Introducing Maas, a new font collection designed by the passionate designer Mike Zuidgeest in Rotterdam. Each letter of the font was created in Illustrator and handcrafted to perfection. The font is named after the river de Maas, and it's perfect for advertising and branding. As the designer, I'm thrilled with the result and can't wait for you to try it out!

My son’s name is Ata Caner Yüksel. After building this typeface, I decided to honor it with my son’s name. I think I fully reflects the character I created in my mind. Ata typefamily, only one of the four other deep end with rounded corners consist of sharpened flat plate. Matched to one another and are optimized for screen. The family has eight weights plus matching italics was designed by Bülent Yüksel in 2016. Ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards, small text, way-finding and signage as well as web and screen design. ATA provides advanced typographical support for Latin-based languages. Case-Sensitive Forms, Classes and Features, Small Caps from Letter Cases, Fractions, Superior, Inferior, Denominator, Numerator, Old Style Figures, Stylistic Alternates in just one touch easy In all graphic programs. You will enjoy using it.

Sweet Mia is a playful modern calligraphy font with a dancing baseline. This sweet font has nice smooth lines and is perfect for crafters and cutting machines. Sweet Mia will look gorgeous on cards, mugs, quotes, logos and all your other lovely projects.

Agrinaya is a condensed display font with high contrast and feels like a serif style to make it more stylish and modern, this font is made for logotypes, branding, editorial designs, and more. Thank You & Happy Designing!

This typeface departs from the antiquated and orthodox image of the clerical script and offers a flat, simple design. With little trace of brushstrokes, it is a modern take on the clerical script that is often used for TV captions. 古くオーソドックスなイメージを持つ隷書体に対し、フラットでシンプルな書体を目指しました。TVテロップにも使用される、毛筆の名残を極力なくした現代風デザインの隷書体です。扁平で運筆が特徴的な正統隷書体に比べ、やや扁平を緩和し、毛筆の名残を取り除いた新しい隷書体です。現代的にアレンジしているものの、隷書体の雰囲気は保っているので、かなが入った文章でも漢文のような印象に組むことができます。毛筆さび（にじみ・かすれ）や運筆を極力除いていますが、隷書本来の筆の動きや字形を生かして簡略化しているので、隷書体の雰囲気は損なわれていません。

Mia is a 1 year old. She likes animals. But not just any old barnyard variety animals, she likes cute and fun, pseudo-animals that nobody else knows about. Now she is willing to share her favorite “pets” with the world in this exclusive symbol font designed by 10four. Originally conceived as wall graphics for Mia's bedroom, Mia Pets has been expanded to include 62 distinct icons. A collection of friendly creatures, now set free from Mia's bedroom and ready for whatever mischief you can find for them... great for wall vinyl, web graphics, or T-shirt graphics!

Meta Link is Sans Serif inspired by future techno and sport great for product logo, poster, headline, card logo, web, magazine, packaging, stationery and much more. Easily creates your own logo types with font. Meta Link have 4 weight fonts with italic style also has an Open Type feature to access a large selection of unique alternative letters and many ligatures to make it easier for you to create. Meta Link can be accessed perfectly on design applications such as Adobe Illustrator, Adobe Photoshop, Corel Draw, Affinity Designer but does not rule out the possibility that it can also be accessed using web-based applications such as kittl, canva, artboard studio and others.

MTT Roma is designed to re-create the atmosphere of the city of Rome of the 21st century. The studio for the letterform evolved from the Trajan Column alphabet. Suitable for both display and body-text usage, stylistically MTT Roma aims to distance itself from the proliferation of geometric sans-serif families of its time. The result is a sharp, subtly humanist typeface inspired by modern day Rome, the city of contrasts and eternal beauty. Featuring an extended character set to support Central and Eastern European as well as Western European languages, the typeface comes with six weights – from thin to black — with matching italics.

MTC Maglita is a semi-slab serif font that comes with seven styles for display purposes to make it satisfying, also suitable for minimalist, chic, branding, packaging, and logotype design to boost your design exploration. Additional Information Comes with many iconic symbols and arrows (which can be accessed from glyphs in your Adobe software) Multilingual Support supports many different languages 20+ Seven styles to make it more versatile typefaces Thanks & Happy Designing! Umar

One of the most elegant script styles found. This beautifully formal font is perfect for high society.

