The informal style of Frivolous feature lots of flourishes and swirls that give it a charming and spontaneous handwritten quality.

Fribble is a delightful, frolicking font that works equally well as text and titling. The open type extras provide additional ‘bounce’ for the font.

Rival – A serif font family with contemporary distinctive signs Rival is a modern serif font family inspired by characters drawn with a round nib, it has many distinctive signs such as broken curves, slightly curved downstrokes, curved diagonals, and curved, slanted axes. All these typographic tokens gives Rival a modern and contemporary aspect for all kinds of graphic projects. It comes in 7 weights with corresponding italics and it’s suited for multiple purposes including display and editorial use, especially for advertising, long text, packaging and branding. Rival provides advanced typographical support with OpenType features such as small caps, ligatures, discretionary ligatures, old style figures, case-sensitive forms, slashed zero, fractions, and pro kerning.

Introducing Frinkle Brush! Frinkle Brush is a readable and finely balanced handwritten font. With consistent and natural detail, Frinkle Brush also come with underline swash (You can access it by typing s1-s3). Frinkle Brush can be placed in many design needs such as, merch, branding, packaging, social media, events, and many more. Thank You!

Frikel is a simply semi-slab sans serif font. With medium low contrast stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Frikel font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Frikel font. Cheers, Maulana Creative

Based on the William T. Sniffin design for ATF, circa 1928.

Frio is a geometric monoline sans-serif typeface consisting of 15 styles: 5 weights and 3 widths plus italics. Clean, neutral and technical, Frio was inspired by the form of super ellipse and Eurostile by Aldo Novarese. The font contains stylistic and contextual alternates, ligatures, discretional ligatures for use in German, ornaments and other OpenType features. It supports all the European languages using Latin alphabets. The main thing that sets it apart from the other typefaces is a possibility of using simple typing combined with stylistic sets to add colored backgrounds to numerals.

Oriole Bird is a modern calligraphy script to bring an elegance to your designs - branding projects, social media, wedding invitation, greeting cards, packaging, logo design, news, titling, headlines, posters, signboards and more. It features multi language support (for most of Western Europe), contains glyphs with some OpenType features - standard ligatures, alternates for uppercase (beginning swashes) and lowercase letters (beginning and ending swashes).

A touch of modernism for all kinds of projects Like the rest of the family (Rival Sans and Rival Serif), Rival slab has round shapes with bevelled endings on certain letters such as G, Q or Z. These are the characteristics that make Rival Slab a contemporary cast iron for all kinds of projects. It provides advanced typographical support with features such as case sensitive forms, small caps, ligatures, alternate characters, fractions, slashed zero, circled, pro kerning…It comes also with a complete range of figure set options It comes in 16 weights with corresponding italics and it’s suited for multiple purposes including editorial use, web font, apps, digital ads, ebook, and also for advertising, long text, packaging and branding. As a modern sans serif font family, Rival Sans has true italics to give more style in long texts.

White Risolles Is Clean Script Font Inspired By Handwritting Characters. Font Features : White Risolles OTF ( Open Type ) White Risolles WOFF ( Web Font ) SOFTWARE REQUIREMENTS : Fonts and alternate : No special software required they may be used in any basic program /website apps that allows standard fonts That's it folks! You can go ahead and get cracking :) Have a Good Day !

