This picturesque, beautiful German Blackletter typeface was originally released by Benjamin Becker Succ, Frankfurt am Main, then named ?K�nstlergotisch?. Ralph M. Unger redesigned, digitally remastered and completed the font based on old catalogues/specimen. In honor of the famous Cranach family, German artists in medieval times, we renamed the font after them. The shadowed version was added for even more eye-catching purposes, e.g. in headlines.

Many years ago, we bought a bunch of proofs that had apparently come from the defunct Van Loey-Nouri foundry in Belgium. Cognac was an incomplete alphabet among them, which we completed. Just a guess, but 1910 seems like a probable date for this art nouveau design.

Neo Contact is the typeface used on the packaging of Marlboro cigarettes (Marlboro “Reds,” the main line of the brand). The typeface is bold and condensed, designed in the Egyptienne style. Egyptienne types were first designed in the 1800s, as type founders - especially in the westward-expanding United States - began to dream up newer, bolder styles of letters for advertising usage. During the 1800s, it became increasingly important for businesses to set themselves, and their products, apart from competitors. This desire has remained with corporations, as well as with advertisers and designers, into the 21st century. In addition to cigarette packaging, Neo Contact (as part of Marlboro’s branding efforts) can be seen on numerous items, including Ferrari’s F1 racers, and at Formula 1 race tracks. The letters in Neo Contact are filled with personality. Their forms display two distinct weights of line, and the serifs are made up of tiny, strict slabs. Ball terminals round out the design. Neo Contact is a complete font, with a complete western character set. Typefaces in the Egyptienne style preceded the development and distribution of larger, crazier wood typefaces, but also share many similarities with these descendents. More traditional, text faces in the Egyptienne manner are also available from Linotype GmbH (e.g., Adrian Frutiger’s Egyptienne F). On the opposite end of the spectrum, we offer interesting, personality-filled wood display types, like Ponderosa as well.

I am First Contact, a super ultra condensed all caps font with support for over 90 languages and over 540 ligatures. I am a cutting-edge font that is both cool and chic, yet still personal. I am perfect for a wide range of design projects, from logos and branding to headlines and posters. I am the future of your typography. I am the font that will take your designs to the next level. I am bold, I am confident, and I am here to make a statement. I am not like other fonts. I am not afraid to be different. I am unapologetically myself. I am First Contact, and I am here to shake things up. I am the perfect font for anyone who wants to stand out from the crowd. I am the font for the bold, the brave, and the innovative. I am First Contact, and I am the font for the cool kids. I am the font for the trendsetters. I am the font for the people who want to be ahead of the curve. I am First Contact, and I am here to help you create something truly unique. I am more than just a font. I am a movement. I am a call to action. I am a challenge to be different. So what are you waiting for? Use me today!

Based on the letterforms of Matheis' Contact, this font was completely redrawn, digitized and extended to include Central European glyphs.

Connect Christmas is a clean and simple lettered handwritten font that can be used for all chalkboard quotes or teaching material! Its authentic look will add a personal and realistic feel to your designs.

Some words from the designer... West coast artist Teri Kahan developed a "design font" of 68 pictographs capturing the sentiments of relationship, connection and synchronicity. Many of the characters were created with phrases in mind like, "handing you the world on a platter", "howling at the moon", and "message in a bottle". Others represent life experiences. The clean, simple illustration style originates from the look of hand-carved rubber stamps, and lends itself beautifully to logos and graphics.

