Federal Streamliner was inspired by lettering seen on the side of a 1950s/60s era train. It speaks of the designs of the 'streamline' era and is ideal for retro projects invoking the 30s, 50s or 60s needing a simple distinctive display face.

Federal Case JNL is a stencil version of Government Issue JNL... adding the feel of industrial, military or high-level government espionage... From the lettering on a shipping crate to the cover of a secret folder of undercover plans, this font fits like a hand in a glove.

In the 1959 premiere season of “The Untouchables” (based on the book by Eliot Ness and Oscar Fraley) the opening title jumps off of the cover of the book and stretches out into tall, extremely condensed lettering. This inspired the type font Federal Agent JNL, which is available in both regular and oblique versions.

A 1930s-era WPA (Works Progress Administration) poster advertising a Federal Art Project exhibit entitled "Index of American Design" was the basis for Art and Design JNL.

Aircraft marking alphabets and numerals drawn in accordance with FAR Part 45 ¤ 45.29 (c), (d), and (e) of Federal Aviation Regulations. All characters are also in EPS files.

Art Topic JNL is a round-cornered square sans serif in the Art Deco style, and was modeled from a 1930 WPA (Works Progress Administration) poster for the Federal Arts Project.

Comic Opera JNL (and its oblique version) is a wide, bold sans serif type design with an Art Deco influence based on a 1930s namesake poster from the WPA (Works Progress Administration) advertising a performance put on by the Federal Music Project.

Named for a Manhattan neighborhood, Sutton Place JNL is based on a 1930s-era poster advertising training in the “Household Arts” that was produced by the Federal Art Project in Ohio; a segment of the larger Depression Era WPA (Works Progress Administration).

A vintage printer's cut for the masthead of the "Fed-O-Gram" (a monthly publication of the Farm Bureau Federation, Inc.) had its title set in letters that emulated a moving message board. This design formed the basis for what is Moving Message JNL.

Parenting JNL is a stylized Art Deco sans serif type design originally found on a vintage WPA (Works Progress Administration) poster designed by the Federal Art Project and touting the topic of "The Job of Being a Parent". Available in regular and oblique versions.

The WPA (Works Progress Administration) posters on file at the Library of Congress have been a treasure trove of classic hand-lettered type designs. Summer Program JNL is based on one such poster offering free arts and crafts classes in New York City sponsored by the Federal Art Project.

The Federal Music Project was part of Franklin D. Roosevelt's WPA (Works Progress Administration), putting many people back to work in the Depression years of the 1930s. A hand-lettered poster advertising an "American Music Festival" featuring the Bridgeport Symphony Orchestra offered up the extra bold Art Deco inspiration which became Music Festival JNL

In the 1930s the WPA (Works Progress Administration) was involved with getting a number of Americans back to work during the Great Depression. One faction of the WPA's efforts was the Federal Art Project. Thin, condensed hand lettering on a poster for an Art Exhibition at the New Bedford Free Public Library is the inspiration for Art Exhibit JNL.

Visual Arts JNL is a classic Art Deco typeface based on the hand lettering found on a 1930s-era WPA (Works Progress Administration) poster for Women Artists. The exhibit took place in the Federal Art Gallery in Boston, and was part of the arts project underwritten by the WPA to keep many creative people working during the Depression years.

The Greek-influenced hand lettering on a 1930s WPA (Works Progress Administration) poster for the Federal Theater presentation of "Trojan Incident" inspired Euripedes JNL. The play was based on Homer and Euripedes, and was presented at the off-Broadway St. James Theatre (which opened in 1927 at 246 W. 44th Street on the site of the original Sardi's restaurant).

In the 1930s the WPA (Works Progress Administration) sponsored a Federal art project. Many posters were produced that featured government-sponsored cultural events, health and safety tips and various other topics. One such poster from Pennsylvania has the words “Work with Care” in a hand-lettered inline sans design. This became the basis for Asbury Park JNL.

The design of Concert Series JNL is based on hand-lettering for a 1930s-era WPA (Works Progress Administration) poster for the Federal Music Project of New York City’s symphony concerts. Held every Sunday at the Theater of Music [located at 254 West 54th Street], the admission in those Depression-era days was 25 cents and 60 cents, with all seats reserved.

