letter spacing of the Psalterium font (so the two sets of initials are not directly interchangeable).
  38. Megumi by Eclectotype, $70.00
    Megumi was originally commissioned as a headline face for a fashion and lifestyle magazine with a heavy Japanese influence. The uppercase letters are narrow and have an almost monospaced aesthetic, being influenced by Romaji letterforms. Serifs are severe, and curves sinuous. Although experiments were made with extra weight, it was decided that only this ultra light weight would be developed, to be set large in headlines. The italic has an over-the-top 35° slant (so slanted in fact that the backslash from the italic is the exact same shape as the forward slash in the Roman) and a discretionary ligature feature that can be engaged to add extra interest to headlines. The Roman has a few wide alternate glyphs for round uppercase characters. Both styles have a stylistic set (ss03) feature which switches regular parentheses for angle brackets, which the Art Director thought “looked cool”. In a mess of venture capitalist pull-outs and Covid related issues, the publication never came to be, but the Hipster Japanophile Magazine World’s loss is your gain, as this beautifully crafted, editorial oddity is now available to license. Use it editorially, obviously, but it would also look great on posters, perfumes, postmodern publications, and perhaps some other things that don’t begin with p.
  39. FS Rosa by Monotype, $52.99
    FS Rosa is a free-spirited and optimistic serif typeface – reminiscent of those used on fanzines, film sequences and book covers of the 1970s, such as Cooper and Windsor, it has a laid-back nature with a touch of rebellion. It also reminds of type used in colourful protest graphics by nun-turned-designer Corita Kent, and its personality is akin with brands like Whole Foods - positive rather than preachy. While unconventional, it’s sensible enough to work perfectly for socially conscious brands, magazines, websites and campaigns that want a fairer and more responsible world. Hand-drawn digitally, FS Rosa is warm and open-minded – its irregular letterforms are rounded, with soft terminals, a large x-height and wide apertures. But it is also quirky and eclectic, with irregular shapes – its short ascenders and descenders have slanted serifs, its uppercase forms have unusually low crossbars and the letters are filled with oddities and surprises. The typeface looks to stand out against a sea of homogenous, geometric sans serifs, and celebrates beauty through imperfection. It comes in five weights of Thin, Light, Regular, Bold and Black. The heavier weights make an impact and are great for loud, headline statements. The Regular weight is functional, balanced and robust for text, and the lighter weights have an elegance and contemporary beauty. FS Rosa is eclectic yet with its soft roundness, also positive and progressive. Its name, inspired by the phrase “rose-tinted glasses”, reflects its optimism.
  40. Pakenham by Typodermic, $11.95
    Pakenham is a typeface that truly exemplifies the transformative power of typography. Inspired by the timeless elegance of Steile Futura, a work of art by the legendary Paul Renner, Pakenham has taken the world of typography by storm with its innovative and captivating design. At its core, Pakenham is a sans-serif typeface that exudes an aura of modernity and sophistication. Its gently curved corners and generously scaled loops give it an effortlessly chic and trendy look, while its clean and sharp lines keep it rooted in the world of minimalist design. But Pakenham is not just a pretty face. It is a typeface that is brimming with oddities and anomalies that will add a unique and personal touch to your creations. Its superelliptical design is unlike anything you’ve seen before, making it perfect for designers who are looking to break free from the shackles of conventionality and embrace their creative freedom. With four different weights, two widths, italics, and special effect styles, Pakenham is a typeface that offers an unprecedented level of versatility. It is a true workhorse, capable of adapting to a wide range of design projects and styles. Overall, Pakenham is a typeface that is a must-have for any serious designer. Its combination of elegance, modernity, and versatility make it a true gem in the world of typography. So if you’re looking to take your design game to the next level, look no further than Pakenham. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.
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