A sans serif with a dynamic look for complex typographic work. Rival Sans is a sans serif font family possessing many strengths. Its 32 fonts and 2 styles, make Rival Sans a very versatile family and suitable for many graphic design projects such as branding, signage, editorial creation, advertising, packaging, broadcasting or logo creation. With the endings cut at 10 degrees and sharp cuts on the top of the stems of certain characters (like the l, b or the d) Rival Sans gives dynamism and readability to the lengthiest of editorial content. This beveled font design also gives rhythm to a text's sentences as well as a very functional look. All these design details give this new font family a modern, energetic and humanistic look. Rival Sans also has many powerful OpenType features such as case sensitivite forms, small capitals, old style and tabular figures, slashed zero, ligatures, fractions,and alternative characters to give personality to graphic design projects. Designed also for complex editorial content, this typeface has a powerful home kerning system called "Pro Kerning". With more than 2500 pairs of glyphs and many languages, Pro Kerning optimizes headlines, subtitles, texts as well as long paragraphs in real time. In addition to these extended features, the italic styles of this fonts family have been drawn as fully-fledged styles with different designs from their regular version so that the italic texts look like calligraphic phrases. Rival Sans has an extended character set with over 930 glyphs. This family covers over 130 languages from Western Europe, Eastern Europe and Central Europe. In addition to all the features of its kind, Rival Sans is part of a very complete "type system" with style variants such as the serif version Rival Serif or the slab version Rival Slab. With all these typefaces, you have 62 styles to make your own vibrant and professional graphics or web creations while maintaining consistency in your creations.

"Triole 21" is the name of a gothic script font designed by Bertram Kaiser. The forms of this so called "Rotunda" script are based on the manuscripts of italian calligraphers of the late 14th century. Inspiration for this project also comes from the calligrapher Lisa Beck. The glyphs were first written with a broad-nib and then digitized. The Open-Type font is equiped with multilingual (Latin-based) alternates, ligatures and oldstyle figures for various typographical purposes. It can be used for headlines and also stays legible in smaller textsizes for longer textpassages.

Do not believe that Friandise is reserved for the chocolate enthusiasts. It’s a pair of fonts which will allow you to ally simplicity and frivolity, sweetness and hardness, discretion and show.

Tourette draws inspiration from 19th century French light slab serifs. This area of typography is relatively unexplored in contemporary design. Tourette includes two versions, Normal and Extreme. Normal is simple, delicate and legible, whereas Extreme is full of little flourishes that grant an exquisite, slightly frivolous, feel to the weight. Tourette is a progression of the Expletive Script family.

Goudy Stout was designed by Frederic W. Goudy in 1930. This version was created by Vincent Connare while at Microsoft. Goudy Stout is a decorative typeface that is quite unusual, a novelty of sorts among Goudy's many typographic achievements. The Goudy Stout font is considered a frivolous typeface. Goudy wrote In a moment of typographic weakness I attempted to produce a 'black' letter that would interest those advertisers who like the bizarre in their print."

These four typefaces, Berlinette NB, Lyonette NB, Marseillette NB and Parisette NB, were designed from the same basic shape, a geometric form that avoids strict horizontals and uses more offbeat triangular shapes. Parisette is a fanciful type that is both bouncy and biting. The frivolity and quirk of the narrow width is offset by the razor-sharp, hatchet horizontals, which require protective gloves when type setting. This is a good typeface for enigmatic signs at postmodern student demonstrations.

Kraken Ink & Kraken Script fonts were inspired by mystery of ocean and sea, their secrets and creatures. As unique, rustic, frivolous and fun as a wind! With Kraken Ink font you can give your project it's own trendy and stylish feel. Kraken Ink typeface is perfect for your label and packaging design, social media quotes, logo and branding design, t-shirt design, heading, scrapbooking, calendars, book covers. Enjoy using the illustrations and elements in your design projects.

This frivolous 6-font typeface was inspired by playing with my food one evening. I began to wonder what it would be like to draw a typeface with a pipette and liquid... the result is Fluid. A key feature are the contextual alternates that substitute an alternate second glyph when typing double letters, this gives a more natural feel to the resulting text. It’s a fun typeface from my back catalogue that was originally released in June 2018. Enjoy playing!

These four typefaces, Berlinette NB, Lyonette NB, Marseillette NB and Parisette NB, were designed from the same basic shape, a geometric form that avoids strict horizontals and uses more offbeat triangular shapes. Lyonette is a fanciful type, gentle and precocious. It seems aloof at times but isn�t really. The frivolity and quirkiness of the narrow width is offset by the fey, finger-like horizontals, vaguely reminiscent of strange encounters and dark closets. It�s great for fashion advertising with literary pretensions. Or maybe a kinder, gentler sci-fi movie.