PT Serif Pro is an universal type family designed for use together with PT Sans Pro family released earlier. PT Serif Pro coordinates with PT Sans Pro on metrics, proportions, weights and design. It consists of 38 styles: 6 weights (from light to black) with corresponding italics of normal proportions; 6 weights (from light to black) with corresponding italics of narrow proportions; 6 weights (from light to black) with corresponding italics of extended proportions; and 2 caption styles (regular and italic) are for texts of small point sizes. The letterforms are distinguished by large x-height, modest stroke contrast, robust wedge-like serifs, and triangular terminals. Due to these features the face can be qualified as matched to modern trends of type design and of enhanced legibility. Mentioned characteristics beside conventional use in business applications and printed stuff made the fonts quite useable for advertising and display typography. Each font next to standard Latin and Cyrillic character sets contain alphabet glyphs of title languages of the national republics of Russian Federation and support the most of the languages of neighboring countries. The fonts were developed and released by ParaType in 2011 with financial support from Federal Agency of Print and Mass Communications of Russian Federation. PT Serif family together with PT Sans won the bronze in Original Typeface category of ED-Awards 2011. Design – Alexandra Korolkova with assistance of Olga Umpeleva and supervision of Vladimir Yefimov

A poster circa 1930s-40s designed for the WPA Federal Art Project promoted free band concerts at the Brooklyn Museum in Brooklyn, New York. Its headline (“Free Band Concerts”) was hand lettered in a dual line Art Deco sans serif design. Now recreated digitally, the font takes its name after the poster’s topic. Band Concert JNL is available in both regular and oblique versions.

The Federal Art Project of the WPA (Works Progress Administration) employed artists to create posters for various subjects including health, tourism, safety, patriotism, theater and the arts during the Great Depression years of the 1930s on through the early 1940s. One health-related poster had the word “against” in a thin Art Deco monoline which served as the basis for Wellness JNL, which is available in regular and oblique versions.

A 1930s hand-lettered poster for the play "The Cradle Will Rock", put on by the WPA (Works Progress Administration) Federal Theater Project is the source material for Talent Show JNL; available in both regular and oblique versions. Originally, the "R" and "L" had fish hook bends, but those two letters were revised to be more traditional in structure. The obvious Art Deco influence, along with what sign painters refer to as "stovepipe lettering" (straight lines with curved [bent] corners) is a simple, clean approach to retro-influenced titling.

During the heydey of automobile travel hundreds of motels, motor courts and tourist cabins sprung up along the roadways in order to offer weary drivers (and most often their families) rest with a night's lodging. Tourist Cabin JNL takes the inline portion from the inline font Asbury Park JNL and creates this pleasant monoline design. The original design inspiration (from which the inline portion of the letters was taken) was a 1930s WPA (Works Progress Administration) Federal art project poster with the hand-lettered words “Work with Care”

The Federal Art Project division of the WPA (Works Progress Administration) employed numerous artists, musicians, actors and other creative sorts in a effort to help many survive the Great Depression of the 1930s. One of the posters created by this project was for a "Card Party and Barter Benefit" with proceeds going toward the Nassau Art Teachers Benefit Fund - taking place at the Coca-Cola plant in Rockville Centre, New York. East Village JNL was derived from this poster, and is available in both regular and oblique versions.

A 1930s WPA (Works Projects Administration) poster advertising a play entitled “Abraham Lincoln, The Great Commoner” had the play’s name done in a hand-lettered Art Deco sans. This is the basis for Art Project JNL. According to Wikipedia, “the Works Progress Administration (renamed in 1939 as the Work Projects Administration; WPA) was the largest and most ambitious American New Deal agency, employing millions of unemployed people (mostly unskilled men) to carry out public works projects, including the construction of public buildings and roads. In a much smaller but more famous project, Federal Project Number One, the WPA employed musicians, artists, writers, actors and directors in large arts, drama, media, and literacy projects.”

The basis for Series A Signage JNL is Highway Gothic; a type style design formally known as the FHWA Series. The font was developed by the United States Federal Highway Administration, and originally consisted of only capital letters and figures. Each Letter designation represented a character width from "A" (condensed) to "F" (wide). Due to poor visibility at high speeds, Series "A" was discontinued. At one point lower case characters were added to the various widths of the design, but this typeface revival is based on the original guidelines specified in the 1948 (reprinted 1952) book "Standard Alphabets for Highway Signs" [this was the original name for the FHWA series fonts preceding the eventual name change to Highway Gothic]. Unlike the original, Series A Signage JNL is available in both regular and oblique versions.

Romanovsky is the font developed on the base of samples from the catalogue of Osip Lehman foundry in Sankt Petersburg. Original Latin design that was used for Romanovsky can be found in Feder Grotesk by Jacob Erbar. The current digital font is not a scanned version of Lehman’s samples but a newly drawn typeface that differs from the original in many details. Romanovsky is a sans serif typeface with narrow proportions and noticeable contrast. It will be good for headings and display matters. Character set covers languages of Western and Central Europe and Cyrillic-based languages. It also contains around 20 ligatures of uppercase letters for the most frequent combinations. Designed by Vasily Biryukov. The bold weight was developed together with Olexa Volochay. Released by ParaType in 2013.