Connected Neon is a mesmerizing display font that encapsulates the vibrant glow of neon lights, fusing it with a unique twist of connected letterforms. With its bold and uppercases design, this typeface commands attention, drawing the viewer into a captivating visual experience. The defining feature of Connected Neon lies in its elegant lines that seamlessly connect each letter, creating a unified and harmonious composition. These delicate lines flow effortlessly from one character to the next, accentuating the connectivity between them. As a result, the letters appear to dance with an electric energy, forming an enchanting tapestry of illuminated artistry. The neon-inspired style of Connected Neon is a nod to the retro-futuristic aesthetics of the 80s, reminiscent of the vibrant signage that adorned the bustling city streets. The font's luminous glow radiates with an otherworldly aura, casting a vivid hue that is both nostalgic and contemporary, evoking a sense of vibrant energy and modernity. Each character in Connected Neon has been meticulously crafted to strike the perfect balance between legibility and decorative flair. The bold letterforms boast a sleek, sans-serif design, ensuring clarity even in the midst of the dynamic interplay of lines. The seamless connections between letters create a sense of continuity and fluidity, enhancing the visual appeal without compromising readability. Enjoy the various features available in this font. Features: Multilingual Supports PUA Encoded Numerals and Punctuations Connected Neon is ideal for a range of creative projects that demand a touch of charismatic flair. From eye-catching headlines on posters and advertisements to striking branding elements, this font adds a touch of electrifying allure to any design. Whether you're designing a captivating logo, crafting an attention-grabbing title, or bringing a digital artwork to life, Connected Neon will effortlessly infuse your creations with a radiant glow and a sense of interconnectedness. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

Brannboll Connect is a script sport typeface. The baseball-style lettering was drawn by Måns Grebäck in 2020. It is a specialist connected typeface: Each character and all their parts are physically connected, making it a lettering perfect for laser cutting, signs, jewelry, woodworking and embroidery. It also comes with the additional, decorative style Brannboll Connect Swash, which contains ten cool swashes to give the graphic extra expression. It has a very extensive lingual support, covering all European Latin scripts. The font contains all characters you'll ever need, including all punctuation and numbers.

Warning: works with contextual alternate-feature, which is not showing here. Matita Connected is part of a larger type family developed from 2005-2019 with handwriting in mind. A solid script face in two weights and a dotted instructional version. With alternative glyphs based on different writing habits. For teaching, teaching material or just typography. An unchildish handwritten type family for many purposes.

Based in Maria Consuelo Roman's handwriting, Mimi's Hand Connected is a very spontaneous font. It could be used in any informal project.

Introducing our product Brishia Jodie! Connecting script, designed to convey elegance and style. It is slender, feminine and friendly. Brishia Jodie is perfect for fashion, e-commerce brands, trend blogs, or any business that wants to appear classy and chic. Brishia Jodie Includes: Uppercase, lowercase, numeral, punctuation & Symbol Stylistic alternates Stylistic Set01 - Stylistic Set02 Ligatures PUA Encoded Characters Fully accessible without additional design software. If you have any question please do not hesitate to contact me : info@sizimon.com. Thank You!

Mezzotint CF is a daring and playful display typeface perfect for logotypes, posters, and editorial use. High-contrast strokes, flared serifs, aqueous connections, and inky terminals give Mezzotint CF its striking and rakish personality. Includes roman and italic sets across a single bold weight, with wide language support, optional ligatures, OpenType alternates, and more. Mezzotint CF pairs well with a contrasting, simple geometric sans-serif like Greycliff CF; for maximum effect, try a large difference in typeface size between the two. All typefaces from Connary Fagen include free updates, including new features, and free technical support.

Introducing our new product Harlesy Script Connecting script, designed to convey elegance and style. It is slender, feminine and friendly. Harlesy is perfect for fashion, e-commerce brands, trend blogs, or any business that wants to appear classy and chic. Harlesy Includes: Uppercase, lowercase, numeral, punctuation & Symbol Stylistic alternates PUA Encoded Characters Fully accessible without additional design software. Multilingual Language To access the alternate glyphs, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. If you have any question please do not hesitate to contact me. Thank You!

Bakeshop is a casual script font family. It is drawn with rounded marker so the contrast is quite low. It has bumps at the end of strokes where the pen has stopped and the ink has spread. Bakeshop includes three weights and has both connecting and non-connecting versions. Connecting Bakeshop versions has OpenType features like Final Forms, looping connections with lowercase e, high connecting stroke with ascenders and plenty of discretionary ligatures. You can enable Final Forms either enabling Final Form feature or Contextual Alternates. If you want to use the high connection strokes with ascenders enable Stylistic Alternates or Stylistic Set 2. And if you like to use the ligatures just enable Discretionary Ligatures feature.