MTC Quinnie a condensed serif typeface with many alternates and ligature features good choice for designers and editorials. The use of many alternates and ligatures in these fonts adds visual interest and variety, allowing designers to create unique and customized typography. One notable aspect of these fonts is the smoothness of their serifs. The serifs, or small decorative flourishes at the ends of letter strokes, are an essential part of serif typefaces.

Sans serif, bold, display font, useful for brochures and display advertising.

ZT Mota is a bold and elegant typeface. It has a temperamental character but is more flexible towards various stylistic designs, reflecting more in its graphics the transitional stage between classical serifs of varying proportions, leaning towards the stylized types of Roman culture. All the ZT Mota styles are based on the same core but with a completely different expression which is to have an extra large x-height and bold so that the font looks bold as if the writing on the font was actually carved out of stone, perfect for an efficient choice for use of distinguishable displays such as headlines, packaging, magazines, posters, and advertisements, among others. I hope you have fun using ZT Mota Thanks for using this font ~ Khaiuns X zelowtype

German type designer Erik Spiekermann, created this sans FontFont between 1991 and 2010. The family has 28 weights, ranging from Hairline to Black in Condensed and Normal (including italics) and is ideally suited for advertising and packaging, book text, editorial and publishing, logo, branding and creative industries, small text as well as web and screen design. FF Meta provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options—oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Cyrillic, Greek, and Hebrew writing systems. FF Meta Variable are font files which are featuring two axis and have a preset instance from Hairline to Black and Condensed to Roman In 2011, FF Meta was added to the MoMA Architecture and Design Collection in New York. This FontFont is a member of the FF Meta super family, which also includes FF Meta Correspondence , FF Meta Headline , and FF Meta Serif . FF Meta® font field guide including best practices, font pairings and alternatives. Featured in: Best Fonts for Resumes

My son’s name is Ata Caner Yüksel. After building this character, I wanted to honor him by using his name for this font. I think it fully reflects the character I created in my mind. Ata Rounded, only one of the four other deep end with rounded corners consist of sharpened flat plate. Matched to one another and are optimized for screen. The family, with eight weights plus matching italics, was designed by Bülent Yüksel in 2016. Ideally suited for advertising and packaging, editorial and publishing, logo, branding and creative industries, poster and billboards, small text, way-finding, and signage, as well as web and screen design. ATA provides advanced typographical support for Latin-based languages. Case-sensitive forms, classes and features, small caps from letter cases, fractions, superior, inferior, denominator, numerator, old-style figures, stylistic alternates; just one touch easy In all graphic programs. You can enjoy using it.

Noted is that perfect quirky font you'll use again and again! Mix and match upper and lowercase letters to create your own unique hand-jotted look!

Based on designer's own handwriting, Mia Mano is a decorative display typeface ideal for headlines, logos, magazines, posters and short text.

Mia Love is a special brush font designed to look bold, with a perfect texture, suitable for today's designs. Perfect for use in design titles such as invitations, signboards, book titles, stationery designs, quotes, branding, logos, greeting cards, packaging designs, posters, and more.

MTT Milano is a font inspired by the Milanese typographic heritage and the Futurist movement that developed it. Drawn from scratch, it features ascendants and descendants slightly taller than what can usually be found in similar typefaces, in order to improve its elegance. Whilst maintaining a good readability in body-text, this family meets its peak when displayed in medium-big sizes. There are five weights — from regular to black — each with their matching italic, ligatures and extended language support resulting in a full, flexible, ten fonts family.

German type designer Erik Spiekermann and American type designers Christian Schwartz and Josh Darden created this display and sans FontFont in 2005. The family has 12 weights, ranging from Light to Black in Compressed, Condensed, and Normal and is ideally suited for book text, editorial and publishing as well as poster and billboards. FF Meta Headline provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with tabular lining and proportional lining figures. This FontFont is a member of the FF Meta super family, which also includes FF Meta, FF Meta Correspondence, and FF Meta Serif.

The bigger the better! M8T Mamma Mia is a broken Bodoni inspired serif font whose each character has been handdrawn. Hundreds of strokes build this rough, yet soft font. It is perfect for titles, especially in large scales. Using it on chalkboard backgrounds you will realize the inspiration of chalk-board-writing.