Irpin Type is an original font dedicated to the city of Irpin. Intended for everyday use, for books, logos, corporate style. It can also be used in posters and presentations where a confident character is needed. This font suits a large size, but it has good readability even in a small one. This is a modern slab serif with geometric shapes, inspired by the Ukrainian avant-garde of the 20th century. It has characteristic alternates for "G", "a", "u", and "&". Irpin is a city of Ukraine in the suburbs of Kyiv. On March 24, 2022, by the Decree of the President of Ukraine in order to celebrate the feat, mass heroism and resilience of citizens, shown in the defense of their cities during the repulsion of the armed aggression of the Russian Federation against Ukraine, the city was awarded the honorary title "Hero City of Ukraine"

Vialog is a large and versatile sans serif family consisting of four weights of roman with corresponding italics, each with small caps and Old style Figures. Designers Werner Schneider and Helmut Ness based the concept for Vialog on the forms in "Euro Type," an unpublished type designed by Schneider in 1988 for the German Federal Transportation Ministry. For Vialog, Schneider made comprehensive legibility studies of the existing European transportation fonts, and combined and adapted the best features to make a new information system font family. He fine-tuned Vialog's characters and spacing with a special regard to the legibility problems of transportation settings, such as viewing type at distances and while moving. For example: cap I, J and lowercase i, j are common legibility problems in sans serif fonts, so in Vialog, these characters have serifs. In addition to its usefulness to the transportation industry, the Vialog family confidently meets the needs of corporate design and branding systems with its space-saving attributes for text settings, as well as the large number of weights and styles.

PT Sans Pro is a comprehensive type family intended for a wide range of applications. It consists of 32 styles: 6 weights (from light to black) with corresponding italics of normal proportions; 6 narrow styles; 6 condensed styles; 6 extra condensed styles and 2 caption styles (regular and bold). The design combines traditional conservative appearance with modern trends of humanistic sans serif and possess enhanced legibility especially in caption styles. These features, besides conventional use in business applications and printed materials, make the fonts usable for direction and guide signs, schemes, screens of information kiosks, and other objects of urban visual communications. The fonts have extended Latin and Cyrillic character sets serving alphabets of all title languages of the national republics of Russian Federation and supporting the most of the languages of neighboring countries. Each font contains about 1400 characters including small caps for all alphabetic characters, 4 sets of figures with lining and old style variations, stressed Cyrillic vowels, indices, fractions and so on. Design -- Alexandra Korolkova with assistance of Olga Umpeleva and supervision of Vladimir Yefimov. The fonts released by ParaType in 2010.

Introducing Mixolydian, the scientific sans-serif typeface that’s anything but pretty. But don’t let its lack of aesthetics fool you; it packs a punch with its industrial and analytical tone. Unlike those fancy, European technical fonts, Mixolydian was made with an American flair in mind. Some of its graphic elements were even derived from the Federal Highway Administration Standard alphabet and architectural drafting templates. And let’s talk about those letters. Mixolydian’s intentionally off-kilter rhythm gives it a utilitarian, scientific vibe that’s perfect for any data-driven project. No need for frills or fuss here; Mixolydian is all about getting the job done. But that’s not all—the Mixolydian family comes in six weights and six highly inclined obliques, making it versatile enough for any design project you can dream up. So if you’re looking for a typeface that’s deliberately unattractive but highly effective, Mixolydian is your answer. Most Latin-based European writing systems are supported, including the following languages. Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Aromanian, Aymara, Bashkir (Latin), Basque, Belarusian (Latin), Bemba, Bikol, Bosnian, Breton, Cape Verdean, Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Crimean Tatar (Latin), Croatian, Czech, Danish, Dawan, Dholuo, Dutch, English, Estonian, Faroese, Fijian, Filipino, Finnish, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Greenlandic, Guadeloupean Creole, Haitian Creole, Hawaiian, Hiligaynon, Hungarian, Icelandic, Ilocano, Indonesian, Irish, Italian, Jamaican, Kaqchikel, Karakalpak (Latin), Kashubian, Kikongo, Kinyarwanda, Kirundi, Kurdish (Latin), Latvian, Lithuanian, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Māori, Moldovan, Montenegrin, Ndebele, Neapolitan, Norwegian, Novial, Occitan, Ossetian (Latin), Papiamento, Piedmontese, Polish, Portuguese, Quechua, Rarotongan, Romanian, Romansh, Sami, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Shona, Sicilian, Silesian, Slovak, Slovenian, Somali, Sorbian, Sotho, Spanish, Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Uzbek (Latin), Venetian, Vepsian, Võro, Walloon, Waray-Waray, Wayuu, Welsh, Wolof, Xhosa, Yapese, Zapotec Zulu and Zuni.