Rossaline Handwritten is a lovely script font of which characteristics are the connections between letters to look like a naturally connected handwriting that leaves the impression of this font being organically, spontaneously written in order to add a firm personal touch. This font has various line thicknesses to show high letter contrasts to strengthen the font’s firm, clear impressions. Besides, the letters’ height variety, meaning that some of the letters are higher than the others, makes Rossaline Handwritten more interesting and dynamic. However, the connected letters can cause difficulty to read in small text sizes, so that you need to be more careful to use this font by adjusting it to your needs. In addition, you may enjoy the available features here as well. Features: Ligatures Multilingual Supports PUA Encoded Numerals and Punctuations Rossaline Handwritten fits best for various design projects, such as brandings, quotes, invitations, name cards, greeting cards, printed products, merchandise, social media, etc. Find out more ways to use this font by taking a look at the font preview. Thanks for purchasing our fonts. Hopefully, you have a great time using our font. Feel free to contact us anytime for further information or when you have trouble with the font. Thanks a lot and happy designing.

RAN Reformed Typeface for Beginners by Georg Salden - 
a headstrong and courageous approach to an improved handling of handwriting. Diverse and sometimes irreconcilable theories exist about how beginners are supposed to learn writing and reading. This has led to fierce discussions among experts already. We don’t want to pour more oil on the fire, but hope to create a new awareness for this topic, which is important to everyone of us. For beginners the combination of single characters (sounds) to whole words is essential during the acquirement of reading and writing. In this process they develop the skill to recall entire terms from memory. Therefore, after current practice, every word shall be written in a single stroke without lifting the pen in between. Georg Salden contradicts this postulate and warns, that coercively holding the pen down within a word can easily lead to exaggerated loop formations and a general meandering of the written text. The intellectual process in connecting single sounds to words while writing would happen anyway and the prohibition to lift the pen would often lead to tensions. 
To still support the necessary connections in general and to simplify the connecting, he teaches to write all round letters like a, e, g, o with inclusion of the connecting stroke, so that the spacing and combining with the next character arise by themselves. By settling the stroke at certain points and with a clear and logical writing method, a conscious and careful contact with the various strokes arises. All this automatically leads, together with a certain deceleration, to an increase of beauty and readability in the handwriting. 
The repeatedly discussed topic »connected or unconnected« appears to be solved in the most comfortable way as, depending on the particular character combination, both solutions are possible.

Introducing our latest product Biancha Script! Connecting script, designed to convey elegance and style. It is slender, feminine and friendly. Biancha is perfect for fashion, e-commerce brands, trend blogs, or any business that wants to appear classy and chic. Biancha Includes: Uppercase, lowercase, numeral, punctuation & Symbol Stylistic alternates (lowercase and uppercase) Stylistic Set01 - Stylistic Set02 Ligatures PUA Encoded Characters Fully accessible without additional design software. To access the alternate glyphs, you need a program that supports OpenType features such as Adobe Illustrator CS, Adobe Photoshop CC, Adobe Indesign and Corel Draw. If you have any question please do not hesitate to contact me. Thank You!

Gracia is a classic connected script design. OpenType features: - over 700 glyphs - central European faces - connection forms & stylistic alternates - proportional, mediaeval numerals & Roman numerals - numerators, denominators and fractions

Gracia is a classic connected script design. OpenType features: - over 700 glyphs - central European faces - connection forms & stylistic alternates - proportional, mediaeval numerals & Roman numerals - numerators, denominators and fractions

Connecting handwriting script.

Realistic, connected script handwriting.

Classical connected script font.

Simultaneously futuristic and retro, Retron is perfectly named. Retron is a partially connected script - or is it a connected sans? Either way, it's a strange, unique combination that works surprisingly well.

A connected, delicate script font.

A connected, upright script font.

Legible, pretty, neat, connected cursive handwriting.

A connected handwritten script with spidery elegance.

KD Hachure is a display, geometric font with layering possibilities. Combine the two layers to achieve different color combinations or use them separately to achieve a completely different look. Kerning is optimized so that all latin letters are connected. With the default leading 120%, descenders connect with the top of accents. Set the leading to 100% manually if you want to connect descenders with the top of uppercase or ascender letters.

A freehand connected brush script with swash-caps and a variety ligatures. All lower case glyphs carefully designed to connect to each other creating a pleasant and legible script. Suitable for captions, packaging, cards, posters, ads, book jackets, manuals, and menus.