Drittella is a frivolous and funky all-caps font perfect for posters and display purposes. It is particularly well suited to video games, with straight lines and asymmetrical angles. Created with design direction from my young son, it is equally appropriate for children's artwork, such as invitations, illustrations and cartoons. Drittella is available in both regular and outline styles, which can be used together to provide an option for emphasis. With a total of 345 glyphs, Drittella is multilingual, with numerous currency symbols, and a range of numerical symbols including subscripts, superscripts, fractions and arrows.

A real heavy weight, a chunky sans serif that packs some real Punch. No fancy frills here.

Ember is an informal script with a judicious sprinkling of ligatures that give it a flowing freehand liveliness. Neither overly formal and stuffy nor cheap and cheerful, Ember is elegant yet friendly, sophisticated yet approachable, fun and frivolous but stylish and well bred. Ligatures are set to be on automatically, and the stylistic alternates and optional final forms for some of the characters can be toggled on and off using the OpenType panel in design applications with advanced OpenType support. Designer Rian Hughes says that he felt he was "possibly channeling the spirit of Roger Excoffon". Neither pastiche nor revival, Ember does seem to evoke the famous French designer's trademark elegance.

Designed by Les Usherwood. Digitally engineered by Steve Jackaman. Unofficially named ‘No Frills’ in the early stages of development, his widow Elsie decided that it would be called Kingsrow.

Wilko is the carnival barker of typefaces. Bold, impactful yet friendly, with two decorative variants. No frills, no corners, no messing. When you want to say it loud and clear.

Neona is a font in the spirit of the standard 'no frills' sans-serif 4-inch-high neon sign text used in cheap bars, coffee shops, bakeries and tattoo parlors around the world.

Grit Sans is a font balanced enough to stand strong on the tippy-toes of its pointed "t" ascenders. Even all caps communicates calm. Dashes of whimsy in the proportionately plump X-Heights tell of the accountant drinking too much sherry at the office Christmas party, but thick, consistent strokes never lets you forget his job title. Ascenders and descenders consistently reach the same heights and depths, further attesting to the reliability of this typeface, at even very small sizes. Available in both regular and bold face, Grit Sans is a faithful complement to thin fonts with a pinch of frivolity such as Heirloom Artcraft. It is ideal in use for titles, subheadings, menus, playbills, custom stamps, logos - anywhere a solid font can speak at a volume just above all others.

Sometimes lettering without any frills or formality gets a message across better than the use of fancier typefaces. The simple charm of the hand-lettered phrase "Safety Comes First" found on a vintage WPA (Works Progress Administration) poster served as the model for Basic Lettering JNL.

Finally the time has come to publish our new ‘BlackHand’ font. It is a bold and upright handwritten font featuring 150 ligatures, which make for a credible handwritten look and feel. The ligatures will appear quasi random without the user having to search for the right alternate character in a list of glyphs. As you will notice, the font does well in both headers (it even has an ‘instant logo’ quality) and in plain text. The font finds it’s origin in handwritten notes which were done without paying attention to aesthetics. The regular characters and the ligatures were handpicked to form an organic and natural, very readable result. The original writing was done with an Edding 1340 brushpen, giving the font frivolous thick/ thin strokes. We hope you enjoy using the font as much as we did creating it. As an introduction offer, you can get it now at 50% off in the first month after publishing.

Benson Script is a script that is desperately trying to be anything but a script. With 3 contrast levels, and 2 styles, the six styles of Benson Script are an experiment in the diversity of a single stem width. Modernism’s desire to fit all elements within geometric constraints and adhere to strong verticals has spread throughout type design, but has had little to do with the frills and ornaments of script. Cutting a script down to its bare bones is an offensive idea to many—almost seeming insulting to its genre. Benson Script bridges that genre gap between frill and function. As a matter of genre Benson Script errs on the side of modernism, and adds flair as a last resort. Read more about her open type features, and the development process here.