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Just wanted to add a little sampie
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This font, could use some adjustments to kerning and advance widths I know...
And a better name! Too plain to be considered an "anomaly," but I couldn't come up with anything else.
I think that's because I did not intend for it to *be* it's own font really,
it was just the base typeface for my Frail & Bedazzled (http://www.abstractfonts.com/font/14103). It's not my style to apply a "grunge" look to a pre-existing font, unless it is my *own* of course. I think that practice is not very authentic at all and would be boring!
At any rate, It's free for personal as well as commercial use, and will remain so regardless of future kerning fixes or name changes.
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Okay I am not qualified to be telling anyone how to design a typeface or make a digital one, but I am capable in glyph editing so I made the image above to demonstrate. But before I want to get to that, I have to address your question, "what are the best options to optimize a font like these?"
If you are only going from 1.8mb to 1.4mb after editing, then you fixed nothing. I am going to be blunt because trust me, you'd rather me put it to you this way than get schooled by the type pros and geniuses around these parts man, well I think so at least!
So here goes: The only options you really have are: A. Do the painstaking manual editing of the entire font and those thousands of points that need to be corrected and removed.
Beyond tedious yes, but if you want to make that font and would like to solve these problems, then that's what it will take.
and B. Start over. Begin a new font, and try different settings for tracing and try different formats and different sizes until the resulting outline has the detail you want, while not consisting too many points. They don't have to be perfect, because your software is designed for editing fonts. You can fix the errors after tracing your outlines.
I am being totally honest here, I downloaded St. Andrew to see what all the fuss is about, and mon Dieu!
My computer has never EVER ever behaved the way it did when I tried to open your font! I am serious! Ever! It lurched and chugged like never before! *Almost* crashed.
And I looked at the file size, wowzers.
Champagne & Limousines contains eight complete fonts, each with 379 glyphs, almost 400 glyphs in each so thats about 3,000 charachters in all right? (I hate math I could be way off there) But anyways its a lot of glyphs. Together unzipped they are only 400kb. It is a simple style considerably, but honestly, what you have made with these recent fonts are so elaborate I actually completely see where neogray was coming from.
These are much too large and intricate, you should offer them in a different format than fonts.
It's not impossible to make an elaborate font that is suitable. A really decorative font is going to take up a considerable more amount of space than non-decorative ones. That's okay. They are for decoration. Their larger file size goes with the territory.
But a behemoth is impractical. My grunge font Frail&Bedazzled that I used in the example above, is 227kb (bordering on too large I'd say) but it also contains all basic punctuation, numerals and several accent characters , 175 characters in all, so considering it's a grunge-gazillion-contours-font, 227kb is really not so bad.
I did use it in this example, because this was one of my first fonts I ever made,my first ever grunge font, and I had much to learn still as it contains many errors. I am not even sure if I joined the contours of composites, or if I made them simple glyphs again. I did update it not too long ago but only to a minor change, but anyways, as usual I digress. Frail&Bedazzled is a font that though it's not flawed to the same level as St. Andrew, but I'm not happy about it.
Because it is full of errors and problems. For what? I am not trying to bamboozle people. I want to make nice fonts for their computies because I heart letters. :)
Nowadays, I would not ever put a font out there that is so flawed. I did not know that those red stray dots outside my curves were that bad of a thing. Or that intersecting contours and redundant points were either.
But there is no other way. I have do have a lofty air about the little truetype fonts I make in FontCreator.
For those who love type and fonts, who are more than happy with what a non-hinted truetype font has to offer. I shamelessly and happily assist them.
That said, I want to be proud of my little fonties, I "optimize" them as much as FontCreator allows. I know I am not a real type designer (only in my head) but I certainly go about my business in fonting as if I am.
So, besides A. editing, and B. scrapping starting over, theres C. continue making fonts like this, because some people and their computers can tolerate them.
But I wouldn't recommend that you do so I am not kissing *** here either, if you sucked I tell you to stay home and go make a social media icon or something. A lot of people do suck at making fonts. I did for a while and I still am the worst kerner on the planet I think. but you are a very talented designer. Everything you make is extremely popular, your brushes everything. If you were to make truly amazing fonts, and by that I mean fonts that are free of these errors, are reasonably sized and otherwise thoroughly inspected and tested prior to making their debut, well you'd be a shot-caller then, :P
And the pic shows a bunch of glyphs that interesct overlap or are necessary. They could all be selected and deleted.
Your font is much much more complex....but I don't think it's impossible to edit them thought it will take a bit of time.
Well. I need to get off my high horse now and get back to using fontcreator and my blogspot lol.
:::shakes fist at lunarpages::: ('nother story.)
Good luck man and everyone here on the forum, ~Cheerio from the Font Gimp. I mean Nymph. Ciao.
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