Type designers Erik Spiekermann (D), Christian Schwartz (US), and Kris Sowersby (NZ) created this serif FontFont in 2007. Extensions were made by Ralph du Carrois (D) and Botio Nikoltchev (BG). The family has 12 weights, ranging from Light to Black (including italics) and is ideally suited for advertising and packaging, book text, editorial and publishing, logo, branding and creative industries, small text as well as web and screen design. FF Meta Serif provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Greek and Cyrillic writing systems. This FontFont is a member of the FF Meta super family, which also includes FF Meta, FF Meta Correspondence, and FF Meta Headline.

German type designer Erik Spiekermann, created this sans FontFont between 1991 and 2010. The family has 28 weights, ranging from Hairline to Black in Condensed and Normal (including italics) and is ideally suited for advertising and packaging, book text, editorial and publishing, logo, branding and creative industries, small text as well as web and screen design. FF Meta provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options—oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Cyrillic, Greek, and Hebrew writing systems. FF Meta Variable are font files which are featuring two axis and have a preset instance from Hairline to Black and Condensed to Roman In 2011, FF Meta was added to the MoMA Architecture and Design Collection in New York. This FontFont is a member of the FF Meta super family, which also includes FF Meta Correspondence , FF Meta Headline , and FF Meta Serif .

Baker’s Dozen is a lovely display font that’s sure to put a smile on your face. It is a delightful handwritten font that complements anything nicely. Slightly minimalistic and very tidy, this typeface is sure to please! Its charming, playful design features soft curves and whimsical details that evoke a sense of innocence and sweetness.

German type designer Erik Spiekermann created this sans FontFont between 1997 and 2002. The family contains 4 weights: Regular, Italic, Bold, and Bold Italic and is ideally suited for logo, branding and creative industries. FF Meta Correspondence provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Cyrillic and Greek writing systems. This FontFont is a member of the FF Meta super family, which also includes FF Meta, FF Meta Headline, and FF Meta Serif.

Card-O-Mat is an inspiring font family that makes it easy to design awesome greeting cards for many occasions. Each font is packed with an impressive number of items, check out the glyphs map and get surprised! Card-O-Mat Messages font counts more than 170 unique lettering designs, with a great assortment of messages. From an effusive ‘Happy Birthday’ to a sensible ‘Thank You’, you'll find charming choices for many situations. Card-O-Mat BuddyBirds brings more than 180 picture elements, comprising a pocketful of birds and handy adornments such as flowers, leaves, stars, clouds, speech bubbles and so on. Beyond making a perfect pair with Card-O-Mat Messages, it also goes brilliantly well with our hand-crafted fonts, like Populaire, Oyster, Berimbau, Amarelinha and many others. Pick the ones that fit you better and happy card making!

Gummy Candies is a playful and childish display font. Whether you’re using it for crafts, digital design, presentations, or making greeting cards, this font has the potential to become your favorite go-to font, no matter the occasion! Having no Caps letters.

FF Meta® Georgian is based on the same humanistic shapes and proportions as the original 1991 FF Meta design. The narrow proportions, slight variation in stroke thickness and sheared terminals that are hallmarks of FF Meta are also present in the Georgian design. Each of the two weights in the family contain all the characters needed to set modern Georgian, as well as additional symbols for the Old Georgian, Megrelian, Svan, Abkhazian and Ossetian languages.

The FF Meta® design is a sans serif, humanist-style typeface that was designed by Erik Spiekermann for the West German Post Office (Deutsche Bundespost). It was subsequently released in 1991 by Spiekermann's company FontFont The FF Meta family, initially released as a commercial font in 1991, now comprises over sixty fonts. The FF Meta 2 family was released in 1992, the FF Meta Plus family in 1993, and in 1998 a facelift of the complete font family reclassified the FF Meta series and combined them into family-sets named FF Meta Normal, FF Meta Book, FF Meta Medium, FF Meta Bold and FF Meta Black. These are all available in Roman, italic, small caps and italic small caps. Between 1998 and 2005, further light stroke weights and a condensed family were introduced by Tagir Safayev and Olga Chayeva and were named: FF Meta Light and FF Meta Hairline. The last addition to the growing FF Meta font family is FF Meta Serif released by FSI in 2007. FF Meta Variable Roman is a single font file that features two axes: Weight and Width. For your convenience, the Weight and Width axes have preset instances. The Weight axis has a range from Hairline to Black. The Width axis provides a range of condensed values. This Roman (upright) font is provided as an option to customers who do not need Italics, and want to keep file sizes to a minimum. FF Meta Variable Italic is a single font file that features an italic design with two axes: Weight and Width. For your convenience, the Weight and Width axes have preset instances. The Weight axis has a range from Hairline to Black. The Width axis provides a range of condensed values. This Italic font is provided as an option to customers who do not need Roman (uprights), and want to keep file sizes to a minimum. FF Meta Variable Set is a single font file that features three axes: Weight, Width and Italic. For your convenience, the Weight and Width axes have preset instances. The Weight axis has a range from Hairline to Black. The Width axis provides a range of condensed values. The Italic axis is a switch between upright and italic

Sunny Days is a fun, cartoon-like display font capable of taking any product out of the ordinary! Use it on bold and bright creations such as banners, posters, covers, titles, magazines, etc.

Groovy Giggles is a playful and fun display font that adds a touch of whimsy to any design. With its lively shapes and quirky details, this typeface is perfect for creating a lighthearted feel in your designs. Use it for children’s books, invitations, and other applications that call for a touch of playfulness and creativity.

Goodness Gracious, it’s another font by Miss Tiina! This font is extra special with its cute handwritten characters and ligatures. It's perfect for adding a personal touch to your designs, it has a bouncy, playful feel that’s sure to bring a smile to your audience. Have fun mixing & matching upper and lowercase letters for a unique design.

Will Carter, well known in connection with his private press in Cambridge, has combined the skills of a calligrapher with a practical knowledge of printing. His mastery of pen-drawn letterforms was put to practical use in the design of Klang. Klang is a slightly inclined and calligraphically shaped sans serif with short ascenders and descenders. The Klang font is useful for informal applications, such as invitations, greetings cards and posters, but can also be used in advertising.

The building of the Northern Bank of St. Petersburg's Baku branch was built in 1903-1905. It was the first Art Nouveau-style building in Baku, Azerbaijan. Later the bank was transformed into the Russian-Asian Bank. After the oil boom in Baku in the 19th century, branches of many banks and new banks were opened in the city. The branch of the Northern Bank of St. Petersburg was among the first banks that was opened in Baku. N.Bayev was the architect of the building for the branch of the Northern Bank of St. Petersburg located at Gorchakovskaya 3 in 1903-1905. The building currently houses the Central Branch of the International Bank of Azerbaijan. My purpose in writing this is not to copy and paste the information from Wikipedia. What attracted me to the building was the word "Банкъ" (Bank) written in Cyrillic letters, which was also used in Azerbaijan during the Soviet era. The exact date of the writing is not known. Every time I pass by this building, I always thought of creating a font of this writing someday. I had taken a photo of the building and saved it on my phone. I did a lot of research on the font and asked a lot of people. However, some did not provide information at all and some said they did not have any information. I was interested in the history of this font but I do not know if this font really existed or it was created by the architect out of nowhere. If there was such a history of this font, I wanted to recreate this font and make it available. If not, I had to create it from scratch in the same way, using only existing letters on the building. Finally, I made up my mind and decided to develop the font with all letters I have got. It was difficult to create a font based on the word, Банкъ. Because in the appearance of the letters, the midline of the letters on A, H, K was very distinct, both in the form of inclination and in more precise degrees. The serif part of the letters, the height of the upper and lower sides, differed from each other. I don't know whether it was done this way when the building was constructed or it happened over time. I prepared and kept the initial version of the font. I took a break for a while. I started digging on the story of the font again. Meanwhile, I was researching and got inspired by similar fonts. Unfortunately, my research on the font's history did not yield any results. I decided to continue finishing up the font. After developing the demo, I created the font by keeping certain parts of these differences in the letters. In addition, I had to consider the development of letters in the Cyrillic, as well as the Latin alphabet, over the past period. Thus, I began to look at the appearance of slab-serif or serif fonts of that time. In general, as I gain more experience in developing fonts, I try to focus on the precision of the design for each font. In recent years, I specifically paid attention to this matter. YouTube channel and articles by Alexandra K.'s of ParaType, as well as, information and samples from TypeType and Fontfabric studios on the Cyrillic alphabet were quite useful. I gathered data regarding the Latin alphabet from various credible sources. I do not know if I could accomplish what I aimed at but I know one thing that I could develop the font. Maybe someday I'll have to revise this font. For now, I share it with you. I created the font in 10 styles. 7 weight from Thin to Extra Black, an Outline, Shadow, and Art Nouveau. The Art Nouveau style was inspired by the texture in the background used for the text on the building. The texture I applied to capital letters adds beauty to the font. If you like the font feel free to use it or simply let me know if your current alphabet doesn't support this font.